A Quote by Ian Curtis
I just want to carry on the way we [ Joy Division] are, I think. Basically, we want to play and enjoy what we like playing. I think when we stop doing that I think, well, that will be the time to pack it in. That'll be the end.
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Everybody is going to be excited to play in a Super Bowl. When you still enjoy the preparation and the work part of it, I think you ought to be still doing that. I think as soon as I stop enjoying it, if I can't produce, if I can't help a team, that's when I will stop playing.
It's different now but I enjoy it more than I did then. I think I appreciate it more now and I love playing acoustically. This is the way I started. Herb and I met each other forty years ago when we were both eighteen years old, playing bluegrass, and that's what drew me into music, and I enjoyed every particular part of my career. But now I enjoy it because it's the twilight of my career, where I can play what I want and I can play when I want and where I want. And that's the greatest part it all. So it's sort of a right that I've earned. I can record records the way I want to.
I just wanted to play as long as I could. When you stop playing, you're not going to get it back. When you don't enjoy it, that's the time to pack it in.
Basically, we are pack animals. We may be evolving toward hive animals. The nature of the pack is that if all the eyes of the pack are on you, you are either the leader, or you are lunch. So it's a basically hazardous situation to have the eyes of the pack upon you. And I think that's really visceral. I think that's bred in the bone. That's species - deep.
I think everything about it. Just the experience, but mainly performing live for people. I think if it wasn't for playing in front of audiences, I don't think that anyone would want to play music. That's where you get all your gratification. It's just something else to be up on stage, playing music that you wrote and having people enjoy it - and have it mean something to them also.
I just want to play until I think I don't feel good - and if I can still do it. If I can't do it, I don't think I'll keep going once I don't feel I'm playing the way I want to.
I feel like you have to earn something with an audience. If I just did it now, I think producers on any superhero movie, I think they wouldn't trust me to do it the way I'd want to do it, because I'd want to do something basically really strange. I think you have to earn that freedom to do stuff like that. So I think, if I keep kind of chipping away, trying to do good movies and interesting, strange movies then people will eventually trust you to do that on a bigger scale.
A play is a parenthesis that contains all the material you think has to be contained for the action of the play. Where do you end that? Where the characters seem to come to a pause... where they seem to want to stop - rather like, I would think, the construction of a piece of music.
Occasionally, I have time to go to the theater, and I think for a minute, 'Man, I'd really love to be doing a play right now.' Because I loved doing plays when I was doing them. Then I think, 'I want to do it right now, but will I want to do that Sunday matinee in six weeks?'
I do want to carry on my dad's legacy, but I also want to carve out my own path. I have to work harder, I think, just because I do have that last name. I don't want people to think that's why I am where I am in this industry. I put in the time, and I want to be just as good as my dad was.
I love playing. In lots of ways, I think having been able to carry on playing purely out of love rather than having to do it for a living means I still love the drums. It helps that, if I don't want to play, I don't really have to! I'm not the best drummer in the world, but it's something I love and enjoy, and that sounds like a good trade.
There's a right way and a wrong way to do things. If you make a chair, you want to make a nice chair. You want people to admire it. I think doing something well is a form of respect for humanity in general. I have found that all incompetence comes from not paying attention, which comes from people doing something that they don't want to do. And doing what you don't want to do means either you have no choice, or you don't think that the moments of your life are worth fighting for.
When I don't enjoy it anymore, I'll stop. But I think as long as people want me to be where the action is, I'll be there. I just love to play tennis.
I think, for me specifically when it comes to music, I don't think that I need any persuading to think about it. It's always kind of in the back of your mind and - but I think it's part of who I am and always will be, I mean, in a very cellular way. When you grow up doing, you know, one thing, I think you get to this place where you want to try new things. And I do think that we live in the type of world where people get comfortable with you in one way, and so seeing you in a different way, it takes some time.
I see myself as no color. I can play the role of a man. I can paint my face white if I want to and play the role of white. I can play a green, I can be a purple. I think I have that kind of frame and that kind of attitude where I can play an animal. If you think in color, then everyone around you is going to think in color and that puts limits on the way you think. I don't think like that. A lot of the roles that I'm doing are roles that a man or a person of any color can do.
Sometimes I feel tomorrow is the last. Some days I feel like I can go for years. I think my goal is that I enjoy coaching. I don't think I want to stop working. I think my dad worked in steel work for almost 50 years. The minute you saw him stop working you could see him go apart. I don't want to do that.
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