A Quote by Eugene Levy
The greatest thing about doing this movie was that Chris and I both were involved in folk music in the '60s. I had a group, but I don't think it was at the same level as Chris, because he's an amazing musician.
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When I first started getting into wrestling, the three people I wanted to be like were the three Chrises: Chris Kanyon, Chris Jericho and Chris Benoit.
Chris [ Nolan] and I have a strange way of working from the non-movie process, where after all these conversations and reading the script and more conversations, Chris went out and shot the films and the first thing he did, he wouldn't show it to me until I had written the music - not out of meanness, or anything, it just sort of seemed an interesting idea to see if there was some synchronicity and letting me use my imagination to the fullest instead of being constricted by cuts and images.
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Chris Carter is just a fantastic guy, I have enjoyed working for him, immensely. I loved this character. I don't think I can say enough about Chris. It's just a fantastic thing that he's created and I'm so thrilled that I've been a part of it. I'm very grateful.
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I want to be like Chris Brown meets Jay Z. Chris is a singer, a dancer, a complete powerhouse on stage and Jay Z is not just a popular musician, but also a lyrical genius, a business mogul, who knows how to be classy.
One of the greatest moments of my career was on the road promoting 'Superbad' with Michael Cera and Chris Mintz-Plasse. We were showing the movie at colleges.
I think there's a difference between the type of folk music that people put into the box of "folk music" and then there's the kind of folk music that I aspire to and am in awe of, and that is the kind of folk music where it's very limited tools - in most cases a guitar, in a self-taught style that is idiosyncratic and particular to that musician.
The thing that's amazing about working with Chris Landon is that he has such an encyclopedic knowledge of all films in all genres.
I think everyone in all due respect just needs to calm down Chris Weidman just because he’s undefeated. He’s undefeated because he’s beaten a bunch of bums. He’s only had about seven fights. I’ve had nearly 30 fights. I’ve been in the UFC when he was still in school probably. So I got nothing against Chris Weidman, but I don’t see him as the Great White Hope that’s going to come in and destroy Anderson Silva. He’s just another middle of the road UFC fighter as far as I’m concerned.
As someone who listens almost exclusively to contemporary hip-hop and R&B, I definitely like "No Bullshit" by Chris Brown, and melodically I'm really into what he's doing - that song is kind of singular because it's got this piano intro and outro. But obviously I'm not singing about what he's singing about. What we want out of our songs is not the same thing.
To be perfectly honest, Christ Pratt is one of the greatest human beings I've ever met in my entire life. He really is. Everything about him was my favourite thing. I also really love how tall he is, 'cuz I'm kind of a tall girl and often times when I'm doing a movie I need to slouch, but I could stand tall and proud next to Chris Pratt.
Cassandra sat on the floor with Chris and Kat, playing Life. They had tried to play Trivial Pursuit earlier only to learn that a Dark-Hunter and an immortal handmaiden to a goddess had a decidedly unfair advantage over Cassandra and Chris. In Life, the only thing that mattered was luck.’ (Cassandra)
I'm old-fashioned. I think William Blake and people in the Renaissance people were multi. Look at da Vinci, he was involved in science; and Michelangelo was dabbling in poetry. Both of them were painters and sculptors but they also involved themselves with architecture. I honestly don't know what happened in the '60s and '70s. If you sang rock and roll in America at that time or were involved in expressing yourself through music like that, then many thought you couldn't possibly be an artist. That thinking is archaic.
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