Top 1200 Acting Class Quotes & Sayings - Page 4

Americans sometimes say to me that they have no class system themselves. All human beings have class systems. It can be based on a different thing in a different country, but the thing about breeding is, you can't buy it. You can't buy class.

We are the ones looking out for the middle class. Who do think pays for the endless expansion of government? Its middle class taxpayers. Our reforms protect middle class taxpayers.

There are three social classes in America: upper middle class, middle class, and lower middle class.

The conclusion you can draw from these characteristics is that you have an uneven development of class activity and an uneven development of class consciousness in the working class.

There is a lot more opportunity now, and I welcome all the conversations we are having about diversity, about women and about class... I come from a very working-class background, and I think the class thing is still probably more tricky.

I always wanted to be an actor, but with a speech impediment it's kind of tough. I decided to roll the dice and take an acting class, which was very, very nerve-wracking... my stomach would just be in knots.

I love acting. Modeling is fun, too, but I feel like there is more room to stretch yourself and open yourself up to new experiences with acting. That's why I got into acting in the first place.

Your acting will not be good until it is only yours. That's true of music, acting, anything creative. You work until finally nobody is acting like you.

The thing about acting that's unlike any other art form is that it's collaborative; directing and acting are a collaboration, and your acting won't succeed if the lighting design doesn't succeed or sets don't succeed.

I grew up poor, financially lower class. Worked in restaurants for 17 years while going to acting school and trying to become a working actor. Because I know what it's like to not have money, I turn down roles if I don't want to play them.

If you travel first class, you think first class and you are more likely to play first class.

This city can be kind of brutal, so you see your dreams from every different angle, but ultimately it's about acting and if you enjoy acting, you will always enjoy acting.

Acting has helped me understand people, not only because you are acting as a character, but also because you are watching other actors work. That really helps you identify in life when someone is acting, not being true.

If you sit and feel sorry for yourself, you're wasting your time. You should be in acting class, instead of feeling sorry for yourself. You should be working.

When I was just 13, we went from being middle class to lower middle class and finally lower class, as someone close to my father took away everything he had, including his property. All of a sudden, I started working at the age of 13.

The war against working people should be understood to be a real war…. Specifically in the U.S., which happens to have a highly class-conscious business class…. And they have long seen themselves as fighting a bitter class war, except they don’t want anybody else to know about it.

Acting is not about competing. Acting is about cooperating. Acting is about collaboration. It's about your utility, your usefulness, your capacity to add to the work that has already been done and will be done. You're just part of a team. I never feel competitive about acting.

The only conclusion you can draw from the real historical movement is that by and large, in day-to-day life, what Lenin called trade union consciousness dominates the working class. I would call it elementary class consciousness of the working class.

The American middle class always wants to be upper class and is scared to death of being lower class. It's a highly mobile group of people. They're not like the people that want to be shopkeepers forever, have always been shopkeepers and want always to be shopkeepers. These people mostly are insulted by being called middle class.

The middle class is so funny, it's the class I know best, and it's the class where you find the most pretension, so that's what makes the middle classes so funny.

I'm always thinking I'm messing up. I did a lot of classes. I can't stand being on stage or the only one talking in a room, so class really helped me deal with that. It doesn't really get any easier, but it helps you focus on the acting.

I get bored doing the same activity over and over. In any one week, I could do a Pilates class, a yoga class, go to a gym, like a pump class, or do weights and then go for a run. Each day, I like to change it up a bit.

I'm not going back to acting class, although I've thought of it. The classic training that people get usually when they start out, I never had, and I always felt and still feel the lack of it, so there's a lot of basic stuff that I just don't have a clue about.

First-class players lose to second-class players because second-class players sometimes play a first-class game

My favorite class as an undergraduate was a political theory class on justice. Now, 'justice' is hardly a self-defining term, and much smarter men than I have developed various definitions over the centuries. The class put Plato at one end and Nietzsche at the other, and off we went.

I always have a rule that acting is acting and truth is truth and you just go out there and you do it. But what happens in each medium is that you have other responsibilities. The acting remains the same, but each medium dictates assuming other halves to make the acting work.

I go from being in front of 2,000 people, shot-gunning beers on stage and acting like a complete idiot, to being in a Mommy and Me class, waving a little pink handkerchief around 12 hours later!

Both of the Quaid brothers, Randy and Dennis, were in my class, and Tommy Schlamme, who produced and directed The West Wing with Aaron Sorkin, among many others. Marianne Williamson, who did A Course In Miracles, she was in my high-school drama class, too. So it was kind of an amazing class.

What I've discovered is, really, acting is acting is acting. It's all the same. Seventy-five percent of the skills are the same in both media.

What sense would it make to classify a man as handicapped because he is in a wheelchair today, if he is expected to be walking again in a month, and competing in track meets before the year is out? Yet Americans are generally given 'class' labels on the basis of their transient location in the income stream. If most Americans do not stay in the same broad income bracket for even a decade, their repeatedly changing 'class' makes class itself a nebulous concept. Yet the intelligentsia are habituated, if not addicted, to seeing the world in class terms.

It`s not just Republicans. It`s Republicans and Democrats. It`s middle class, lower middle class, working class Americans who have felt the angst, who are frustrated, who are angry as a result of 1% growth which, in my view, has been really the issue that has propelled Donald Trump from day one.

