A Quote by Esa-Pekka Salonen
With American orchestras, in particular, because they play in such huge halls, getting a true pianissimo is very hard.
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I find it hard to work with other musicians because I know from experience that when they play, they play with their feeling, and that restricts me because I know I want to play in my own particular way.
In and of itself, sports may be trivial, but as a symbol of the American way of life, it has enormous weight. We are seen, worldwide, as an enormously competitive, enthusiastic people who work as hard as we play and play as hard as we work. When baseball - which has traditionally canceled one day of games for huge national celebrations or disasters - stops play for six days, that has reverberations in the national consciousness.
It was even hard to imagine I was going to play in the NBA, because so many guys playing in Europe are not even getting to the Euroleague and everything. But everybody wants to play in the NBA. So when draft night came, it was a dream come true.
I'm not going to be precious about the fact that I'm not getting all these other particular roles because there's nothing wrong with the ones I'm getting. It doesn't matter if I play cops for the rest of my life. That's called a career.
The landscape is television has changed so much, because there are so many outlets, that the odds of getting a zeitgeisty hit - you know how 'American Idol' seems to appeal to every human being on the planet? Doing that in comedy nowadays is very, very hard.
In Hamburg, there are three major orchestras, an opera house, and one of the great concert-hall acoustics in Europe at the Laeiszhalle, in a town a fifth the size of London. And that's not unusual. In Germany, there are dozens of towns with two or three orchestras. The connection with music goes very, very deep.
It's true that the gender pay gap is complicated. It's true that it is very slowly getting smaller. But that doesn't mean it doesn't exist. It would have to be a pretty HUGE conspiracy for every reputable major news outlet to report on it annually if it was a massive feminist lie.
The culturally specific, in particular, the American porch play that American writers have cherished and loved for many years in terms of their new writing, has seemed to have very little relevance to a much more fast-flowing, abstract, experimental drama that has been emerging in [the UK]. The porch play, not to mention that thing of, Oops, I wasn't loved enough by my father, somehow didn't have the relevance in this country.
In my 20s, it was very hard to go, 'I'm heavier than that girl.' Getting older makes a huge difference.
From my father's point of view, without a thought for self, a true patriot stands up against the stones of condemnation and speaks for those who are given no real voice in the halls of justice or the halls of government.
From my fathers point of view, without a thought for self, a true patriot stands up against the stones of condemnation and speaks for those who are given no real voice in the halls of justice or the halls of government.
The Violin of my dreams. If you wanna play a pianissimo that is almost inaudible and yet it carries through a hall that seats 3,000 people, there's your Strad.
Musical 'fusion' projects have earned themselves a bad name, but that's mainly because they often involve pop artists conscripting orchestras to play unimaginative backdrops to their acts. What's really exciting is when you spark off a dialogue between very different musical forces.
If I would want to have a huge audience, I would make American movies, not French movies, because there is a limit of course with French language. If I prefer to shoot in my own language, it is to play with my language, to play in my Paris, and I have complete freedom in France. It's so amazing. If American directors could imagine how free I am, they would have asked for political asylum immediately.
When I play with the full band, you get to be larger than life, you feel larger than life, and that particular moment in the song where there's passion, you've got nine guys behind you, all driving that sound and that feeling with you. That's like surfing a huge wave, because once you start you really can't stop it, you got it going down a huge mountain.
We're brought up to believe in a fairytale-romance sort of way that true love is out there and true loves don't care about what you look like and stuff, just what's down inside. And that's probably true, but what's also true, sadly, is that true loves are very rare and very hard to find.
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