A Quote by Eric Fellner
Mike Leigh and Ken Loach are the people I look up to. They are quality film-makers making interesting, controversial, ground-breaking movies with very little eye on the marketplace.
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How heartening it is to know that Ken Loach is still out there making committed, polemical cinema, so long as you don't have to watch it. Never go near a Ken Loach film unless you're trying to sleep with a socialist. If you are, however, Land And Freedom should do the trick.
Mike Leigh taught me about making choices - as an actor, you choose between being honest and clever, and with Mike, it's always about being honest. I learned how to behave on a film set from Jim Broadbent. He was a great example of someone with a fantastic career who kept his feet on the ground.
I acknowledge Mike Leigh and Ken Loach. They are prostlytizers of English socialism preaching to the converted and telling us what we already know. Cinema is best served away from documentary neo-realism. I come from a tradition of post-post-Italian neo-realism in England, where we've produced the best television in the world. But to paraphrase Truffaut, the English have no visual imagination.
It depends who the director is you know, I mean Ken Loach for instance. I've done up to 32 takes with him.
I aim my movies, as much as I can, at myself. I think that those movies have an interesting quality. They're very movieish. They are movie movies. Like I think Watchmen is a very self-aware movie. 300. Dawn of the Dead definitely. That's really where I've ended up.
Every little boy wanna pick up the mic,
And try to run with the big boys and live up to the real hype.
But that's like pickin up a ball, playin with Mike,
Swingin at Ken Griffey or challengin' Roy to a fight.
I'm just one woman away, my mother, from being the same as Mike Tyson. I would've ended up like him if my mama had not been so tough and strong. A lot of people, including Mike, don't know I came from the ghetto. They think I'm too nice and proper. But that's the way my mama raised me - to look people in the eye and respect them.
When I was little it was a great time for film-making, with stuff like Mike Nichols' 'Silkwood.' The films you see in that pre-secondary-school stage stay with you in a very particular way.
I think I spent my entire childhood on film sets, surrounded by film-makers and actors and people with magnetic energies who make movies.
Personally, I don't give a toss about French viewers. I make films for foreigners - it's a bit like Ken Loach, who's not very popular in England but has had a lot of success in France. Cinema is always an experience in a foreign body.
I'm not going to lie, the first three years of being in the group, I would look for trolls. I would search Leigh Anne. I would look through Twitter and I would search Leigh Anne from Little Mix, the black girl in Little Mix, I would put these things in my search engines just to see the comments.
I had left school at 16, gone to stage school - and, until I was 22, I hadn't really played anyone but myself. Then in 1979, I made a film with Mike Leigh called 'Grownups,' which went out on the BBC, and overnight this new career opened up.
The problem with breaking up with someone, if you are a little unsure — and so often, people are unsure — is that breaking up involves persuasion. You have to persuade your ex that it is better this way for everyone. And this is difficult if you have not entirely persuaded yourself. It is especially tricky to do this if you are also naked, and making two cups of coffee.
The most frustrating things is when you read something that has so much potential, but there are other little red flags where you think, I don't know that I would see eye-to-eye with the people making this film. And that is the worst environment to enter, and absolutely not worth the risk.
When I'm on the road making a movie in another city, on my day off, I always go to the movies. I love going to the movies. You get a ticket and sit there, and it's very interesting to be around people who aren't personally invested in you, in any way. They're just going to the movies.
We will not have humanoid androids. It's interesting: when you start trying to make robots look more human, you end up making them look more grotesque. It takes very little to go from super-attractive robot to hideous robot.
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