A Quote by Jasika Nicole

The most dramatic moves I have made as an actor have been from stage to screen and from sitcom to drama. — © Jasika Nicole
The most dramatic moves I have made as an actor have been from stage to screen and from sitcom to drama.
Sitcom hours are silly easy compared to drama. Whenever an actor on a sitcom complains, I feel like smacking them!
Early on in my career, when I had basically been a sitcom actor for all of these years, and I made my first movies, and they were comedies, and they were successes, it was very important for me to stretch, and 'Parenthood' was one of those films. Even though it was a comedy, there was a great deal of authentic drama in the piece as well.
I'm very serious about becoming a dramatic actor. I don't want to play cameo parts walking on as Carl Lewis the athlete. I want to go on stage or screen and be taken seriously.
I went from a sitcom to a hospital drama, feature films. I've kind of been living the actor's dream. I'm not associated with one role or one medium. You're lucky if you're associated with one hit show.
For me, it was more a dramatic shift to go from the stage to the screen.
That was a bizarre and unlikely event, which has misled a generation of drama students from my old drama school that dreams really do come true. I was an unemployed actor. I had been an actor for about eight years, and had worked in theater, and done a tiny bit of TV, and somehow an audition video of mine ended up on Kevin Costner's television screen, and he rang me up and invited me to fly first-class to Hollywood and be in his movie The Postman.
I'm known as a kind of dramatic, serious, almost humorless actor and the fact is, I'm a funny guy, and I spend most of my life trying to find a lighter side of things, and on stage was given plenty of opportunity to do that.
As much as I loved Pacino and De Niro and wanted to be a dramatic actor, I also grew up on sitcoms. I grew up on 'M*A*S*H' and 'All In The Family' and 'Cheers.' And then around this time - this would have been '95, '96 - I was so into 'Friends' and 'Mad About You,' the idea of being on a sitcom became a very real thing that I wanted.
I was lucky to get into drama school and become a professional actor. No-one ever mentioned the colour of my skin. It's only when I came out of RADA - the Royal Academy of Dramatic Art - that I suddenly realised people started to refer to me as a black actor.
I wouldn't consider myself a traditional sitcom actor or someone you'd even think would be in a sitcom.
When you have the blue screen, you've got another set of eyes, eight months down the track, designing what you should have been designing on stage with the actor.
As a writer, I haven't delved into dramatic writing. As an actor, I could always, even more so than comedy, do drama.
I went to a masterclass with Jonathan Pryce who said that a successful actor is not a famous actor, it's an actor who acts. And I have been incredibly fortunate to have worked constantly from the moment I left drama school, so I achieved what I set out to do. I am an actor.
Wrestling moves are made for arenas, not the screen.
As a writer, I haven't delved into dramatic writing. As an actor, I could always, even more so than comedy, do drama. When you do your comedy and your drama, your acting style doesn't change. If it's a comedy, the situations and the characters might be a little funnier, but you're just trying to be honest.
I think that I originally became an actor because I was super, super dramatic. Over the top, all the time. I was the kid that would bump my knee and scream and cry as if I'd been shot in the face. So just automatically, the only outlet for my drama was acting and I loved theater.
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