A Quote by Ethel Waters

What impressed me most about New York were its huge apartment houses. — © Ethel Waters
What impressed me most about New York were its huge apartment houses.
We host Thanksgiving in my mother's apartment in New York. I don't know if you've seen many New York apartment kitchens, but they are not known for spaciousness.
We were going to do 'Reno 911!: New York, New York, Las Vegas,' which was like a 'Die Hard' set not in New York, but in the New York, New York casino in Las Vegas. We were really excited about being locked into the one casino and doing a bad action movie.
My house is actually two houses that were deconstructed. They were Connecticut Valley houses built in 1771 and 1781. I took them down piece by piece and reconstructed them about 50 miles to the west on the New York/Connecticut border.
A lot of the reason I left New York, in addition to being so broke, was that I just felt I was becoming provincial in that way that only New Yorkers are. My points of reference were really insular. They were insular in that fantastic New York way, but they didn't go much beyond that. I didn't have any sense of class and geography, because the economy of New York is so specific. So I definitely had access and exposure to a huge variety of people that I wouldn't have had if I'd stayed in New York - much more so in Nebraska even than in L.A.
The thing about living in a place like Nebraska is there aren't that many people, so your circle of acquaintances is going be much more diverse. Everyone would go to the same bar, like the local politicians and construction workers. The class intersections were fascinating to me. And of course there's a whole other conversation about what a huge source of growth it was for me in terms of understanding people and the world in a way that I hadn't in New York. I used to say that L.A. is essentially New York with yards.
I feel like I can be infinitely inspired because New York is huge. There's always a new street I can go to, or a billion new people who I haven't met that I could write about. New York is very humbling.
When I was 23, I was quite possibly the worst real estate agent in New York. I was working for my mother's agency in Chappaqua, and no one was buying houses. In eight months, I made zero sales. I rented one apartment.
I lived in New York for seven years, although I was always in denial about it. Even though I had an apartment there, I always pretended I was just visiting. I do love New York. But I'm a Londoner at heart.
'Sixth Street' is probably a new chapter for me. All of the songs were written in my apartment where I'm most comfortable, and at that point, I understood who I was and knew what I was feeling about life.
I live most of the time in New York now. I have an apartment there.
I'm finally living the way I always thought people in New York were supposed to live. I have a bright, sun-filled lovely apartment on the 24th floor with a view of the river and the city. Most of all, I'm happy.
I'm from New York, and I started in New York, which I think is a huge advantage because I wasn't overwhelmed by the city. I understood the city. All of the distractions that could come with somebody that started comedy in New York didn't really happen for me.
I didn't want people to think of me as someone who wasn't impressed with a silver medal, because obviously that's a huge accomplishment, and I was so happy. It was more about me just being not impressed with falling at the Olympics in my last event.
Obviously, you've spent some time in New York. I moved there and it was a bit much. It was a bit overwhelming for me. I didn't want to go out. I just felt a little homesick. I was just waiting to feel excited about something. I went through a phase of feeling kind of dull. It's really easy to shut off in New York and stay in your apartment.
I did live in New York. Yeah, I moved to L.A. for 'Community.' And I gave up my apartment in New York.
I wanted to be an actor ever since I was five. My grandparents - my mom's parents in New York - were stage actors. I think indirectly I wanted to do it because of them. My grandfather would tell me stories about Tennessee Williams and actors he worked with in New York. He had such a respect for acting and such a love for storytelling about that world. I grew up hearing him tell tales of it.They were never encouraging me or discouraging me to take part. They were always feeding me with theater.
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