A Quote by Julia Holter
I don't often meet with strangers and feel okay about collaborating with them.
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It's okay for you to have relationships, but it's not okay to talk about them. It's not okay to be out or to be public about it. It's not okay to be photographed with your partner.
When we put the pen to paper, we articulate things in our life that we may have felt vague about. Before you write about something, somebody says, 'How do you feel?' and you say, 'Oh, I feel okay.' Then you write about it, and you discover you don't feel okay.
Meet them once and you're innocent; meet them twice and you're not. So if you see me having drinks again with Harvey Weinstein then, okay, you've got me.
The capacity for loving strangers, whether one thinks of them as fictional beings or stars one will never meet, is a profound reflection on the new consciousness whereby every individual leads his or life while aware of all the billions of other people on Earth. Perhaps it is a fantasy or a fallacy that we can feel for so many strangers. Perhaps it is a mask for selfishness. But no matter the modern stress on special effects, there isn't a sight in movies as momentous as shots of a face as its mind is being changed. And only movies have allowed that.
I don't date guys that I just meet randomly. I don't feel comfortable meeting strangers.
Most people don't walk around knowing what other people think about them, and I don't think it's healthy to know what faceless strangers who you'll never meet say about you.
You know when sometimes you meet someone so beautiful — and then you actually talk with them, and five minutes later they're as dull as a brick. But then there's other people, and you meet them and you think: "Not bad, they're okay," and then you get to know them, and their face sort of becomes them, like their personality's written all over it; and they just — and they turn into something so beautiful.
I always feel uncomfortable at parties, and I'm often nervous when talking to strangers. I don't think this makes me feel special. Maybe everybody feels this way.
I can sit down with my sisters, and they can talk about my body in a certain way, and I will laugh about it with them. That's such a comfortable and loving relationship. But if a stranger I meet in a party makes the same comment, depending on their tone, that's not okay.
I'm like anyone; I make a lot of my assumptions about actors I don't know from what I read about them. And then I'll find those judgments are often completely confounded when I meet them in real life.
It's okay to feel things. And be who you are about them.
The challenge for me as an actor is if you become a celebrity, you don't meet strangers anymore. And strangers are where we have our anonymity. And I believe it's essential for the soul to be anonymous, especially if you're going to be an actor.
I feel really comfortable when the camera is rolling. I feel less comfortable in the moments before and after, like, "Okay, where do I sit now?" I find the social aspect of being on a project ... it's just a lot. There are so many new people, and it's a lot of introducing the most charming, most engaging, funniest version of yourself to, essentially, a bunch of strangers you already know too many details about.
When I speak at events, I often wear my dad's ties and my mom's earrings. It's a small, almost secret way of having them with me when I'm up there onstage, talking to a roomful of strangers. It makes me feel safe.
Romance is sort of an island right next to care. When you care about someone and you listen to them and you hear them and you can feel them and you know just what's right, and generally it's something that will be very unimpressive to a room of strangers.
You're collaborating with people you don't even know, when you're making a film. You're collaborating with people you've never seen. So, the collaborative process is very, very different than when you're collaborating on a record with the musicians you've worked with all your life.
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