A Quote by Ewan McGregor

I was spending a lot of time in trailers, you know, on film sets surrounded by film people. — © Ewan McGregor
I was spending a lot of time in trailers, you know, on film sets surrounded by film people.
I think I spent my entire childhood on film sets, surrounded by film-makers and actors and people with magnetic energies who make movies.
When you go into a movie and you're surprised by it - these days with brand recognition being such an important thing and essentially trailers, the way trailers have evolved encouraging people not to see the film unless they've already seen the film which is kind of the paradox of marketing these days anytime that you enjoy genuine sense of wonder and surprise in the movies it's priceless.
Film-making is not liberating. It drains a lot out of you, and it's fulfilling only temporarily. It's a very thankless thing at times. When you're spending all that time on a film, you don't want 40,000 people to see it - it's just not enough. You dream of more.
It's very rare to get a film script that has good dialogue. A lot of the time, you spend on film sets really fighting to find out how to say the words.
There's a lot of time sitting in movies, so you can put alligators in people's trailers in your spare time. So it [making a film] moves slower, which in some ways is great, because you can live with a scene and invest in it a lot. And in some ways it's hard, because sometimes you can start to lose your energy a little bit, but both are fun.
Film sets are a strange place, but an exciting place. I do love my work; I really enjoy going to work. But if you just spend all your time on film sets or even on stage, you can become a Michael Jackson figure, living in your own little universe.
You know, in an ideal world, people would just be intrigued and go and see a film without knowing anything about it, because that's where you're going to have the most experience of a film, the biggest, the most revelation of a film. But at the same time, I think there are benefits of having seen a trailer where you actually look forward to seeing moments in a film knowing that they're coming up. I don't know which is better.
Think about trailers you see in theaters. If you're seeing a Warner Bros film, the studio might have three of the five trailers. So having a hit helps you create the next hit.
The thing about film is that your eye is selective. Film isn't. You have to make film do what you want. Simply photographing something doesn't do it. You have to know how to apply light and know what it does on film.
Growing up, I spent a lot of time on film sets all over the world.
To me, a revolutionary film is not a film about a revolution. It has a lot more to do with the art form. It's a film that is revolting against the old established language of cinema that had been brainwashing the people for decades. It is a film that is trying to find ways to use sound and image differently.
Some people manage to make that transition from child actor to adult actor seamlessly. But I felt that if I spent my whole life on a film set without taking a few years to do something else, all I would ever know about was film sets.
See, if I was a filmmaker and I was putting my money in a film, I would definitely want actors who can bring the audience to the theatres, otherwise what is the point of it? Because I will be spending a lot of money on the film.
On film sets, people get put down in public a lot.
I have gained a lot of confidence in my process of making films. It does't mean I'll make a successful film or even a good film, but I know how to make my film.
Film sets are great fun. Film people are great people to hang around with. I don't want to run off and be distracted by other things.
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