A Quote by Erica Jong
What makes a Man love Death, Fanny? Is it because he hopes to avert his own by watchin' the Deaths of others? Doth he hope to devour Death by devourin' Executions with his Eyes? I'll ne'er understand it, if I live to be eight hundred Years. The Human Beast is more Beast than Human, 'tis true.
Related Quotes
In brief, I regard love as a more decisive focus of meaning than death. In terms of Heidegger's argument, this is because I think he misdescribes the importance of the deaths of others and focuses exclusively on my relation to my own death. But, in reality, the deaths of others have a more urgent and immediate impact on our lives than the purely notional knowledge that I too will one day die.
The religious man, the mystic, tries to explore the mystery of death. In exploring the mystery of death, he inevitably comes to know what life is, what love is. Those are not his goals. His goal is to penetrate death, because there seems to be nothing more mysterious than death. Love has some mystery because of death, and life also has some mystery because of death.
For it is only in accepting death that one can truly live, and for the human animal, death has always been the great black beast from the abyss to be dreaded or defeated or avoided or hated - but never looked upon clearly face to face.
Superstition changes a man to a beast, fanaticism makes him a wild beast, and despotism a beast of burden.
Sheep run to the slaughterhouse, silent and hopeless, but at least sheep never vote for the butcher who kills them or the people who devour them. More beastly than any beast, more sheepish than any sheep, the voter names his own executioner and chooses his own devourer, and for this precious "right" a revolution was fought.
I ne'er could any lustre see In eyes that would not look on me; I ne'er saw nectar on a lip But where my own did hope to sip.
There are few things more dreadful than dealing with a man who knows he is going under, in his own eyes, and in the eyes of others. Nothing can help that man. What is left of that man flees from what is left of human attention.
...the girl longed for a love that could not be ended by death. From the time she was young, she knew that her true love was there, somewhere, living a life that would one day intersect her own. Knowing this made every day full of sweet possibility. Knowing that her true love lived and breathed and went about his day under her same sun made her fears vanish, her sorrows small, and her hopes high. Though she did not yet know his face, the color of his eyes, still she knew him better than anyone else knew him, knew his hopes and dreams, what made him laugh and cry.
Man is at his furthest remove from the animal as a child, his intellect most human. With his fifteenth year and puberty he comes astep closer to the animal; with the sense of possessions of his thirties (the median line between laziness and greediness), still another step. In his sixtieth year of life he frequently loses his modesty as well, then the septuagenarian steps up to us as a completely unmasked beast: one need only look at the eyes and the teeth.
However contradictory the coroner's report — whether he pronounces Consumption or Loneliness or Suicide to be the cause of death — isn't it plain how the true artist-seer actually dies? I say that the true artist-seer, the heavenly fool who can and does produce beauty, is mainly dazzled to death by his own scruples, the blinding shapes and colors of his own sacred human conscience.
When Vanity kissed Vanity, a hundred happy Junes ago, he pondered o'er her breathlessly, and, that all men might ever know, he rhymed her eyes with life and death: "Thru Time I'll save my love!" he said. . . yet Beauty vanished with his breath, and, with her lovers, she was dead. . . -Ever his wit and not her eyes, ever his art and not her hair: "Who'd learn a trick in rhyme, be wise and pause before his sonnet there". . . So all my words, however true, might sing you to a thousandth June, and no one ever know that you were Beauty for an afternoon.
But if one wishes to be absolute master of all, to obtain the entire inheritance, and to exclude his brothers from even a third or fifth part, he is not a brother, but a harsh tyrant, a rude savage, nay, more, an insatiable beast that would devour the whole sweet banquet with his own gaping mouth.
His passion has aroused the best and the beast in man. And the beast waited for him in the kitchen.
Tis strange the miser should his cares employTo gain those riches he can ne'er enjoy;Is it less strange the prodigal should wasteHis wealth to purchase what he ne'er can taste?
I had utterly abandoned myself to Him. Could any choice be as wonderful as His will? Could any place be safer than the center of His will? Did not He assure me by His very presence that His thoughts toward us are good, and not evil? Death to my own plans and desires was almost deliriously delightful. Everything was laid at His nail-scarred feet, life or death, health or illness, appreciation by others or misunderstanding, success or failure as measured by human standards. Only He himself mattered.
So, because in no other person but Jesus of Nazareth did God first become human (in his birth), then bear our sins (in his death), then conquer death (in his resurrection) and then enter his people (by his Spirit), he is uniquely able to save sinners. Nobody else has his qualifications.
Related Authors
Charles Bukowski Quotes
American
Novelist
Charles Dickens Quotes
English
Novelist
Chuck Palahniuk Quotes
American
Novelist
Ernest Hemingway Quotes
American
Novelist
George Eliot Quotes
British
Novelist
George Orwell Quotes
British
Novelist
George R. R. Martin Quotes
American
Novelist
Jane Austen Quotes
British
Novelist
Johann Wolfgang von Goethe Quotes
German
Novelist
Margaret Atwood Quotes
Canadian
Novelist
Nicholas Sparks Quotes
American
Novelist
Paulo Coelho Quotes
Brazilian
Novelist
Sarah Dessen Quotes
American
Novelist
Stephenie Meyer Quotes
American
Novelist
Veronica Roth Quotes
American
Novelist
Victor Hugo Quotes
French
Novelist