A Quote by Ian Ziering

I never envisioned that I would be able to bring something to the entertainment table that would fit Las Vegas. Vegas is so presentational; it's live theater and, for me, it's always been film or television, which isn't why people come to Las Vegas. So it's exciting to be apart of all of this, the thrust of the entertainment of Vegas.
I go to Las Vegas--or at least I went to Las Vegas--because even though I knew everything that was sinister, calculating, and evil about it, I loved Las Vegas. Only in Vegas could I dare to fantasize that I was a Friend of Frank. Or that I was throwing the dice at Dino's favorite table. Or that I might luck out and sip bourbon with Rickles after his last lounge show. The D.I. oozed that kind of heady fantasy.
It is interesting to work in Las Vegas. I've always thought of Las Vegas as Los Angeles on its day off. There's not any hierarchy of taste, and that's what L.A. always was to me: It's not really a town of culture, it's a town of entertainment.
Any artist who goes to Las Vegas is an idiot as far as I am concerned. Whoever goes to Las Vegas can stay in Las Vegas.
These days I'm headquartered out of Las Vegas, which is what I consider and the world considers to be the entertainment capital of the globe. It's been interesting because I've seen the rise of Vegas and in recent years I've seen the fall of Vegas. It's now interesting to take a look at it as it begins its bounce back again.
I love Las Vegas. I like that Las Vegas has everything. Everything and anything you want to do, you can do in Las Vegas. You can pretty much do it all day and all night if you want to.
The thing about making a documentary in Las Vegas is there isn't much to film apart from other people making documentaries about Las Vegas.
When I first went to Las Vegas, I thought I would never go to Las Vegas; you can't get anything. But then I realized that they were trucking in almost everything; you could get a lot of your product, and I think that's why a lot of chefs actually went there.
I love Las Vegas. I like that Las Vegas has everything. Everything and anything you want to do, you can do in Las Vegas.
If what happens in Las Vegas is supposed to stay in Las Vegas, how did Harry Reid get out?
Sure, we loaned money to build hotels and casinos in Las Vegas. So what? Las Vegas borrowers were good customers.
I do think that people go to Las Vegas for 'whatever happens in Vegas stays in Vegas.' They go for the spectacle.
Guests love to be 'wowed' in Las Vegas. They enjoy and embrace new tastes, new flavors, and they come to expect the unexpected in Las Vegas.
I compete with the 'Welcome To Las Vegas' sign for the number one non-gaming tourist attraction in Las Vegas. I get more visitors than the Hoover Dam.
The last time I appeared in Las Vegas, they were wearing hoop skirts and Davy Crockett hats, ... But they say 'What happens in Vegas, stays in Vegas.' And as far as fashion is concerned, that's a good thing.
I'm really fascinated by how the mob ethos permeates places like Las Vegas and Chicago. I have the book set in Las Vegas and Chicago for pretty specific reasons, some of which are that in both cases the mob history has become a tourist attraction - I'm actually doing a book signing in Las Vegas at The Mob Museum, which I am positively giddy about! - and I find that especially unusual. If you don't call these people "the Mafia" they're just a band of psychopaths killing people for profoundly dumb reasons.
Las Vegas is the boxing capital. During a Floyd Mayweather fight weekend, you can shop, party, stay out late and do anything you want. The city of Las Vegas has everything.
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