A Quote by Yukio Mishima

It seems to me that before the photograph can exist as art it must, by its very nature choose whether it is to be a record or a testimony. — © Yukio Mishima
It seems to me that before the photograph can exist as art it must, by its very nature choose whether it is to be a record or a testimony.
Photographers usually want to photograph facts and things. But I'm interested in the nature of the thing itself. A photograph of someone sleeping tells me nothing about their dream state; a photograph of a corpse tells me nothing about the nature of death. My work is about my life as an event, and I find myself to be very temporal, transient.
One must distance oneself from the idea of strict realism. It seems to me that real nature doesn't exist anymore, this idea of "the wild." This is why I love parks, and why I chose to use them in my work - they are beyond nature. I see nature as a resource.
You cannot force spiritual things. A testimony is not thrust upon you; it grows. And a testimony is a testimony, and it should be respected, whether it is small or large. We become taller in our testimony like we grow in physical stature and hardly know it is happening, because it comes by growth.
The art in photography is literary art before it is anything else: its triumphs and monuments are historical, anecdotal, reportorial, observational before they are purely pictorial... The photograph has to tell a story if it is to work as art.
In trials of fact, by oral testimony, the proper inquiry is not whether is it possible that the testimony may be false, but whether there is sufficient probability that it is true.
Art has no place in modern life. It will continue to exist as long as there is a mania for the romantic and so long as there are people who love beautiful lies and deception... Every modern cultured man must wage war against art, as against opium... Photograph and be photographed.
It's not a very popular subject amongst my audience, who are by nature more internationalist, but I don't choose what to write about, I don't choose my subjects, they kind of choose me.
I'm pretty open. I'm not afraid of men. I'm not afraid of women. I'm not afraid of sex and sexuality. It's part of me, and it comes out in the photograph. It's as if at that moment when I'm taking pictures, I'm not a man and I'm not a woman. If I see a moment that seems true to me, that seems honest, whether it's female or male, it's part of me as well.
You can give some kind of spark of life to a comic that a photograph doesn't really have. A photograph, even if it's connecting with you, it seems very dead on the page sometimes.
I don't have very much interest in trends and fashions. I don't follow the fashion shows and stuff like that into my real life. But I'm very, very interested in how people put themselves together, how women and men announce themselves to the world, through what they put on their bodies. Whether we choose Birkenstocks or whether we choose Burberry - it all signifies something and it's really interesting to me.
I really love any and all manifestations of art, really respect any kind of artistic impulse, whether it's paintings and sculptures or really good filmmaking or music. I really see the relationships between these different mediums as very fluid. I think you see that nowadays, in this postmodern context, there's much more use of different mediums in contemporary art. For me, if you're a creative person, you can choose to make a painting, you can choose to make a film.
I have been too long acquainted with human nature to have great regard for human testimony; and a very great degree of probability, supported by various concurrent circumstances, conspiring in one point, will have much greater weight with me, than human testimony upon oath, or even upon honour; both of which I have frequently seen considerably warped by private views.
A testimony is a testimony, and it should be respected, whether it is small or large.
Today, when so much seems to conspire to reduce life and feeling to the most deprived and demeaning bottom line, it is more important than ever that we receive that extra dimension of dignity or delight and the elevated sense of self that the art of building can provide through the nature of the places where we live and work. What counts more than style is whether architecture improves our experience of the built world; whether it makes us wonder why we never noticed places in quite this way before.
I try to ?nd clues in the documented record - from the subject's own testimony, from the testimony of other people. When you're writing a biography, you're trying to understand your subject in the same way that you try to understand one of your friends, and that effort at understanding is always very imperfect.
For me, a thing must exist before I know it, but with God, it is different - he must know it before it has existence.
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