A Quote by Anthony Fantano

Bands such as LiLiPUT and Essential Logic were just as unorthodox as Gang of Four or Wire, even taking their sounds a step further with shrieking vocals and saxophone. — © Anthony Fantano
Bands such as LiLiPUT and Essential Logic were just as unorthodox as Gang of Four or Wire, even taking their sounds a step further with shrieking vocals and saxophone.
These new bands sound like Gang of Four — if Gang of Four sucked.
The influence of the Gang of Four should not be underrated, but it should be noted that 97 or 98 per cent of the population hate them intensely for their crimes. This was shown by the mass movement against the Gang of Four which erupted at Tiananmen Square on April 5, 1976, when the Gang were still riding high, Chairman Mao was critically ill and Premier Zhou had passed away.
For me, growing up in New York, it started with Elvis Costello and the Clash and then got into louder things like Bad Brains and Stimulators, because those were, like, the local bands. Then I started getting into bands from England like the Slits. I remember seeing Gang of Four at Irving Plaza; that was a really big show for me.
Throughout the evening I would be recording these long saxophone delays and about four hours into the concert, if I wanted to take a break I would just play back the saxophone.
Nine Inch Nails' sound is dominated by clanging synths and sardonic, shrieking vocals.
The saxophone was created to mimic the human voice and I think that's why I gravitated toward the saxophone eventually. I'd loved the clarinet, but there's something about the saxophone that just grabs you.
I was in bands many years ago, so that's where it started. I played in bands, sang backing vocals and all the rest of it.
I'll play about with different sounds in the studio with no concept of music at all. I'll just build up a song in layers and when it sounds all right and gives me a vibe, that's enough, and I'll add vocals and move on.
Later after college I discovered Gang of Four, Buzzcocks, and those kind of bands. My tastes have changed but I still carry a lot of the influences from my youth.
Some of my friends were gang-affiliated or gang-related, but that was just the way things were. I was lucky because football kept me busy and away from that bad path, to an extent.
I decided to play the saxophone because it was the most obvious instrument in my family. There were a lot of saxophone players in my family, and there were extra saxophones, so that was an easy one to pick up. It was fun - it was okay - it just wasn't me. It didn't feel like my instrument, so I never followed through.
Arthur Miller once payed me a great compliment saying that my plays were 'necessary.' I will go one step further and say that Arthur's plays are 'essential'
When we started, our style of music wasn't on MTV. It wasn't cool, and it wasn't popular. The only bands who were even kind of similar were Blink-182 and Green Day. But we don't sound like those bands, even if people throw us in that category now.
I love the sound of the saxophone. It became my singing voice, and it sounds so human. The saxophone could carry the words past the border of words. It can carry it a little bit farther.
I got into punk at 17 after discovering an all-girl band from Long Island on the Internet called The Devotchkas - four crazy-looking girls with fast, driving basslines and high-pitched gang vocals who shared the same dress sense as the punks I used to eye up curiously in Camden.
The late sixties and early seventies were kind of a breeding ground for exciting new sounds because easy listening and folk were kind of taking over the airwaves. I think it was a natural next step to take that blissful, easygoing sound and strangle the life out of it.
This site uses cookies to ensure you get the best experience. More info...
Got it!