A Quote by Eric Idle
I used to think I was like the wicket- keeper, which is like the catcher in base- ball, y'know what I mean? You can call the play a lot from behind the plate, y'know what I mean? You're not necessarily the star, you're not the one that makes the mark, but usually in the end, you're called upon to get a run when it's needed.
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I think didactic art is boring. I mean, I love it in terms of, like, some of the historical precedents that I've learned from. You needed that. We needed those building blocks in terms of - you know, when I look at a great Barbara Kruger, for example, and you're thinking about, you know, the woman's position in society - you know, she found a way of making it beautiful, but at the same time it's very sort of preachy, you know what I mean?
When I go to the plate, I think about putting the ball in play. It's important to get on base and get some walks, but I don't go to the plate thinking of walking.
I think a lot of the production process is always giving yourself, like what I call like escape routes, like, if this scene doesn't play, if we realize we've had too many dirty scenes in a row, and it's like, because you don't have the luxury when you're in the middle of shooting, to see how these scenes play all in a row, kind of, you know what I mean. So, like we're always trying to like have insurance policies on, ok, if that doesn't work, we can just jump to this thing.
I think there's a big price to pay for consciousness, knowing that it's all going to end and we're mortal. I envy dogs. They don't know they're getting old! And they don't know it's towards the end. I mean, they never think, 'I used to get by on 16 hours of sleep a day. Now, if I don't get 19, I'm a wreck.'
As far as Deep Purple goes, I mean, they're iconic. Their contribution is unquantifiable, and as far as the politics involved in things like awards, you know, I don't think anything, because I know what they mean to me, and I know what they mean to the people who like them. Awards are very politically based.
Clarity is of no importance because nobody listens and nobody knows what you mean no matter what you mean, nor how clearly you mean what you mean. But if you have vitality enough of knowing
enough of what you mean, somebody and sometime and sometimes a great many will have to realize that you know what you mean and so they will agree that you mean what you know, what you know
you mean, which is as near as anybody can come to understanding any one.
'Griot' is a French word which means, you know, really, literally, 'cry.' You know, like the town crier. You know, they come in and say, you know, 'It's nine o'clock; everything is cool.' You know, 'President Bush is a fool.' I mean, stuff like that just to tell you. But for the kind of, the African thing is called djali.
I have a fan-base that apparently like you know, people...it's not that they look up to but you have certain figures that, you know, you'd like to be more like and people really love Bella and I do too but I'm not her...I don't think anybody expects me to try to just for the rest of my career appease an audience that once liked "Twilight", you know what I mean?
You know, the next time you're guilty of anything, the next time you're charged with anything, try saying, "Hey, hey, hey, I didn't mean to run the stop sign." Or, "I didn't mean to leave the bar and get behind the wheel. I really didn't. I didn't mean to get behind the wheel after having some adult beverages." See if that works for you. And if you're saying it's not the same thing, yes, it is.
And I don't really like golf. I know a lot of English footballers play, but I know that if I go with the club to play, sooner or later I will end up trying to smash the ball with my foot.
There's certain stock lines that, you know, like heckler lines, you know, like, where did you learn to whisper, a helicopter, you know? Nobody owns those. I mean, someone first wrote it but it's been so universally used that it's common and it's called stock.
You know the days when you get the mean reds? Paul Varjak: The mean reds. You mean like the blues? Holly Golightly: No. The blues are because you’re getting fat, and maybe it’s been raining too long. You’re just sad, that’s all. The mean reds are horrible. Suddenly you’re afraid, and you don’t know what you’re afraid of. Do you ever get that feeling?
A lot of players know how to play the game, but they really don't know how to play the game, if you know what I mean. They can put the ball in the hoop, but I see things before they even happen. You know how a guy can make his team so much better? That's one thing I learned from watching Jordan.
I mean, what's thematic? How to put it? Going back to, like, 1980, when I started writing poetry. Language itself became an issue. I'd even think about font as an aspect of text, you know, how something looks on a page. A lot of this is the product of a very solitary existence, it's like, language, I mean, you know. A lot of time spent alone in the creation of all of this stuff.
I think a lot of the writing, you know, I write is just kind of like that where, you know. I write exactly how I'm feeling sometimes, and hardships that I'm going through. But I always end up, like the choruses are like, "God, You are good. God, you're faithful. You know, I know You understand, You're right here by my side." All these different things. And I just say very personal experiences that I've been through. I mean, it's not always detrimental thing.
I have five pitches. Fast ball, change, curve, slider, screwball. I don't know any hitters. Catcher, he tells me what to do. I can get any pitch I want over the plate.
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