Top 40 Watercolor Quotes & Sayings

I'd rather lose large than win slightly. I think life is an oil painting, not a watercolor.

You have this preconceived notion of him [Sly Stallone] as a big, tough guy, but he speaks four languages and he likes to watercolor.

You need to get out of your comfort zone, return to the Midwest, see some family, and, as cheesy as it sounds, work the land - plant some trees, maybe take up watercolor.

I have been doodling with ink and watercolor on paper all my life. It's my way of stirring up my imagination to see what I find hidden in my head. I call the results dream pictures, fantasy sketches, and even brain-sharpenin g exercises.

This isn't a watercolor, it's a mural.

Whether a watercolor is inferior to an oil [painting], or whether a drawing, an etching, or a photograph is not as important as either, is inconsequent. To have to despise something in order to respect something else is a sign of impotence.

What is it about possessing things? Why do we feel the need to own what we love, and why do we become jerks when we do? We've all been there- you want something, to possess it. By possessing something you lose it. You finally win the girl of your dreams, the first thing you do is change her. The little things she does with her hair, the way she wears her clothes or the way she chews her gum. Pretty soon what you like, what you changed, what you don't like, blends together like a watercolor in the rain.

A photograph to me is always a reminder of how the person was on a certain day in that certain light fixed. When I look at a watercolor of that same person, it seems to me alive, more open than a photograph.

Watercolor is like life. Better get it right the first time--you don't get a second chance!

She was transparent, like a watercolor. As if she were about to dissolve in sound, in tones not yet created.

I like to bring a certain sense of humanity and detail to my work, and watercolor allows me to do that. I have fascination and wonder about the line and transparent quality or properties in watercolor. I use watercolor to give voice to what I would like to talk about.

Our memories, the way we tend to experience them, are sort of fuzzy around the edges, like a watercolor that has bled into the past and is not totally clear.

Being creative is my idea of heaven. I'm just incredibly fortunate that I can do it in artwork. Watercolor is what I started out with. What I love about watercolor is that a lot of happy accidents occur.

Watercolor is an alchemical medium - colors mixing with water, joining with it, being extended by it - creating new life where none had been before.

We struggle against easel painting not because it is an aesthetic form of painting, but because it is not modern, for it does not succeed in bringing out the technical side, it is a redundant, exclusive art, and cannot be of any use to the masses. Hence we are struggling not against painting but against photography carried out as if it were an etching, a drawing, a picture in sepia or watercolor.

Because watercolor actually moves on the paper, it is the most active of all mediums, almost a performance art.

I have an idea of a set of colors and see what I have. A lot of things, the best, more magical things in the paintings just sort of happen. They aren't things I thought of in advance. They are more things I am given. What paint does, in watercolor more than oil but it happens in oil too, are things one never expects if you work freely. I suppose I learned a lot coming to this after years of playing improvisational music. I have to trust my intuition and I work in the moment, when that moment seems to be happening. And to leave it alone when it is not.

For the patient who remained hospitalized a long time, an insidious metamorphosis took place - the outside world dimmed and faded like a watercolor exposed to the sun, while the hospital became the center and the only real part of the universe.

As for me, I am a watercolor. I wash off.

I have always striven to fix beauty in wood, stone, glass or pottery, in oil or watercolor by using whatever seemed fittest for the expression of beauty, that has been my creed.

What I love about watercolor is that a lot of happy accidents occur.

If I have any advice to anybody it's this: take up watercolor painting.

When I travel, I always take my Winsor & Newton watercolor kit, which is the size of a pack of cigarettes when folded up. I bought my first one in the 1980s. It was handy to bring on trips, and I packed it into a leather pouch along with a couple of brushes, a pencil, an eraser and paper.

Only once in the last thirty years have I made a duplicate, and that was a watercolor from my oil picture now owned by the Layton Art Gallery, Milwaukee, called 'Hark! the Lark.'

In my teens I fancied myself an artist; I hung out with the eccentric art teacher at my high school, painted still lifes and portraits and landscapes in watercolor and acrylics, took private lessons, won some blue ribbons for my earnest renderings. My lack of talent did little to dampen my enthusiasm. In college I thought I'd continue, but, like Salieri, I quickly realized that while I had the ability to appreciate art, I wasn't actually very good.

For me making a digital photo is like making a watercolor... It's not a painting, and it's not a photo. It's something altogether new.

I have often thought that if photography were difficult in the true sense of the term - meaning that the creation of a simple photograph would entail as much time and effort as the production of a good watercolor or etching - there would be a vast improvement in total output. The sheer ease with which we can produce a superficial image often leads to creative disaster.

Honestly, I'd love to say I live this amazing Hollywood lifestyle, but actually, I'm at home with my same friends and cooking. I crochet, I do watercolor. I think what surprised me the most is that that isn't the lifestyle everyone necessarily lives.

To me, that's one of the things that I love about doing this stuff. One day I can work on this piece in watercolor, and then work on something else on the computer, or work on something else that's a completely different approach

On a morning from a Bogart movie, in a country where they turn back time. You go strolling through the crowd like Peter Lorre, contemplating a crime. She comes out of the sun in a silk dress running like a watercolor in the rain. Don't bother asking for explanations, she'll just tell you that she came in the year of the cat.

When I was nine, my great grandfather, a landscape painter, taught me to mix colors. With his strong hand surrounding my small one, he guided the brush until a calla lily appeared as if by magic on a page of textured watercolor paper.

To me, that's one of the things that I love about doing this stuff. One day I can work on this piece in watercolor, and then work on something else on the computer, or work on something else that's a completely different approach.

To me, watercolor is a Western medium, so when I feel like I am using a Western manner I will use English to sign my name.

If London is a watercolor, New York is an oil painting.

When I am recording on my own, it's like an oil painting: I can put that on top of that and build up layers. But with the band, it turned out more watercolor: you're leaving white bits of paper exposed, so that nothing is too overworked.

?"It always seemed somehow less real here... a really detailed dream, but sort of washed out, like a thin watercolor. Softer, somehow, even with their electric light and engines and everything. I guess it was because there was hardly any magic.

Part of why I like watercolor is that mistakes are visible, and you can't really repair much. It has to look easy. When it comes out, it looks easy, but to get to that point takes a lot of doing.

Eric Schmidt looks innocent enough, with his watercolor blue eyes and his tiny office full of toys and his Google campus stocked with volleyball courts and unlocked bikes and wheat-grass shots and cereal dispensers and Haribo Gummi Bears and heated toilet seats and herb gardens and parking lots with cords hanging to plug in electric cars.

Twitter is a place where you share your thoughts, yourself... you don't want a plain white backdrop for that. You want the entire page to say something about who you are. Designer or not, if the urge strikes you, go for it. Put up that watercolor you've never shown anyone. Take a photo of that hat you just knitted... whatever it is, share it.

More often than not, punches underwhelm - too fizzy, too fruity, too sherbet-y, and/or too baroque, the flavors all muddled into the boozy equivalent of the water left over from cleaning watercolor brushes.