A Quote by Dimple Kapadia
It's always exciting starting a new film.
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I think, if allowed, 3D is a new film language. I can have more adventure exploring a new media, that's very exciting. 2D we know most of it, things haven't changed for decades; it's the same principles, so 3D's more exciting.
Starting a new job can be nerve-racking , but it's also exciting. You're embarking on a new future, positioning yourself to write a fresh story on a clean slate.
Every film is exciting because I get new tools and cool new things to do.
I mean when the play was on in New York I was starting to get film offers coming through, and since the film's come out I get offered more than I used to, but it happens incrementally.
The thing about acting is even if you get technically more skilled at what you do, every time you begin a film or a play you're terrified. You don't know if you're going to pull it off. Every film and every story has its own set of challenges. I've never felt like, oh yeah, that's it, nailed it! You can never sit and rest. That's why it's such an exciting job. It's beginning again every time you begin again. New story, new character, new place, new time, new director. It's like moving to a different planet and trying to figure out how to live there.
It was in New York, and I've always wanted to film in New York. And the writer was a teenage friend of mine. We did youth theatre together when we were 16 and always had a dream of making a film together. And ten years later, we've done it. So it's great.
Starting a new novel is a little like starting a new relationship - you have to be prepared to commit for at least three years and put up with the domestic tedium as well as the emotional highs!
Plans for a Spider-Man film had gone on for so long. It was starting to look like there would never be a film. There was always a different actor, or a different director they were talking about.
The research period of a film is the most exciting part of the process, and filming is sometimes a letdown because when you're dealing with biopic material, the real thing is always much more intricate than the story told in the film.
Always do the right thing, always be exciting, always be encouraging, and always be learning something new.
When I came to New York in 1949, there was already an entire fresh avant-garde film movement blooming in New York and California. It was a very, very exciting period!
I don't want to be a film-maker. I think painting is far more exciting and profound. It's always at the back of my mind - let's give up this silly business of film-making and concentrate on something more satisfying and worthwhile.
Politics should be, you know, as exciting as literature, as exciting film.
Making a film is beyond exciting. It's so exciting, it's exhausting.
You're always trying to find new stuff and new inspiration. If you don't really push and you don't try something that feels exciting, then it's not worth doing.
I'm very young and I'm trying to figure out who I am and that's exactly what Soji is going through which is why I feel really connected to her and so protective. It feels like me and starting this new, exciting journey of being in Picard.'
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