A Quote by Yuliya Snigir

In American films, Russians are often portrayed like cartoon villains without clear motivations. — © Yuliya Snigir
In American films, Russians are often portrayed like cartoon villains without clear motivations.
Two words guided the making of 'Babel' for me: 'dignity' and 'compassion.' These things are normally forgotten in the making of a lot of films. Normally there is not dignity because the poor and dispossessed in a place like Morocco are portrayed as mere victims, or the Japanese are portrayed as cartoon figures with no humanity.
I like the sensitive look of traditional French films and the fact that the children are often portrayed as rebels, but I also like the way the American tradition stylises everything and is full of fantasy around childhood.
I don't do villains often enough. There are two approaches: give them sympathetic, reasonable motivations for doing the most unspeakable things, or get inside heads that are interestingly broken.
Most American adults know what a drag queen is, but as they're portrayed in films like 'Dressed to Kill' and 'Silence of the Lambs.'
I want to make films without a single clear message, and films that are as close as possible to what it feels like to be alive. At least to me.
We want our villains and antagonists to have distinct motivations.
So often, in films, there are two ways a female can be portrayed: either innocent and virginal or the complete opposite.
There was a lot of prejudice towards Russians in Latvia. When I went to school, often Latvians didn't like me, and Russians and Latvians didn't like Americans, so that was a whole other prejudice.
As a feminist, just to speak to what women go through, I think women are put in a box way too often. What I love about 'You're the Worst' is that no female character is portrayed as a black-and-white cartoon character. We're all complicated, messy human beings.
It's just, "Hey,[Barack] Obama's the hero, and he wants Obamacare," and so the coverage is totally devoted to whether or not Obama's gonna get it. Now, in that scenario, who are the villains?Well, your good old, reliable Republicans are the villains, and they are always portrayed as the people trying to deny our beloved hero what he wants.
The Russians sought to interfere with the election process - that the cyber hacking that took place by the Russians was part of that campaign, and that they had a clear preference in terms of outcomes.
Funny enough though, despite what Donald Trump has to say and the way African-American people are portrayed so often in media, African-American people can have a leaning to be very conservative.
One way to escape the universe in which everything is a kind of media cartoon is to write about the part of your life that doesn't feel like a cartoon, and how the cartoon comes into it.
Ever since I was a kid and growing up and watching things like the 'Naked Gun' movies, there was always this stereotype about how Arabs were perceived and portrayed. I've never watched those Arab villains in the movie and felt like that was me.
No health care for poor kids? You know, I thought something like that was only done by cartoon villains. You're (Pres. Bush) slowly going from being Nixon to Mr. Burns.
I have been thinking a lot about what we see in villains, how we relate to villains, and what it is about certain villains that we actually empathize with. Like Macbeth. We're not supposed to like a guy who kills the king and takes over, but there's something about him we're really fascinated by.
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