Nevada has a world-class economy. It will only build a world-class culture with world-class research universities coupled with the Desert Research Institute.

The working class of England today have no vision of society beyond the acquisitive - no version of themselves or their habits as anything other than transitional, on their way up or on their way out. The working class, at best, is a waiting room for people who aim to become middle class if possible.

Wes Clark put forward a middle-class tax plan, but it only helps a quarter of middle-class families, none without minor children at home. And mine helps 98 percent of the middle class.

The Miss America contest isthe most perfectly rendered theater in our culture, for it so perfectly captures what we yearn for: a low-class ritual, a polished restatement of vulgarity, that wants to open the door to high-class respectability by way of plain middle-class anxiety and ambition.

My acting career began when I walked into a drama school class run by Anna Scher in Islington. Anna discovered a lot of people: Linda Robson, Pauline Quirke, Gary and Martin Kemp, and Dexter Fletcher were among my contemporaries.

To most middle-class feminists, as to most middle-class non-feminists, working-class women remain mysterious creatures to be “reached out to” in some abstract way. No connection. No solidarity.

In acting class they tell you that you have to be real, connect with the people, connect with your partner. The same as politics, you have to connect to the people.

It's advice I always give to directors when they're starting out: Take an acting class to really see what it feels like to be an actor. And I have always felt like one of my strengths as a director is that I share a language and a vocabulary with actors.

I was really shy when I was younger, so my mom got me into an acting class to see if I would open myself up more in front of an audience. Her plan was for me to just talk more.

I took an acting class. After the first day, the teacher quit, so they said take another. When I saw 'How to be a Stand-up Comedian,' it resonated. I realized I'd rather make 200 people laugh than make one person cry.

Any man who tries to excite class hatred, sectional hate, hate of creeds, any kind of hatred in our community, though he may affect to do it in the interest of the class he is addressing, is in the long run with absolute certainly that class's own worst enemy.

There is a sense in which we have - like, I go in to teach a class; I may be somewhat different than I would be talking to you, although it's related because it's public. I'm very different with my roommate or my lover or my cats. But I don't know if that means you're acting, really, if you're being truthful.

I find any sort of acting that doesn't have any humor in it is mind-numbingly boring. 'Serious acting' is the kind of acting that I don't ever respond to.

Of course, an English aristocrat might have some contact with the staff downstairs and could adequately say a thing or two about inter-class dramas unfolding in the household. But something less parochial might be harder to come by. This is relevant because stories about the divisiveness of class are by definition stories that straddle class boundaries. A story about a miner in a mining town is not obviously one that speaks to the divisiveness of class. In other words, class doesn't just divide us in the world but it also divides us in the stories we're presented.

The problem is we have a Wall Street-to-Washington access of power that has controlled the political climate. The donor class feeds the political class who does the dance that the donor class wants. And the result is federal government keeps getting bigger.

Our inequality materializes our upper class, vulgarizes our middle class, brutalizes our lower class.

Class is an aura of confidence that is being sure without being cocky. Class has nothing to do with money. Class never runs scared. It is self-discipline and self-knowledge. It's the sure-footedness that comes with having proved you can meet life.

When I talk about 'working class,' I don't talk about 'white working class,'. I talk about 'working class,' and a third of working class people are people of color. If you are black, white, brown, gay, straight, you want a good job. There is no more unifying theme than that.

Good acting is about reacting, not tryingto express something, but reacting to a situation as the character.I don't like acting acting.

The fruits of the economy and all the advantages of technology and globalization have gone far more to the investor class and the professional class and not as much to the working class. Partly because of the loss of labor unions, partly because of things like a lack of antitrust enforcement, policies that have privileged shareholder returns.

I'm just a middle-class farm boy from Dodge City, Kansas. And I always thought that acting was art, writing was art, music was art, painting was art, and I've tried to keep that cultural vibe to my life.

Concurrently, while I was in school, while I was winning awards for acting, I was winning awards for singing, in high school. One of the reasons why I decided to continue on with the acting was the opera world is fraught with a very long process, and I did love the acting, as well. The acting took off sooner, and then you get involved with that.

The People's democratic dictatorship needs the leadership of the working class. For it is only the working class that is most far-sighted, most selfless and most thoroughly revolutionary. The entire history of revolution proves that without the leadership of the working class revolution fails and that with the leadership of the working class revolution triumphs.

The MTV thing is the thing that I will always tip my hat to because that was like my acting class and how I got comfortable in front of a camera and how I kind of created my own thing.

I think by eighth grade I knew I wanted to be an actor. I'd done church plays and stuff, but my first actual acting class was in eighth grade. I was obsessed with it.

I was a class clown. My father was a class clown. My son has been a class clown, and it sort of ran in the family.

I couldn't believe it! I mean, I'd always dreamed of acting on the screen - my previous background was all theater - but I wasn't sure if the opportunity would ever present itself. Not only was this acting for the screen, this was acting in 'The Hunger Games!' I knew that I had to give this audition my all.

It's like a Master Class in Acting for three hours. I go to work and I learn so much and do so much. I'm privileged. I'm privileged to be on stage with them. That's all I can say. They're extremely generous. There are no egos in the room at all.

When I audition, I understand what it takes and the insecurities that come with it. If I do anything, I put actors at ease. I used to tell directors who weren't actors, the best thing they could do was take an acting class for a couple of months. Just to understand.