A Quote by Jan Vogler
I think that for every artist, it's very important to have an output and to feel very strongly about the music you're producing.
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At the very beginning of my career I felt very strongly about what type of artist I wanted to be.
I'm very selfish. I make music that I love because I only live once, and I'm an artist. I don't try to revolt against anybody, and I don't try to please anybody. I feel very strongly that I if love it, someone else will love it - not everybody, though.
It's funny how that comes up, because sometimes I'll write something and I'll think, I don't know if that's a film or a play, and then other things I feel very strongly about them just being plays - they feel very theatrical to me.
I feel very strongly about the legacy of Ghost and I'm the next part of that chapter and hopefully a very long and continuing story through the franchise of Ghost in the Shell which is already a huge universe. So yes, I felt pressure, but you always feel pressure as an artist creatively in any endeavour you do, so you just have to do the best that you can do and then hope that is successful.
Teamwork is very important. A music label who has that kind of knowledge is very, very important for the artist to grow on that level. Otherwise, all the artists get into that zone of doing things themselves, sometimes the song works, sometimes it doesn't.
Every writer has characters that they become attached to and that they feel very strongly about.
I feel very strongly about dresses on every level - a dress feels like underpinning.
I think [game music] is something that should last with the player. It's interesting because it can't just be some random music, but something that can make its way into the player's heart. In that sense, this not only applies to game music, but I feel very strongly about composing songs that will leave a lasting impressionWhat I must not forget is that it must be entertaining to those who are listening. I don't think there's much else to it, to be honest. I don't do anything too audacious, so as long as the listeners like it, or feel that it's a really great song, then I've done my job.
Einstein was very attracted to Mozart. There's a mathematical, classical structure to the music, and I think he identified with that very strongly. I think there also is a connection between being a genius and a polymath.
I think, when people so strongly associate an actor with a character they play - but the main feeling is I feel very happy that I've been able to play somebody that people connect so strongly to. That's overall a very good feeling. There's the sweet and the sour, I guess. It does sting a little bit. Your insecurity as an actor maybe seeps in, but ultimately I think it's a very lovely thing. It doesn't happen that often. It's mostly good, I'm fine with it.
I feel humor is important for those two reasons: that it is a little bit of refreshment like music, and that women have told me over the years that it is very, very important to them.
The fun image is what we project onstage, because our music is dance music. But it's not what the group is about We're very serious about our music and the band and producing good quality songs.
I think I'm better at producing than I am at being a songwriter, but it doesn't change the fact that I still have a desire to play and write songs. I've never wanted to be a career musician. But I still love to play and write. It's a big part of who I am. Songwriting is not particularly easy for me. I think it would be easy for me if I didn't have such high restrictions and feelings about what I want my music to be. I'm not precious at all when it comes to producing music and I can bring that to an artist and let them expand their horizons.
Every now and then, I feel terribly uncomfortable with what I'm working on, and then I think maybe I am an artist. I'm not very articulate about it, but I do know that you have to follow your gut.
I think for every artist it's important to always keep this amount of doubt until the very last day of shooting.
In a way, I feel I have enough tools and knowledge now that when I build it has a very specific agency that's very conscious. It's no longer speculative; it's really constructed. I'm very interested in how that consciousness, about how I am producing, is working within different conditions. It's like growing up.
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