A Quote by Eric McCormack

I saw 'Othello' with Christopher Plummer and James Earl Jones. — © Eric McCormack
I saw 'Othello' with Christopher Plummer and James Earl Jones.

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I always approach every play based on the cast. When Denzel and I did 'Fences,' I didn't go to rehearsals and say, 'OK, James Earl Jones did a wonderful job in '87. Let me see if you can come close to James Earl Jones.'
There was all this talk when Obama got elected about how we were living in a postracial world. But we're not. Until we get to the point where James Earl Jones can play, say, George Washington, race matters. You wouldn't put a white actor in blackface to play Othello. You shouldn't have a white actor in what amounts to yellowface to play Asian.
The opportunity to carry water every night to James Earl Jones on stage is a dream come true.
A couple of years ago my friend and business partner Jeffrey Richards was doing the Gore Vidal play, The Best Man, starring James Earl Jones. I asked Jeffrey out to lunch and asked him what he thought of James playing Grandpa in You Can't Take It With You. Jeffrey thought it was a fabulous idea and so did James.
I know it affected me when I saw certain actors growing up. I had a drama teacher that would take us to see plays in New York, and it was seeing James Earl Jones and Raul Julia - I mean, this guy comes from the place my mother comes from. He's doing Shakespeare right now, and it doesn't seem to matter that he has an accent.
Thank God that I am not over 75 so that James Earl Jones knows who the hell I am.
One person I've always wanted to work with who would be an amazing guest star would be James Earl Jones.
I grew up watching CNN, and my memory of CNN is James Earl Jones saying, 'This is CNN.'
I want to be remembered for a body of work so that when the next guy comes up, he could think of Sterling K. Brown in the same way that I think of Andre Braugher and James Earl Jones.
The trailblazers are my role models in this industry: Sidney Poitier, Harry Belafonte, James Earl Jones, and Billy Dee Williams. I keep their pictures in my trailer and try to measure to their standards every time I act.
My voice dropped when I was 14. And when I was 14, I might have weighed 75 pounds. So you can imagine how strange that must have been: like James Earl Jones speaking through a sock puppet.
I have an occasionally recurring stutter, but not when in character on stage in a play. Odd. James Earl Jones has the same pattern; he stutters in everyday life but not when acting. Preparation requires an actor's concentration to make the words belong to another person, which is its own sort of trance.
Christopher Plummer once told me that he never orders a wine without first confirming that the restaurant has a second bottle in case he loves it.
When I was a young kid, my pops introduced me to it. He took me to Harlem, 145th and Edgecombe, to watch the filming of Claudine with James Earl Jones and Diahann Carroll. That was my first taste of seeing a set and the cameras, and I was bit by the acting bug at a young age.
I was first introduced to August Wilson in the 80s when Charles Dutton did Ma Rainey and James Earl Jones and Courtney Vance did Fences. I've long considered August Wilson to be one of the five greatest playwrights in American history.
I had the great good fortune of working with Christopher Plummer, Frances Sternhagen, and Arthur Hill early in my career, and it set a standard for the kind of work I want to do.
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