A Quote by Ashley Purdy
I think someone's biggest competition is themselves. I stand out as a 'fashion' designer and not to be confused with, (people who call themselves 'clothing' designers, who just print designs or logos on pre-existing t-shirts), because what I have created is custom fashions that are a personal extension of myself and my personality. It's pretty unique since there is only one of me.
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I think some people are not interesting to themselves. They're the sad, resigned folk. When people call themselves ordinary - "I'm just an ordinary person" - you do wonder what they mean, because people who call themselves ordinary occasionally turn out to be serial killers. Beware of those who say they're ordinary.
Some designers are so airy-fairy people can't connect with them. I hope people can relate to me, to a normal person who just happens to be a fashion designer, that people can take me as they find me. It's not the designer's job to care about what people think. Whatever else I've done, I've never tried to be something that I'm not.
I'm a fashion designer. What I do is artistic, but I'm not an artist because everything I do is destined to be sold. That's not to say that you can't be an artist and a fashion designer. I think some designers are artists.
More than anything, Play Cloths has taken risks in regards to the pieces of clothing that we're even creating. We started out as straight T-shirts. It was just T-shirts and a couple cool things. Now, it's leisure pants, it's all types of clothing. We're evolving even with fashion trends on a super high level.
Don't you think that a lot of designers get into fashion because they have something about themselves that they don't like?
One of my personal favorites [potential guests] would be Darren Criss from GLEE. I think that guy is so talented, and he’s fast. I think that’s the thing — we don’t have people just because this guy is a star on blah, blah, blah show; you want someone that has personality and can put two sentences together and that doesn’t take themselves quite so seriously.
I've got a clothing sponsor that helps me out with my clothes. It's called Bulky Boy Clothing, and they pretty much provide me with most of the shirts that I wear.
Unfortunately, I can't fault other writers and directors for how they choose to present themselves, but I just think people are very fearful of declaring themselves as feminists because it's just confused with being misandry. And if you get labeled a man-hater in this town, you're screwed. Men are still the gatekeepers.
Designer labels, throughout the history of fashion, have maintained an air of exclusivity around themselves. Call it hype, criticize it if you will. But fashion has used this 'exclusive' tag to make itself coveted.
On a personal level, there are many people who have meant a great deal to me. My father and mother were certainly of vital importance, not only in themselves but because they created a world for me to revolt against.
For podcasters, people are just being themselves in a public fashion. So when someone is attacking a podcast, they're really attacking the person, because the person is the podcast. So I think that's why podcasters take it to heart. It's a very personal form of media, probably the most personal form of media.
The biggest reason people don't succeed is because they don't expose themselves to existing information.
I have designs I like applied to my helmet, motorcycle, riding suits, gloves,and boots. I have a designer friend of mine put the designs on them for me. I think a livery on the helmet is significant in expressing a rider's personality.
I'd actually call myself pretty much a liberal. A progressive liberal. Because I do think that government is there to be a provider of services for people who cannot provide for themselves.
As a designer, when someone wears my clothes, the biggest compliment I can receive is that the woman looks amazing because my designs have flattered her, not taken over her. I take that philosophy to heart myself each morning when I am getting ready for the day.
Of course, even if the directors like my ideas or the designs I do, they may end up changing the story so much, that those characters have to change, or get cut out altogether, and that's just the way it is. Sometimes the directors are designers themselves, or they want to work with a character designer who will do things in their own distinct way - sometimes the most important thing I do is figure out what they don't want to do, by experimenting. Either way, whether they use my ideas or not, I get paid, so it's all good.
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