A Quote by Eric Cantona
Socrates worked towards making people question themselves. He like to provoke self-interrogation but wasn't particularly interested in the answers that emerged; he just like to set off the thought process.
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I have never worked on interrogation; I have never seen an interrogation, and I have only a passing knowledge of the literature on interrogation. With that qualification, my opinion is that the point of interrogation is to get at the truth, not to get at what the interrogator wants to hear.
I'm interested in making films that ask questions and don't particularly provide answers.
My main point about films is that I don't like the adaptation process, and I particularly don't like the modern way of comic book-film adaptations, where, essentially, the central characters are just franchises that can be worked endlessly to no apparent point.
I feel like, these days there's so much music and so many bands, that it's exciting to hear when people go through the whole process with their own sort of system of making the music. It gives it a much more personal individual feel, like unique feel, when somebody has a really idiosyncratic set-up, or they just have what might be considered strange ways of going about the process that yields results that are not just cookie-cutter sounds like everything else... and I think that can only be a positive thing.
I worked for George Bush. I'm proud to have worked for him. I think that a lot of the most controversial things we did, that people didn't like and - and criticized us for, things like the terror surveillance program or the enhanced interrogation techniques, were things that allowed us to save lives.
I always knew, since I'm the one making the movie, if I didn't like it, I'd just simply build another set and do it again. I was the one doing it all, so I never really worried about if I didn't like it. I just thought, "Well, if I didn't like it, I'll just do it again! Who cares?"
I love being on the periphery with a group of people who have the same values that I do. People who don't get off on fame, who just like the process of making movies and thrive.
I'd like to walk that fine line between the authentic artist self and the manufactured artist self. I'd like to exist outside of a set of expectations or assumptions about what the Kehinde Wiley brand is. And I'd like to walk towards something that's a bit more unpredictable, human.
The experiencing self lives in the moment; it is the one that answers the question, 'Does it hurt?' or 'What were you thinking about just now?' The remembering self is the one that answers questions about the overall evaluation of episodes or periods of one's life, such as a stay in the hospital or the years since one left college.
People can lose so much skin that it has a huge effect on the body and when they scar they are affected for life. I've worked in this area and have for years tried to improve spray on skin cells, but this is just one part of the jigsaw towards making it better. We needed to get it on quicker then we can reduce the scarring. That's my motivation, my drive towards making it better.
Socrates himself said, 'One thing only I know, and this is that I know nothing.' Remember this statement, because it is an admission that is rare, even among philosophers. Moreover, it can be so dangerous to say in public that it can cost you your life. The most subversive people are those who ask questions. Giving answers is not nearly as threatening. Any one question can be more explosive than a thousand answers.
That thought process that somehow other people have to be worse off in order for you to be better off does not work. People get on boats people jump fences to get away from that kind of thought process.
Self-knowledge is not the knowledge of a dead self, self-knowledge is the knowledge of the process of the self. It is an alive phenomenon. The self is not a thing, it is an event, it is a process. Never think in terms of things, the self is not there inside you just like a thing waiting in your room. The self is a process: changing, moving, arriving at new altitudes, moving into new planes, going deeper into new depths. Each moment much work is going on and the only way to encounter this self is to encounter it in relationship.
Visionless status quo policy towards Latin-America, particularly towards Cuba, has turned off a lot of people, and I think it's created an opening.
For me, making a movie is kind of like vomiting. Not that film is like vomit, but more like this mass of ideas and thoughts that you have and just have to put them out there. It's not even about making perfect sense - it's more about making perfect nonsense. I don't do too much soul-searching or self-analysis. I just enjoy making things.
The problem of journalism is simple. Journalists are rarely in a position to establish the truth of an issue themselves, since they didn't' witness it personally. They are entirely dependent on self-interested sources to supply their facts. Every part of the news-making process is defined by this relationship; everything is colored by this reality.
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