A Quote by Ashley Jensen

I did a lot of theatre when I started out. It was the Lyceum, the Citz, the Tron and the Traverse. I came to London and did the Royal Court, the National, 'King Lear' at the Manchester Royal Exchange. I did little bits of comedy, like 'Rab C Nesbitt,' but I wasn't predominantly about comedy.
One of the first plays I ever did was at the Royal Court Theatre in London; it was the first play I got after drama school.
I would love to do a small indie comedy, like a Wes Anderson movie or, like, an ensemble comedy like 'The Royal Tenenbaums' or 'Little Miss Sunshine.' I like comedies like that, that have a lot of heart and are about family dynamics.
You only have to look at Manchester's Royal Exchange or Home to understand the huge energy outside London - there's enough talent around the country to have a Donmar and National in every city. It just comes down to money.
I started in the club route. I did the alternative scene later on. When I lived in New York, I did the Luna Lounge and stuff, where Janeane Garofalo and David Cross and all those guys worked out of, but I came from a comedy club background. I'm proud of that background. I'm one of the people that really crossed over and did both.
When did I start comedy? I came out of the womb and did 10 minutes.
I was in King Lear with Sir Tom Courtenay at The Royal Exchange in Manchester. In fact, that's where I met my husband. I was playing Regan and he was playing Cornwall and together we fell in love plucking out Gloucester's eyes. It was great fun. Everyone assumes that I was Cordelia because I've got blonde hair but I was Regan and they gave me a long auburn wig. It was great, good fun.
I dreamt of becoming a ballet dancer. I studied with the Royal Academy of London for 11 years, and that did not pan out, but my love for being on stage was born there. And then, I actually went to drama school in Paris, France. That's where it first started.
Voice actors I used to know who were starting out in comedy were guys who did a lot of voices. They were usually comedy actors who developed their comedy by doing tons of impressions and voices that were usually very funny. And I never did any of that, so that's, I guess, why I don't consider myself a voice actor.
I think the best kind of comedy is the least self conscious. I think if you just sort of let the comedy happen without the elbow nudge, did you get it, did you get it. I love straight face comedy or subtle - relatively subtle comedy.
After Newport, I worked in television for a while, and then I went to The Royal College Of Art and did a master's degree. I really did study quite a lot!
The moment for me, thinking I might actually want to do comedy professionally, was when I did public speaking at school. I found out I was good at getting up in front of class. In the fifth grade, I did a speech on comedy.
I love comedy and did a lot of comedy in college. I was in an improv comedy group with my friends.
I love doing comedy. I did comedy for seven years on 'The King of Queens.'
I love doing comedy. I did comedy for seven years on 'The King of Queens.
I know that if any other comedian came up to me questioning something I did or said, it would be literally settled in a heartbeat. I love comedy. I give to comedy. I don't take from comedy.
It bothers me when people say 'shock comic' or 'gross-out' because that was only one type of comedy I did. There was prank comedy. Man-on-the-street-reaction comedy. Visually surreal comedy. But you do something shocking, and that becomes your label.
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