A Quote by Erin Morgenstern
Marco moves to close the distance between them, kissing away her tears before catching her lip with his own. As he kisses her, the bonfire glows brighter. The acrobats catch the light perfectly as they spin. The entire circus sparkles, dazzling every patron.
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I love seeing my husband hold our daughter and just give her kisses, unsolicited kisses. When he doesn't know that I'm watching or when I come into the room and I look over and he's just kissing her forehead or kissing her cheek. He loves her so much, and I love his love for her.
Marco knows he does not have the time to push her away, so he pulls her close, burying his face in her hair, his bowler hat torn from his head by the wind...."Trust me," Celia whispers in his ear, and he stops fighting it, forgetting everything but her.
All Mattia saw was a shadow moving toward him. He instinctively closed his eyes and then felt Alice’s hot mouth on his, her tears on his cheek, or maybe they weren’t hers, and finally her hands, so light, holding his head still and catching all his thoughts and imprisoning them there, in the space that no longer existed between them.
Celia laughs and a curl of her hair falls across her cheek. Marco tentatively moves to brush it off her face, but before his fingers reach her, she pushes herself off the ledge, her silver gown a billowing cloud as she falls onto the pile of jewel-toned cushions.
Fie, fie upon her!
There's language in her eye, her cheek, her lip,
Nay, her foot speaks; her wanton spirits look out
At every joint and motive of her body.
She really started to cry, and the next thing I knew, I was kissing her all over - anywhere - her eyes, her nose, her forehead, her eyebrows, and all, her ears - her whole face except her mouth and all.
She opened her mouth to answer, but he was already kissing her. She had kissed him so many times—soft gentle kisses, hard and desperate ones, brief brushes of the lips that said good-bye, and kisses that seemed to go on for hours—and this was no different. The way the memory of someone who had once lived in a house might linger even after they were gone, like a sort of psychic imprint, her body remembered Jace. Remembered the way he tasted, the slant of his mouth over hers, his scars under her fingers, the shape of his body under her hands.
He put his hands on her shoulders and kissed her full on the mouth. His skin was wet with rain. When she didn't pull away, he took her face between his hands and kissed her again, on her forehead, on her nose, on her mouth once more. "You will come, won't you? Promisse!" he whispered.
When I look at Stephanie McMahon's entire career, I'm always blown away at how she just moves your soul. Literally, my heart is moved by her. Either I hate her or love her - or love to hate her.
He made a sound like a choked laughed before he reached out and pulled her into her arms. She was aware of Luke watching them from the window, but she shut her eyes resolutely and buried her face against Jace's shoulder. He smelled of salt and blood, and only when his mouth came close to her ear did she understand what he was saying, and it was the simplest litany of all: her name, just her name.
Krystal flung herself violently off the chair, away from her mother. She was surprised to feel warm liquid flowing down her cheeks, and thought confusedly of blood, but it was tears, only tears, clear and shining on her fingertips when she wiped them away.
For a split second longer she stood motionless. Then, somehow, she had caught at the front of his shirt and pulled him toward her. His arms went around her, lifting her almost out of her sandals, and then he was kissing her—or she was kissing him, she wasn’t sure, and it didn’t matter. The feel of his mouth on hers was electric; her hands gripped his arms, pulling him hard against her. The feel of his heart pounding through his shirt made her dizzy with joy. No one else’s heart beat like Jace’s did, or ever could.
All of a sudden I understand why I like Aliki Barnstones poems so much. They remind me of the one she has studied most - shall we call her her master - Emily Dickinson. Not in the forms, not, as such, in the music, and not in the references; but in that weird intimacy, that eerie closeness, that absolute confession of soul.... In Barnstone, too, the two worlds are intensely present, and the voice moves back and forth between them. She has the rare art of distance and closeness. It gives her her fine music, her wisdom, her form. She is a fine poet.
The man who passes the sentence should swing the sword. Look her in the eyes before you kill her. See her tears, hear her last words. You owe her that much at least." - Eddard Stark
The circus tent was flowing pale in the rain like a fleshy flower lit from within. It seemed to bloom in the downpour. Drops of rain caught on Rafe's eyelashes, blinding him as the circus light struck them. He groped for the flap, that slit in the fabric that would reveal her to him. She was on the rope again, her skirt flashing with tiny mirrors, hair braided with petals. He looked up at her, dizzy with it, seeing her face framed in the parasol. There were bluish shadows around her eyes.
I could still smell her on my fur. It clung to me, a memory of another world. I was drunk with it, with the scent of her. I'd got too close. The smell of summer on her skin, the half-recalled cadence of her voice, the sensation of her fingers on my fur. Every bit of me sang with the memory of her closeness. Too close. I couldn't stay away.
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