A Quote by Yasmine Hamdan

World music can be sometimes like the lumber room in which all the non-English singers are dumped. When you are singing in Arabic, no matter what your style of music or artistic proposition is, you are faced with some of that reality.
I would say that the most complex style of singing comes from India. Real, classical Indian music produces probably the best technical and natural singers in the world, just because the patterns and the inflection are so complex in how the style moves and what it requires vocally. I think the best classical singers come from India.
There are so many people in this world that have the look and have talent, and yet they keep putting out this teenybopper singers that have no vocal capability at all. Sometimes I think there's no real music anymore. We don't have singers like we did back in the day. Music is supposed to convey a message. Music is supposed to make you feel a certain way. Now, I don't want to hear about big bootie shaking on the floor. Music just isn't what it used to be. I think that with the times changing, labels do actually need to get that and stop signing all these crap artists.
It sometimes happens to me while writing, that I seek a word; mischievous as it is it appears in English, it appears in Arabic, but refuses to come in Hebrew. To some extent I made up my Hebrew. Unquestionably, the influence of Arabic is dominant, my syntax is almost Arabic.
I love being in a room in front of an audience who cares about the music, who knows the music, and who has lived with the music. It's kind of like an experience you share. I'm on stage performing it, but they're singing the words, too.
Pretty soon I may have to go back to Canada and buy that lumberyard I've always wanted. I'll probably sell some lumber, bring in some lumber... look at exploiting that lumber somehow. I'm not very schooled in it, but being an actor I feel that I have a keen sensibility with regard to the world of lumber because those two businesses are so similar.
I always loved all kinds of music. I would watch musicals a lot as a kid, on TV, watch the Fred Astaire movies. I'd watch 'The Wizard of Oz.' I was a big Jerry Lewis fan, and they'd have these big bands and someone singing - some siren, or some guy singing some gorgeous song. I was always enamored of that style of music.
Always when I write my music, I take my guitar, and I improvise always with a melody, you know, lyrics in Spanish. But sometimes I use some words in English. I don't know why. Maybe because I listen to a lot of music in English.
People say my music is English. I don't know what it is. Maybe it's not me writing English music, but that English music is becoming more like me.
Poetry is music though, unfortunately, not all music is poetry. Because music has other carriers to take its message - beats, lyrics, singers, bass players - anyone in music can rise to make a major statement but in poetry there are only words to do the work. And they do sometimes have to sweat.
As a songwriter, you tend to develop your own style, your own technique, based around what it is you're trying to write and perform, in terms of your own music. So a way of evolving a guitar style as a songwriter is much easier, I think, than developing a true style of your own just from listening to music or playing other people's music.
Selling a band predicated on nothing is always an interesting proposition, and of course, the fact of the matter is that I really started out in music before I ever acted, and I've done a ton of singing.
English is like music. The English language is really fit for singing. The notes match the feelings, and it makes sense.
The people have no ear, either for rhythm or music, and their unnatural passion for pianoforte playing and singing is thus all the more repulsive. There is nothing on earth more terrible than English music, except English painting.
Like all soul singers, I grew up singing in church but sometimes I would leave early and sit in the car listening to gospel band, The Blind Boys of Alabama. Hearing their lead singer Clarence made me connect the idea of church and show business and see how I could make a career singing music that stirred the soul.
My mother was a music teacher and my grandfather was a professor of music, and there was a lot of singing in the family. It wasn't like trained singing or anything like that, but it was singing.
I feel like it's a necessary part of musical development to go through that phase where you think that your favorite style of music is the only style of music, and I thought that for a while.
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