A Quote by Y. G. Mahendran

People knew that I was a disciple of Sivaji Ganesan and wanted to honour his memory. In fact, I did a movie and play adaptation of 'Vietnam Veedu,' and used the song 'Un Kannil Neer Vadinthal' as part of the play.
When producers and directors were courting Sivaji Ganesan, MGR directed and produced 'Nadodi Mannan' and showed that he can do it alone. He created history and stood his ground against one of the best actors in history, Sivaji Ganesan.
I went to Hollywood to test for Martha Ivers and I thought I was going to play the part that Van Heflin played.But they wanted me to play the part of Barbara Stanwyck's husband, so I played that. Then when I finished the movie, I went back to Broadway and did another flop.
It is impossible to forget a great actor like Sivaji Ganesan.
Of course, I have not just been a Sivaji Ganesan fan but a fanatic.
I'm not a Kamal Haasan or a Sivaji Ganesan, I know I'm Vijay Antony.
I've admired Sivaji Ganesan ever since he staged 'Veerapandiya Kattabomman.'
My parents were opera singers. I didn't want to play opera because I wasn't good enough. I didn't want to play their music; I wanted to play the music that I wanted to play, and I'm so lucky that today I get to play that music, even though I don't like every song I write.
My brother-in-law, Chuck, whom I have known since we were teenagers, is a disabled veteran who was wounded while fighting with the marines in Vietnam. I've been around to observe how the war affected his life and the problems that veterans have, and I knew for a long time that I wanted to write a song about Vietnam.
I learned from Jimi Hendrix. They all wanted him to do the tricks, and at the end of his career, he just wanted to play. I lived longer than he did, and I can see how those pressures can really play with your head.
Any adaptation - and I've done three in my career. I did 'Sweeney Todd' and 'Hugo' and 'Coriolanus.' It's important to find what makes it a movie as opposed to just a film presentation of a stage play.
If Sivaji Ganesan was Nadigar Thilagam, Manorama was Nadigai Thilagam.
I was never pushed into the business. I wanted to play the guitar. When my dad found out I could play pretty good he took me into the studio one day. I did my first session for his label. We did quite a few sessions up there.
Music was always a big part of our family life. My dad's brother used to play the harmonica at family parties, and my mum was in the Luton Girls Choir, who did lots of radio broadcasts and performances in the 50s. I have older cousins who used to play me their soul and ska records.
I always wanted to play cricket, and I have played competitive cricket to a fairly good level. I remember that my father used to come and watch me play. He used to love watching me play.
The only other things, and again these things are hearsay, is that he could be pretty rough on directors, because he knew exactly the way he wanted to play the part. And he did so.
'Frayed Ends Of Sanity' off the 'Justice' album is a song that I really wanted to play with the band, and for years and years, I was always like, 'Let's play this song!' But I'll tell you something: I started working on that song almost from the very first time I joined the band.
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