A Quote by Yukimi Nagano
I find it a little stressful when you're in a really nice studio and you feel time ticking and the bill getting higher.
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There were two recording studios in Bellingham. One was really expensive, a "nice studio." We were at the point where we were young and irreverent. We would scoff at the idea of a nice studio. "Why would you want to go to a nice studio? Oh wow, they have really expensive gear. Ooh, that's really fancy. Well we've got an eight-track. We've got it going on here." Now that we have the resources, we're like, "Oh wow, a nice studio is pretty nice! They do have nice outboards here. It's actually a pretty good place." It's funny how much changes so quickly.
I don't spend a lot of time online. My mother's really good at picking out if she sees a really great review, and she'll forward it to me. She's like my little Internet filter. It's always nice to see something going up; if I want to find something on Nathan Fillion, I do know where to look, but I've got a nice little delivery system in my mom.
The recording process was basically me meeting with different writers, going into their studio, starting a song and just hanging out and chatting and getting to know how they work. Everybody has a different writing process so there was a lot of getting to know people, which can be fun and stressful at the same time.
I wanted to have more time to play and reflect, but I find retirement more stressful than having a nice, steady job because I have to make decisions about where I want to be.
I find traveling anywhere very stressful. If I ever have to go on tour, I tend to find it all a bit too stressful. I am too much of a control freak with traveling, and nothing is ever on time. The one thing I can't stand is being late.
Every time I do one I feel like I've never really quite learned anything. I always find that when I'm making a film, I find it a little bit like I'm doing it for the first time.
This was a little house, with a ceiling that kept getting higher and higher, a hot place with no windows. This was anger.
Actually doing a song, going to the studio, and just getting out on paper your anger makes you feel a little better sometimes.
I do feel pressure from the outside world a little bit just because everybody wants new music, which is really nice. It just proves that everybody likes what I'm doing. But at the same time, I feel like it's important to just chill and experience things and really make the songs true to me.
The studio is really fun because I don't make it into the studio unless I've got something I really like. I love working with different musicians in the studio; that's a real joy, working with someone for the first time.
It`s nice to get president candidates` attention to infrastructure need which is really a ticking time bomb in America. But as important as the dollar amounts are, we need to know that this money is gonna go directly to cities. So we`re gonna be able to put it to use. In previous administrations and in previous efforts on infrastructure, the money has gone through states and it never seems to find its way to the nation`s cities.
I don't feel that clock ticking. I'm not really worried about it. At the same time I would like to have kids someday, but I'm not one of those people who's dying to have kids.
I say all the time that if you really want to feel alive, it's not through striving for yourself. If you really want to feel alive, it's not through trying to get more things or get more success or climbing a corporate ladder or getting to the top. Because, once you get there, you realize that you don't really find happiness in that. If you want to feel alive and if you want to feel peace and happiness, give your life away. Do something that is outside of yourself for someone else. I think that's the way to truly feel alive.
I do feel most at home playing live, but the feeling of getting into the studio to see the new songs take shape was really incredible.
I feel totally lucky and happy. I think a lot of young directors feel this way but you sort of, like, have a biological clock that starts ticking and you like feel like you aren't anything until you direct a movie and you need to find yourself and this is how you do it.
I don't respond well to time pressure - when you're in the studio, with the clock ticking, and the record company's waiting for you to lay a golden egg. Wherever it is my music comes from, it just doesn't show up when the pressure is on.
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