A Quote by Erika Lust
I always ask my actors with whom they'd like to work. Before shooting we discuss how their characters are supposed to have sex. Everybody knows that communication is important; it's no problem to say you need a break.
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Most of the time when there's a communication problem, it's because the message being received is not the message you want. It's not that they don't know what they need to do, how we need to act as a team, whatever. If you don't like the message, then you go say there's a communication problem.
There are etiquette things that actors, new actors, need to know about. Because it only takes one mess-up on a set to get fired. Not being where you're supposed to be or saying something to the wrong person that you're not supposed to say, and those are like basic things that the actors need to know.
What the left have done is screw up everybody's human nature where the opposite sex is concerned. Now nobody knows who they're supposed to be, where they're supposed to be, what they can and can't say, because who are the police in all of this? American leftists and liberals who have as their objective political agenda victory in every aspect of life.
I am not keen on the idea of an oversharer. I don't like that as a problem. I have more of a problem with an undershare. If I'm talking to somebody and I ask them how their love life is and they say "fine," that's a problem for me. I want to know things about people, I feel like we're all here on this planet, and intimacy is important.
I regard sex as the central problem of life. And now that the problem of religion has practically been settled, and that the problem of labor has at least been placed on a practical foundation, the question of sex—with the racial questions that rest on it—stands before the coming generations as the chief problem for solution. Sex lies at the root of life, and we can never learn to reverence life until we know how to understand sex.
We have to ask, 'How can we break a huge challenge like sending humans to Mars into a series of doable, affordable steps? How can we break that problem down into chunks in order to keep making progress?'
Before there was any talk of a movie, people would sometimes ask me what actors I would imagine playing these characters. And the only thing I could ever say is: I have such a clear idea of these characters that they'd have to play themselves.
You work to make sure that, in the game, everybody knows where they're supposed to be at, and sometimes it works, sometimes it doesn't. But if you put them in a position to be successful, that's all you can ask for.
I do extensive storyboards so people can get a sense of what we're doing, and what the attitude and tone is. I work a lot with the actors. I like to go to sets or locations with them before shooting so that they know what they'll be doing on the day. I have found actors really do like to know about blocking, etc., before the shoot day comes.
When you say you're a padre, people ask when did you become a parent. When you say you're a cardinal, they tell you to work hard because the next step is pope. But when you say you're a Dodger, everybody knows you're in the Major Leagues.
A man knows what he likes, so sex with some men is like sex with a mind reader, someone who knows exactly how you like it.
I feel like we're so limited by the context at which we look at life. The way we look at who we're supposed to be and how we're supposed to love... everything. I feel like that, in and of itself, is a project of a lifetime: the problem of how to break out of the limiting context that is imposed upon us by the educational system, by the church, by our parents... As a kid I rejected it without even thinking about it. Now that I'm a little older, I see how deeply destructive it really is.
It's our job as actors to make it look like it's not manufactured. If you have two actors who understand their characters - and therefore what they are trying to portray - then all they need to do is be the characters and there's a chemistry there.
I always feel super uncomfortable when it's like ah, there probably has to be a sex scene. I feel really bad and then always look around to see if anyone is watching me while I'm writing. I want to apologize to people who have to read those sex scenes, but I feel like it's part of the characters life, it's important.
My Mom and Dad did it pretty good, so I know it can work. The foremost thing I would say about working with Robin and Sean is that they were devoted to this project and devoted to their characters. You can't ask for any more from talented actors like that.
It took me almost wanting to retire to realize that you need to ask for what you need. Everybody needs something different, but whatever it is you need, you need to ask for it and figure out how to get it.
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