A Quote by Ian McDiarmid
I think the greatest thing about being an actor is that you can become other people. ... You have the opportunity to explore ... alternative ways of living for a brief time.
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Neil [Simon] was considered our greatest [living playwright] at the time [of their marriage]. Maybe he still is; I don't know. But anyway, he was hugely successful, and I just kind of got folded into that. And in some ways, he protected me, but in other ways, I wasn't fully able to step out, you know? He didn't want me to go away so much. The work that we did together was great, and I don't regret it, but what I am saying is that I didn't get an opportunity to explore some other areas that were offered to me early on. I took what I might call a U-turn.
The bad thing about being with an actor is that the role he's in stays with him all the time. The good thing about being with an actor - well, I can't think of any good thing.
I started classes and it wasn't because I was like, 'I want to be an actor!' - I was really interested in the theory of what acting can be and what it's about. It's all about living in the moment and kind of being present, which is something that at that time in my life I really wanted to explore.
As an actor, I don't really think you find yourself. I mean, once you find yourself, I think it becomes boring and you become set in your ways. I think, as an actor I think it's not a bad thing but more of a gift. It's something you're always doing as an actor. You're adjusting constantly.
The really important kind of freedom involves attention and awareness and discipline, and being able truly to care about other people and to sacrifice for them over and over in myriad petty, unsexy ways every day. That is real freedom. That is being educated, and understanding how to think. The alternative is unconsciousness, the default setting, the rat race, the constant gnawing sense of having had, and lost, some infinite thing.
It's a curious thing about celebrity: being somebody who was one of the stars of one of the most popular television shows in history offers an opportunity. I look at it as an ambassadorial opportunity at times, where I can go to places and have the opportunity to do things and meet people that other people don't have.
The other, the other aspect when I say I'm an actor is that as an actor you make this imaginative leap into being somebody else, that's to say the muscle of the imagination is as important as any other of the muscles in your body, and so it is something about this instinct in space and time which for me I associate with being an actor rather than a director.
I think that the moment we're living in offers the best opportunity we've had in a long time in that a lot of things having to do with identity politics are being talked about in poems. The only problem there is that a lot of the time these are being talked about in confessional modes.
I think that the more success you have as an actor, I think, the greatest advantage of being successful as an actor or being in this business is that you have the chance to pick and choose, or you have people coming to you with a much more different variety of roles.
We're living history all the time, in the papers, in the news, you think about stuff and it goes into your brain and you think about it and it comes out somehow. You have an idea; you've heard a phrase, or you're angry, or something disturbs you, or something seems paradoxical to you, you explore that idea, much like a writer would explore maybe an idea through metaphor. Maybe artists use their vehicle to explore ideas, so I think the things that interest me are the kind of idea of continuous change and how nothing stays the same and it's always disintegrating into something more.
The thing about being an actor is that you turn into other people. You have to hide yourself a bit in order to let that other person come out.
Theatre is all about the process and the sense of community that is created. You have weeks of rehearsal, time to explore your character and get to know the other actors. There is opportunity to try off-the-wall ideas, to find layers and nuance over weeks. You become like a second family with your cast.
Given the ... multidisciplinary philosophy, I was surprised by the absence of alternative pain approaches - the whole spectrum of cranial-sacral massage, healing-touch therapy, and other hands-on skills that are a lifeline to many people with chronic pain. Alternative therapie are hard to evaluate, but that's no reason not to explore them.
I think there's always pieces of yourself that bleed into your character. That's inevitable. In some ways, we have similarities, but in other ways, we're completely different. It's hard to say because I'm an actor living in a world where we're all pretty privileged, and this guy is fighting for his life. They're very different circumstances. Within those circumstances, there are probably ways that we react to certain situations that are similar.
That's the great thing about being an actor: getting the opportunity to do something that really speaks to you.
A lot of people know that how I came to become an actor, but not many people know that how hard it was for me in those initial years. Being an outsider, I had no insight about the ways of the craft.
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