A Quote by Eric Carr
I was in one bar band from 1965 to '69, then I was in another one from 1970 to '79 - a 9-year bar band!
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If you don't have a good rhythm section, your band is toast; you're a bar band. Good rhythm section, you've got a chance to get out of the bar.
We're a bar band, so we know all the bar songs.
Well actually I'm not a man but a carrot. The band was eating salads one day and a carrot fell off of the salad bar onto a microphone and the band realized that they had just discovered something brilliant. Me.
My first contract was in 1965. There were six of us in this band - my band before Deep Purple - six in the band plus management, and the entire royalty rate was three-fourths of 1 percent.
A jazz tune, melody, or composition is usually based on either a traditional twelve-bar, eight-bar, or four-bar blues chorus or on the thirty-two-bar chorus of the American popular song.
We might have, with Hockey Canada, an Aero Bar, a chocolate bar. 'Okay we're going to play for this chocolate bar.' Here you have guys who made millions of dollars, they're professional athletes, and they will fight tooth and nail to win. It's not necessarily for the chocolate bar. It's the competitive spirit.
Then I got a gig with an older friend who had the equipment and he played in this bar. They would bring me in the bar through the backdoor and I would DJ in the back room most of the night. Then they'd take me out the backdoor, so I was never really in the bar.
I was in a rock band; I was my own folk singer; I was in a death metal band for a very short time; I was in a cover band, a jazz band, a blues band. I was in a gospel choir.
Usually, the best thing is when the band goes to the bar and gets the corner table, we sit there like kings, and then they bring people to us. It's just rock 'n' roll. It's stupid, really.
I never thought of us as a punk band, a metal band, or a new wave band. Just as a band band.
When you are in a band for a number of years you loose your identity in a way. You become a part of that band and then all of a sudden you are not part of that band. You are still the band without the other two members.
Revamp is a band that would deserve the hundred-percent devotion a band needs, and at this moment, I don't see any future for another band next to a band such as Nightwish, and with the ambition to become a mother, I will have to let Revamp go, which is a very sad decision.
I was a member of the band when it was just, like, a conversation at a bar. Then we constantly practiced, we played shows, we tooled around in the studio. And then, when I moved and kind of bailed on that, is when... So, yeah, for the first, 'Mass Romantic,' I was heavily involved. Then, for a couple records after that, I was not really involved at all.
What's cool about indie rock is that one band can do effectively the same thing as another band, and one band nails it, and the other one doesn't. I like that elusiveness.
We started out as a bar band. We were sometimes playing in front of 20 people.
It was my band. I organized the band and Dizzy was in the band. Dizzy was the first musical director with the band. Charlie Parker was in the band. But, no, no, that was my band.
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