Top 79 Auditorium Quotes & Sayings

Being on set with my dad - that's so cool. People always ask me if that made me nervous, but it's the same element when you're a kid - when your parents come in the auditorium for those school performances. It calms you.

I understand the worries of many - not only here in this auditorium -, and some have already written to me to say that technical progress has lowered the threshold that stops people from helping themselves to protected works without the slightest embarrassment.

I'm sort of one of those weird actors who whenever I do a play, I think, "Oh, we should film this." As opposed to have to belt it out of ourselves in a theater auditorium.

The secret to success is written on the doors of this auditorium. One side says 'Push,' the other side says 'Pull.

It's tricky, performing the show live. Because when you're in a big auditorium, in front of 700 people, the natural tendency is to want to talk louder. You want to project.

I feel the acting conservatory taught me how to be a working actor in the 1700s. We learned stuff like 'to the back of the auditorium, to the back of the auditorium' and the liquid "u." 'The payment is duuue on Tuuuesday.' I also learned how to fence. If anything, when I moved to Los Angeles, I didn't fit in, in any way. I had to do comedy, because I was talking so pretentiously.

America gave me the opportunity to open successful restaurants, start a TV show, and write books. I can even fill an auditorium when I give a speech, which in America is rare for a chef.

The auditorium, named after a dead Queens politician is windowless in honor of the secrecy in which he lived and, probably, the bank vaults he frequented.

I had to sing. I couldn't not sing. If it was singing to a living room full of people or an auditorium, it didn't matter. I had to sing. I was meant to sing.

The great thing about Santa Monica civic auditorium was it was a place you could ride your bike to. In this case, my dad dropped me and my friends off, and we'd go see Ronnie James Dio or Jean-Luc Ponty or Weather Report or the Pretenders.

I remember my first moment onstage was at a 4-H contest at the Pratville Junior High School cafeteria auditorium around 1965. I had my first electric, a Silvertone with the amp built into the case, and I won first prize.

Acting must be scaled down for the screen. A drawing room is a lot smaller than a theatre auditorium.

Laughter is like surfing; it's like a wave coming out of the auditorium - before it has died off, you must come in with the next line. But if you come in too soon, no one will hear what you say.

Power lies in the details, and the tenacious pursuit of such hidden levers can pay off enormously. While you don't want to get a reputation as a prissy worrywart, worrying about the details in private is important. You may think you are the world's greatest speaker, but if the auditorium's sound system is singing static - well, forget it.

One minute we can be in a small club, the next minute we can be in a coliseum, and the next minute we can be in a small auditorium. It varies, depending on the promoter, the budget, and the travelling distance.

The greatest thing I can remember in my whole career was the Ringling Brothers & Barnum and Bailey clowns asking me to appear with them at the Shrine Auditorium in Los Angeles in 1965.

At the last Celebration I spoke before an auditorium full of people and I could just feel the affection and the positive feelings that they were exuding. It was actually moving. I remember thinking, 'I'm not worthy,' because 'Star Wars' is so much bigger than all of us.

Always hold your sales meetings in rooms too small for the audience, even if it means holding them in the WC. 'Standing room only' creates an atmosphere of success, as in theatres and restaurants, while a half-empty auditorium smells of failure.

You know how it is in the symphony when you are listening to the symphony, the last notes die away, and there's often a beat of silence in the auditorium before the applause begins. It's a very full and pregnant silence. Now theology should bring us to live into that silence, into that pregnant pause.

I'm sort of one of those weird actors who whenever I do a play, I think, 'Oh, we should film this,' as opposed to have to belt it out of ourselves in a theater auditorium.

Charles was most comfortable by himself or, if that wasn't possible, with his pack in the wild. Talking for hours in a crowded auditorium was not on any list of things he enjoyed—or things he was good at. At least no one had died. Yet.

My memory of 3D movies is Fernando Lamas in a swashbuckling movie. And I suppose it had been the fifties, in which swords came out at you, bullets came out at you, things were thrown into the auditorium, apparently. All that sort of cheap, "Oh, look at us, we've got 3D" isn't in the film.

The world isn't going to be destroyed, but you don't feel safe anymore in your plane or train or office or auditorium.

I want the audience to be transported to a different world once they enter the auditorium.

It makes no sense to pack an auditorium with 5,000 people and then tell them to keep quiet.

The theatre at my school was awesome. It was a 1,400-seat auditorium, so, being in that auditorium at 17, and having, like, 1,400 people cheer for you was, like, one of the most amazing feelings that I've ever felt, energy-wise. It just felt right.

There is only one necessary condition for the emergence of a new theatre, that the stage and auditorium should be open to the masses, should be able to contain a people and the actions of a people.

It's so daunting to walk into a classroom or a school auditorium. It's like the world's weirdest blind date. I know all the students are thinking, 'Who is this tool standing up in front of us?'

Its so daunting to walk into a classroom or a school auditorium. Its like the worlds weirdest blind date. I know all the students are thinking, Who is this tool standing up in front of us?

Or, if I take that same auditorium and I make it much bigger and put more space between seats, it'll be quieter because it's much harder when you're not in physical contact with people to spread a virus from person-to-person, right? There are all sorts of patterns that we see in epidemiology that help us understand why something spreads.

