A Quote by Erin Morgenstern

Writing in a near-frenzy is wonderful and freeing but, for me, it does not result in a nice shiny novel. Instead what I have is a mess. — © Erin Morgenstern
Writing in a near-frenzy is wonderful and freeing but, for me, it does not result in a nice shiny novel. Instead what I have is a mess.
Writing in a near frenzy is wonderful and freeing, but for me, it did not result in a nice, shiny novel. Instead, what I have is a mess.
It was only after two years' work that it occurred to me that I was a writer. I had no particular expectation that the novel would ever be published, because it was sort of a mess. It was only when I found myself writing things I didn't realise I knew that I said, 'I'm a writer now.' The novel had become an incentive to deeper thinking. That's really what writing is—an intense form of thought.
I got into my usual obsessive writing frenzy, using all the material I'd worked on for so long and crafting it into a little novel [Bridget Jones's Baby: The Diaries].
Writing a novel is not at all like riding a bike. Writing a novel is like having to redesign a bike, based on laws of physics that you don't understand, in a new universe. So having written one novel does nothing for you when you have to write the second one.
Writing a novel is so hard, and there are so many problems that the last thing you're thinking about is adapting this mess you have on your hands as a movie. You just want to get it to work as a novel. That's your main focus.
I cannot function if there is a physical mess around me. If everything is falling apart, I go on a cleaning frenzy.
Objectifying your own novel while writing it never really helps. Instead, I guess while you're writing you need to think: This is the novel I want to write. And when you're done you need to think: This is what the novel I wanted to write feels like and reads like and looks like. Other people might call it sweeping or small, but it's the book you chose.
Writing the novel felt so private to me! I think publishing a novel is quite public and exposing, and what's a little frightening to me right now is the fact that it feels so entirely opposed to the privacy that is writing.
Writing music is such a freeing exercise, and it's really nice to play in that world of being confident, vengeful - getting back at all the bad boyfriends.
If I'm writing a novel, I'll probably get up in the morning, do email, perhaps blog, deal with emergencies, and then be off novel-writing around 1.00pm and stop around 6.00pm. And I'll be writing in longhand, a safe distance from my computer. If I'm not writing a novel, there is no schedule, and scripts and introductions and whatnot can find themselves being written at any time and on anything.
For me, writing a novel is like having a dream. Writing a novel lets me intentionally dream while I'm still awake. I can continue yesterday's dream today, something you can't normally do in everyday life.
It would be nice if areas could be revitalised - like places in the U.S. such as Pittsburgh, for example, which have been transformed through shale. There you have shiny cars in a shiny city because of the development of shale in an old industrial heartland.
I think a construction project for me is like writing a novel. I can't do the project unless I can envision sort of the whole structure and see what the end result might be.
One of the nice things about being me is you show up in a town, you meet somebody interesting and entertaining, and for 48 hours, what a wonderful person to be around. You mess around, and all of that is super, super fun, and you don't have to deal with the long-term consequences of it.
The only justification for writing a novel is that it should be wonderful. Adequate is inadequate.
Every decade of my life I attempted to write a novel. But I had nothing to say. I was far too self-absorbed, and now I realize I was writing for others, so that they'd applaud me, see my genius, tell me how wonderful I am, or be jealous of my success.
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