A Quote by Eric Bana

I wasn't going to be a college kid. The only subject I was interested in was English. I think I had a subconscious interest in analyzing story. — © Eric Bana
I wasn't going to be a college kid. The only subject I was interested in was English. I think I had a subconscious interest in analyzing story.
If your subject is crime, then you know at least that you're going to have a real story. If your subject is the maturing of a college boy, you may never stumble across a story while you're telling that. But if your story is a college boy dead in his dorm room, you know there's a story in there, someplace.
I went to University College London and read English literature, then realised if you were interested in story and narrative, film was the way to go.
I always loved English because whatever human beings are, we are storytellers. It is our stories that give a light to the future. When I went to college I became a history major because history is such a wonderful story of who we think we are. English is much more a story of who we really are.
I always knew from the beginning that this was the only way to write Then We Came To The End - that it had to be in first - person plural if it was going to illustrate how the individual becomes part of the collective. I had no interest in writing the book in a more conventional voice. It goes back to that fascination I had with telling a story in multiple ways. It was the only choice I gave myself, really - I said "This is it, pal. If you can't tell a story this way, you're going to have to abandon the book. Write it this way or give up."
Lewis Carroll, you see, wasn't really interested in telling an exciting story. Well, he wasn't interested in things like cause and effect or a linear narrative. It's surreal, it's absurd, it's wordplay, it's satirical, it's analyzing itself, it's funny, it's an enormous challenge.
I didn't think anything I wrote was going to get published. I'm a dyslexic kid who had tutors through college. But I had a very strong impulse to write.
I think my films are very English. That certain emotional distance, interest in the world, interest in irony. These are all deeply English propositions.
We didn't even think about it, you know? I used to collect laser discs, and you'd have some college professor analyzing It's a Wonderful Life or Citizen Kane, and now it is pretty funny - the idea of commentary for a silly kid's movie, you know?
We talked about and that has always been a puzzle to me why American men think that success is everything when they know that eighty percent of them are not going to succeed more than to just keep going and why if they are not why do they not keep on being interested in the things that interested them when they were college men and why American men different from English men do not get more interesting as they get older.
I had always had a deep interest in social science, history. So even when I was in high school, I was debating, and in college debating, and interested in contemporary events.
My favorite subject was English, and I wanted to study English abroad when I was young, when I was a kid, but my mom said 'No, it's too dangerous to go abroad by yourself.' So I gave up.
American pictures usually have no subject, only a story. A pretty woman is not a subject. Julia Roberts doing this and that is not a subject.
If I can't find a project that I'm really interested in, I'll just go back to college where I've been studying art history and French. I'm also going to study English and philosophy - the whole curriculum!
My greatest interest in it was certainly not to avoid those things that were going to be controversial about the family but the interest I had in the story was predominantly what he was pursuing and not as much what he was fleeing.
When I was in college, I became interested in various aspects of foreign policy and international relations. Even as a kid, I was interested in what I call, loosely speaking, forbidden knowledge.
I was born to sell it as a kid. I think it's partially innate, and partly it's because my parents were always very clear: if I needed anything that wasn't a necessity, I was going to have to save my money and buy it myself. That meant not only did I have to buy basketball shoes, but I had to figure out how to pay for college as well.
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