A Quote by Ernest Hemingway

The clouds were building up now for the trade wind and he looked ahead and saw a flight of wild ducks etching themselves against the sky over the water, then blurring, then etching again and he knew no man was ever alone on the sea.
So fine was the morning except for a streak of wind here and there that the sea and sky looked all one fabric, as if sails were stuck high up in the sky, or the clouds had dropped down into the sea.
The sea is the source of water and the source of wind; for neither would blasts of wind arise in the clouds and blow out from within them, except for the great sea, nor would the streams of rivers nor the rain-water in the sky exist but for the sea ; but the great sea is the begetter of clouds and winds and rivers.
Don’t always want to go up. Go down, like water, because eventually it’ll go up again. Just like rain, it falls from the sky, flows as a river, then merges with the sea, the goes up again as a cloud.
Up from the sea, the wild north wind is blowing, under the sky's gray arch. Smiling, I watch the shaken elm boughs, knowing It is the wind of March.
And then I saw him and nothing was ever the same again. The sky was never the same colour, the moon never the same shape: the air never smelt the same, food never tasted the same. Every word I knew changed its meaning, everything that once was stable and firm became as insubstantial as a puff of wind, and every puff of wind became a solid thing I could feel and touch.
Again, somehow, one saw life, a pure bead. I lifted the pencil again, useless though I knew it to be. But even as I did so, the unmistakable tokens of death showed themselves. The body relaxed, and instantly grew stiff. The struggle was over. The insignificant little creature now knew death. As I looked at the dead moth, this minute wayside triumph of so great a force over so mean an antagonist filled me with wonder. Just as life had been strange a few minutes before, so death was now as strange.
Then rose from sea to sky the wild farewell Then shriek'd the timid, and stood still the brave, Then some leap'd overboard with fearful yell, As eager to anticipate their grave.
I saw something in a program on something in Miami, and they were saying, "We've redecorated this building to how it looked over 50 years ago!" And people were going, "No, surely not, no. No one was alive then."
If fate is a shape-shifter, then loves is too. It can be, anyway, in its most dangerous form. It´s your best day and then your worst. It´s your most hope and then you most despair. Lightness, darkness, it can swing between extremes at lightning speed- a boat upon the water on the most dangerous day, and then the clouds crawl in and the sky turns black and the sea rages and the boat is lost.
At last, in the dead of the night, when the street was very still indeed, Little Dorrit laid the heavy head upon her bosom, and soothed her to sleep. And thus she sat at the gate, as it were alone; looking up at the stars, and seeing the clouds pass over them in their wild flight-which was the dance at Little Dorrit's party.
Every time I look at it, It looks back at me I love the sea, its waters are blue And the sky is too And the sea is very dear to me If when I grow up and the sea is still there Then I’ll open my eyes and smell the fresh air Because the sea is very dear to me The sea is very calm and that’s why I like it there The sand is brand new and the wind blows in my hair And the sea is very dear to me.
But that wasn't quite right. I called it a nine because I was saving my ten. And here it was, the great and terrible ten, slamming me again and again as I lay still and alone in my bed staring at the ceiling, the waves tossing me against the rocks then pulling me back out to sea so they could launch me again into the jagged face of the cliff, leaving me floating faceup on the water, undrowned.
I grew up in a big sky country. Then I lived in Manhattan, where you can only see the sky between buildings, and then I went into a building where you couldn't see the sky at all. I didn't like that so much.
I have seen something like it happen in battle. A man was coming at me, I at him, to kill. Then came a sudden great gust of wind that wrapped out cloaks over our swords and almost over our eyes, so that we could do nothing to one another but must fight the wind itself. And that ridiculous contention, so foreign to the business we were on, set us both laughing, face to face - friends for a moment - and then at once enemies again and forever.
We struggle against easel painting not because it is an aesthetic form of painting, but because it is not modern, for it does not succeed in bringing out the technical side, it is a redundant, exclusive art, and cannot be of any use to the masses. Hence we are struggling not against painting but against photography carried out as if it were an etching, a drawing, a picture in sepia or watercolor.
Memory is like patches of sunlight in an overcast valley, shifting with the movement of the clouds. Now and then the light will fall on a particular point in time, illuminating it for a moment before the wind seals up the gap, and the world is in shadows again.
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