A Quote by Enzo Amore

On the low, I've been in Kanye's studio, No Name, out in L.A. — © Enzo Amore
On the low, I've been in Kanye's studio, No Name, out in L.A.
I miss the old Kanye, straight from the 'Go Kanye, Chop up the soul Kanye, set on his goals Kanye, I hate the new Kanye, the bad mood Kanye, The always rude Kanye, spaz in the news Kanye...
People who mock rap and say, "I don't like it," they should go and check out Kanye [West] in the studio rapping, or Marshall, Eminem, when he's in the studio. It's a phenomenon. Don't knock it until you've seen it. It may not be your cup of tea, but don't ridicule it.
I was lucky enough to be in the studio with Drake and Kanye before I put 'Freaky Friday' out. I showed them the video before I put it out.
I used to call Kanye, Kanye pick up on the first ring, now Kanye don't even got no phone, that's how much times have changed.
Kanye is producing in the true sense of the word. 'Real Friends' was an idea started by me and Boi-1da. We passed it off to Kanye, and Kanye kind of stripped it down and had Havoc add some drums to it. Kanye had the vision. That's really true-school production.
You come to my studio, it says 'No photography on premises.' I picked that up from Kanye. We don't need all that. In the old days in the Wu, we didn't allow anybody in the studio, not even women. We didn't start allowing women until five years after our debut. ODB used to get mad.
I'm no longer the young guy in No I.D.'s studio asking for Kanye beats.
We have heard projects with some of the writers, who we've been in business with for a long time at the studio, that we've heard as a studio - often, pitches that are still in their formation stage where we or the writers have wanted our input on developing them. We've probably heard more pitches with the network hat on. Certainly all of the outside pitches are that way, and many of the pitches that have been in great shape coming out of the studio we've heard from a network perspective.
A fitness instructor in Maine has been charged with running a prostitution business out of her Zumba dance studio. Authorities first got suspicious when they saw guys going to work out at a Zumba dance studio.
I love these dudes, but I don't know what they're doing with all that facial hair these days. There's a lot of peach fuzz going on. They called me up to go to a Kanye West concert, and I was like 'hold on I'll call Kanye.' So I called him and they got into the show, and I called Kanye later and said, 'Yo did you see my dudes from Panic! at the show?' and he was like 'Nah they mst not have been dressed like they were from the 1700's'. But I back them. They have their own unique style, which is cool.
I'm very critiqueful of my own stuff, and I kick everybody out the studio when I'm singing, no one is in the studio, it's just me and the engineers, no one else in the studio when I'm doing my thing.
The Bassbone is just what I have been looking for... I can maintain the integrity of two instruments on stage or in the studio with control over the balance and keep my high standards for my low notes!
I signed with Kanye back in 2003, and at that time, 'The College Dropout' hadn't even come out, so he was still relatively unknown compared to where he is now. He wasn't a household name; people were still calling him 'Kane.'
I did a track with Khao, out of Atlanta, who's worked with T.I. Did a track with Maylay, who did a lot with John Legend's album. I got in the studio with Kanye West; we did a song. The dedication for the career takes a lot of work, but if you love it, it's worth it.
Kingston is so chill. He goes with me everywhere. He's been to every studio in L.A., New York, London. He lives up to his name - total Rasta boy. He gives me a real balance. You can go 100 miles an hour, but you still have to stop to hang out with him.
I was never in the business of trying to put my name out there - I was really focused on music and records and being in the studio.
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