A dressing room is both a personal space and a workspace. It changes with the flick of a switch: turn on the relay - the speaker linked to microphones in the auditorium - and you're at work; when that's off, it's your sanctuary.

If you want a good play and a show, you need time to prep for it. Artistes must be allowed to practice without being charged for the practice sessions. Let the auditorium charge for the tickets.

I'm just aware of what I'm thinking and feeling but I do obviously have to get that to the back of the auditorium. So there are things like projection and filling the room, and not dropping the ends of lines - technical things which are important, but I don't think they change the way I feel in a scene.

I don't think any of us are careful enough about emails. When you are writing an email, you should imagine yourself in an auditorium speaking to 5,000 people, with your mother and grandmother in the audience, and it is being broadcast on CNN.

I love the Internet. I love my mobile devices. I love the fact that they mean that whoever chooses to will be able to watch this talk far beyond this auditorium.

On my first day at Yale Law School, there were posters in the hallways announcing an event with Tony Blair, the former British prime minister. I couldn't believe it: Tony Blair was speaking to a room of a few dozen students? If he came to Ohio State, he would have filled an auditorium of a thousand people.

I've always been fascinated by the difference between the jokes you can tell your friends but you can't tell to an audience. There's a fine line you have to tread because you don't know who is out there in the auditorium. A lot of people are too easily offended.

I was inspired by, when I was in college, seeing some incredible speakers come to my school: Michael Eric Dyson, Spike Lee, Nikki Giovanni, and other poets and writers. I always loved that experience: going and sitting in an auditorium and listening to their opinions.

Everyone wants to be Cary Grant. Even I want to be Cary Grant. Let me expand a bit. I sense that you may feel that I am free of problems. Let me assure you that I have the same anxieties and insecurities as anyone in this auditorium - maybe more.

We don't believe in splitting the experience. We don't believe in taking a row out and putting in motion seats [that shake and move in response to cues from a film]. If you walk into that auditorium you're going to have a communal experience.

I was probably about 13 or 14, and I went by myself to the City Auditorium in Colorado Springs and saw the guy who wrote and sang "Itsy Bitsy Teenie Weenie Yellow Polkadot Bikini." Brian something. And I got to meet him and he signed an autograph for me, a little piece of paper. Brian Hyland! It was so bizarre.

You know, if I look at an auditorium full of high school students and the big man on campus and his girlfriend are busy talking while the lecture's going on, the rest of the room is going to do it because they're powerful sneezers. They have influence. They reach out to a whole bunch of people in a way that makes the idea of being disrespectful spread.

We put on shows at Golden Gate Park with the Dead and Jefferson Airplane, and the groups were part of the community they emerged out of, not some superstars. We had multiple stages, diversions, communal entertainment. There is something slightly fascistic about sitting in a huge auditorium focusing all the energy on one group far away on stage.

Hell is a half-filled auditorium.

I remember a Q&A I did in Wales where there were five people in the auditorium.

But first, my friends, I need you to do something for me. We have two spies in the back of the auditorium.

I don't write for an auditorium full of people. I don't write for the microphone; I write for the page.

I'm moderating one of the presidential primary debates right after I've had a baby. I'm sitting in a dirty closet on the floor behind the auditorium where this debate is taking place between Obama, Hillary Clinton, and I'm pumping breast milk... twenty minutes before I'm going on.

At school, I'd be the dude singing to the girls, always up in the auditorium, in the lunch room singing Christmas carols, in the halls between class. I was always singing, and same thing with my grandfather. The apple doesn't fall too far from the tree; you know how that goes.

Every writer is a frustrated actor who recites his lines in the hidden auditorium of his skull.

The theater has to impose itself on the public, and not the public on the theater... The word "Art" should be written everywhere, in the auditorium and in the dressing rooms, before the word "Business" gets written there.

Addressing a golf ball would seem to be a simple matter; that is, to the uninitiated who cannot appreciate that a golf ball can hold more terrors than a spacious auditorium packed with people.

When you're touring, you only see the auditorium and the hotel room. You can't go out because you get mobbed. You're tired, edgy and under pressure. The fun had gone out of it, so we decided to walk away from it all.

I used to go down every year for the remembrance of Elvis' birthday. Memphis State College invited me to sit in the auditorium and speak to the people for one of those Elvis days.

I stand in the center aisle of the auditorium, a wounded zebra in a National Geographic special, looking for someone, anyone to sit next to. A predator approaches: gray jock buzz cut, whistle around a neck thicker than his head. Probably a social studies teacher, hired to coach a blood sport.

My first concert - maybe it was 1979 - was a blur. I'm not sure whether it was Blue Oyster Cult/Cheap Trick/Pat Travers at San Jose Civic Auditorium or The Police/The Knack/Robert Johnson at Berkeley's Zellerbach Auditorium.

I ventured into cinema after theatre because I didn't want to confine myself to just one auditorium. I wanted the whole world to talk about me.

Give me a guitar and I'll play; give me a stage and I'll perform; give me an auditorium and I'll fill it.

What people want is not what some would call imaginative and often austere productions but very lavish productions which cast back into the auditorium an image of their affluence.

One of the things that touches me most when I play for an audience is that although we may be unable to communicate in words or have diametrically opposed views on hot-button issues, while the music sounds we can be at peace, we can be friends. The vibrations that fill an auditorium have no passports, and they unite ears when hearts may be divided.