A Quote by Erno Rubik
I'm calling the Cube, it's a piece of art. At the same time, it's an intellectual task as well.
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When I was a journalist, I didn't care how many people talked to Ice Cube before I talked Ice Cube. I just knew that when I talked to Ice Cube, it was going to be different than what anybody else had done, and it was the same with any group.
To speak technically photography is the art of writing with light. But if I want to think about it more philosophically, I can say that photography is the art of writing with time. When you capture an image you capture not only a piece of space, you also capture a piece of time. So you have this piece of specific time in your square or rectangle. In that sense I find that photography has more to do with time than with light.
I really think there's no difference between an art piece made by a man and one made by a woman. Is it a good art piece or a bad art piece? Of course, if you're female, you're maybe dealing with different issues.
I was friends with Cube; he was also a fan of mine, and I a fan of him. Even before Balistyx happened I was hanging out with him, taking him to 'The Arsenio Hall Show' for his first time. I was like, 'Ice Cube, I've got a plus 1, you should go,' and I took him. Cube wasn't known at all yet.
What I look for when I see a piece of art for the first time is some kind of emotional, intellectual experience, that's a combination of both of those things and is informed by my knowledge and something new that I see the artist doing.
The Cube is, at the same time, a symbol of simplicity and complexity.
I don't want to say too many words about the magic of the Cube, because it's basically a mystery. It's like the Mona Lisa smile. It's both complex and very simple at the same time. And, well, people like it. Even today.
I perform in art time and in real time, and you can't tell the difference - no one knows how to separate a real act from an art act in my work. When I lived on the street for a year, people only knew that I was homeless. They didn't know that I was an artist doing a piece. I have to use real time in my work. I do, however, have to find a subtle way of documenting real time, in order for people to have a response. That means punching into a work clock every hour in the case of one piece.
The Cube is approximately - it's around the same age as the Internet, and in that time, we had no personal computers yet.
If we stopped calling it profiling and started calling it "proactive intelligence screening" or "high alert detecting", people would be saying "Well, it's about time".
The hallmark of the Renaissance was its holistic quality as all fields of art, engineering, science and culture shared the same exciting spirit and many of the same intellectual principles.
Ice Cube is the piece of me that I give away to the public.
I want people to know what it is they're looking at. But at the same time, the closer they get to the painting, it's like going back into childhood. And it's like an abstract piece.. it becomes the landscape of the brush marks rather than just sort of an intellectual landscape.
The nature of the task needs to be renewed so people just don't feel that all the hard work is in the same groove all the time, under the same circumstances and in the same environment.
When I was in school in the Art Institute, we had several problems during the course of the time we were taking ceramic classes where we had to do a sculptural piece. And when I say a sculptural piece, it's nothing like what we conceive of now as a sculptural piece.
The Life Cube Burn is cathartic, fun, exciting, and even reverent. It's a spectacular opportunity to put a sense of finality to the event. And when those thousands of written "wish-sticks" inserted into the Cube from all kinds of people combine with the art and shared messaging from the write boards in a blaze of flame and a column of smoke and ashes, it becomes a communal and very spiritual moment.
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