Top 14 Argo Quotes & Sayings

What I love is how pissed off Jane Eyre is. She's in a rage for the whole novel and the payoff is she gets to marry this blind guy who's toasted his wife in the attic." -Angela Argo "Blue Angel

The recent controversy over the portrayal of Ken Taylor and his embassy staff in the movie 'Argo' brought home to me the great responsibility we writers have when telling stories that involve real people.

British diplomats who worked in Iran during the 1980 hostage crisis are deeply upset by Ben Affleck's Oscar-winning film 'Argo,' which suggests they refused shelter to the group who managed to get out of the U.S. embassy.

Bob says hello," He told the stars. The Argo II sailed into the night.

Frequently also some fair-weather finery ripped off a vessel by a storm near the coast was nailed up against an outhouse. I saw fastened to a shed near the lighthouse a long new sign with the words "ANGLO SAXON" on it in large gilt letters, as if it were a useless part which the ship could afford to lose, or which the sailors had discharged at the same time with the pilot. But it interested somewhat as if it had been a part of the Argo, clipped off in passing through the Symplegades.

We usually break the story first. For instance, on The Monuments Men, and this one is more complicated because there's a lot of history, so before we started, we sat down with Robert Edsel, the author of the book, for about a week, and basically, he just gave us a lecture and went through everything. And then, I had a researcher, somebody who we had actually used on Argo.

'Argo,' 'Lincoln,' and 'Zero Dark Thirty,' three films honored with Best Picture Oscar nominations, lionize their Washington-anchored protagonists as crafty, competent, and virtually incorruptible.

There is an interesting parallel between the 'Argo' story and '13 Hours' in that, around the world, we have 285 or so diplomatic outposts and the expectation that the local government will come to our aid if we ever come under attack on the sovereign property of the United States in an embassy.

I've consciously taken on material that's a bit too much for me but not an overreach. The first movie, just about performances. 'The Town,' I learned how to work broader material, develop tension, direct bigger scenes, action sequences. 'Argo,' I experimented with film stock, widened the scope of my geography.

'Argo' is a work of art.

Argo' was a very exciting project for me because I knew that I could mix together influences from my youth as a young musician and a young composer.

'Argo' was a great script from day one. I don't think we knew that it was going to be such a success.

The nation of Iran is threatening to sue the makers of the movie Argo. They say the movie was an unrealistic portrayal of their country. You can't do that! That would be like Scotland suing over the movie Shrek.

Argo might well be studied as a bait-and-switch masterwork: In showing the capture of the American Embassy in Tehran, Ben Affleck first made a fetish of authenticity, then served up a shamelessly Hollywood, and wholly fictional climax, then capped the whole thing off with a coda that was essentially a tribute to his movie's authenticity, complete with side-by-side photos of the actors and their near-identical real-life counterparts. Well done, sir!