A Quote by Ernest Gaines
In the beginning, I tried to be a more cosmopolitan writer, but I realized that I was a country boy, and I had to deal with things I knew about and where I came from.
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And what happened was, it's the same thing an older, more successful writer of ficition might say to a student: write about what you know. And what I knew - of course I knew jazz, but I also knew country, blues and some rock and roll. And that came out.
I realized how little I knew about my own country. I had grown up in the suburbs and, after college, I moved out of the country, so I didn't really know the place well. When I started following soldiers and their families back home, it provoked a lot of the questions about who we are as a nation, questions I realized couldn't be explored through the more limited framework of looking at the military at war and at home.
In my late 20s, I realized that I had a very clear social conscience and strong opinions about things like diversity, equality, and education, and while I tried to become more politically literate, I just couldn't catch on. It felt like I had walked into a movie that had already started, and no one would explain what had happened.
I tried to reject everything I knew as a TV writer when I decided to be a novelist, and the books didn't work. Finally I realized I should go back to all the techniques I'd learned.
[When] Johnny Mnemonic was coming out and I realized that all the kids that worked in 7-11 knew more - or thought they knew more - about feature film production than I did. And that was from reading Premiere, that was from this change that came from magazines that treat their readers as players. Magazines that purport to sell you the inside experience.
I grew up in Italy, and our country is a country of great agriculture and food produce. It wasn't like I was urban and only knew about high-heeled shoes and purses and never knew where my eggs came from.
I always wanted to be a writer. In the beginning, I thought I had to rewrite 'Gone with the Wind,' but eventually, I found my way and realized that wasn't me.
I knew I wanted to be a writer. Where I came from, no one was a writer. I came from Long Island, and everyone became a doctor or a lawyer or an engineer or a teacher or a businessman. I didn't know any writers.
Nine Inch Nails was an experiment with me in discipline. I realized when I was 23 that I had never really tried anything. Schoolwork came easy to me. I learned to play piano effortlessly. I was coasting. I realized that I was afraid to really, really try something, 100 percent, because I had never reached true failure.
At the beginning of his administration, Reagan tried set the basis for American military intervention in El Salvador - which is about what Kennedy did when he came into office in regard to Vietnam. Well, when Kennedy tried it in Vietnam, it just worked like a dream. Virtually nobody opposed American bombing of South Vietnam in 1962. It was not an issue. But when Reagan began to talk of involving American forces in El Salvador there was a huge popular uproar. And he had to choose a much more indirect way of supporting the collection of gangsters in power there. He had to back off.
I realized horses have personality when I bought one and I had one, who's now out to pasture, a horse named Drifter. Before that, I was a city boy. Horses, I used to go out to the LaBagh Woods and ride at a stable once every two years or something; no idea about horses. Dogs, I knew, had personalities, but not horses.
I don't think I knew I would be a writer. I wanted to become a writer, and I tried to write.
It's great to be excited by your profession, whether you are a doctor or a writer. I started writing books when I was in medical school and, by the time I graduated, I realized that writing was more exciting to me than being a doctor. And if I tried to be a doctor and a writer, then both would suffer.
I think the Republicans starting more and more to ignore President Trump. I think they have realized - it's taken a while, but I think a lot of them have realized there isn't going to be a change, he is who he is, there's not going to be some pivot or some growing in office, and they have to deal with that. I don't think they have come together to figure out how exactly they move forward, but I think they are at least beginning to get a grip on the problem.
A man who took great pride in his lawn found himself with a large crop of dandelions. He tried every method he knew to get rid of them. Still they plagued him. Finally he wrote the department of agriculture. He enumerated all the things he had tried and closed his letter with the question: "What shall I do now?" In due course the reply came: "We suggest you learn to love them."
Once I tried to find myself as a musician and a composer, I went back and saw that there was something special about Puerto Rican music. I knew that before, but had never sat down and thought about it. The more I learned about it, the more it found its way into the music I was writing.
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