A Quote by Jamaica Kincaid
If you just sit there, and you're a writer, you're bound to write crap. A lot of American writing is crap. And a lot of American writers are professionals.
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Make no mistake, the organizations website counsels. You will be writing a lot of crap. And thats a good thing. By forcing yourself to write so intensely, you are giving yourself permission to make mistakes. To forgo the endless tweaking and editing and just create. I am not the first person to point out that writing a lot of crap doesnt sound like a particularly fruitful way to spend an entire month, even if it is November.
Writers who sit down and write might judge what they're putting down, but I always just try to barf it out. I'm writing crap, but I'll put it down.
I've taken a lot of crap. That's just the way life is. There are going to be writers who like you and writers who despise you.
I've taken a lot of crap from a lot of people. Probably more than anybody in the history of this sport. I know Hank (Aaron) and Jackie (Robinson) took a good deal of crap, but I guarantee it wasn't for six years. I just keep thinking: How much am I supposed to take?
There's the fact that American fiction is basically the most apolitical fiction on the globe. A South American writer wouldn't dare think of writing a novel if it didn't allude to the system into which these people are orchestrated - or an Eastern European writer, or a Russian writer, or a Chinese writer. Only American writers are able to imagine that the government and the corporations - all of it - seem to have no effect whatsoever.
Lazy reviewers look up other people's reviews and they write the same thing, so you get people writing crap based on crap.
The hardest work that actors have done, including myself, is on poorly written scripts. And when you first start out you do anything. I did a lot of crap. I did more crap than I can tell you. But you did it because you needed the money. You have to pay for your pictures and resumes, and classes and insurance and food like everybody else. In those days if it was crap you just didn't put it on your resume.
Oh, I love labels, as long as they are numerous. I'm an American writer. I'm a Nigerian writer. I'm a Nigerian American writer. I'm an African writer. I'm a Yoruba writer. I'm an African American writer. I'm a writer who's been strongly influenced by European precedents. I'm a writer who feels very close to literary practice in India - which I go to quite often - and to writers over there.
I don't let myself believe in writer's block. I feel very strongly writing is habit as much as an art or a craft. And if you write crap, you're still writing.
If you're going to be a writer, you're going to write because you have to. It's not like other arts and not nearly as rewarding because it's a lot lonelier, and most of the time it's just you alone in a dark room or a coffee shop. But a lot of writers have to write because they're writing for themselves, so whether or not someone sees your work or not- they're still writing because they absolutely have to.
Writing is not a great profession as a lot of writers proclaim. I write because this is something I can do. Another thing—very often I think a lot of writers write because they have failed to do other things. How many writers can’t drive? A lot. They’re not practical. They are not capable in everyday life.
Crap has always happened, crap is happening, and crap will continue to happen.
I love a lot of American writers, but I think that for the most part the scope of what's accepted as great American writing is very limited. What we have is good, but it's limited. There's not enough engagement with the world. Our literature's not adventurous enough. The influence of MFA writing tends to make things repetitive. The idea that writing can be taught has changed the whole conversation in the U.S.
I think I'm an American writer writing about Latin America, and I'm a Latin American writer who happens to write in English.
The good news about being full of crap is that once you're willing to admit that you're full of crap, you can de-crap yourself.
William Maxwell's my favorite North American writer, I think. And an Irish writer who used to write for 'The New Yorker' called Maeve Brennan, and Mary Lavin, another Irish writer. There were a lot of writers that I found in 'The New Yorker' in the Fifties who wrote about the same type of material I did - about emotions and places.
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