Top 836 Van Gogh Quotes & Sayings - Page 14

Man's wobbly little mind isn't equipped for hauling around the great unknowns. Very few people realize, there's no point chasing after answers to life's important questions. They all have fickle, highly whimsical minds of their own. Nevertheless. If you're patient, if you don't rush them, when they're ready, they'll smash into you. And don't be surprised if afterward you're speechless and there are cartoon Tweety Birds chirping around your head. (Gareth van Meer)

Every time I finish a song... most of the time it's in my own head, like this sounds too much like a Townes Van Zandt song, or whoever. I realize there are so many melodies and chord progressions in pop and rock music that are so similar that you can kind of trace it back to other things. Most of the time it's just in your head.

If you're Maasai Mara National Park in Kenya, if you're in Serengeti National Park in Tanzania, you don't get out of your vehicle and go walking around amid the lions and the leopards. You stay in your Land Rover. You stay in your safari van, and you look out the windows or you look out the pop top at these animals. I know by experience how badly that can work out if you violate those guidelines.

Surrealism will usher you into death, which is a secret society. It will glove your hand, burying therein the profound M with which the word Memory begins. Do not forget to make proper arrangements for your last will and testament: speaking personally, I ask that I be taken to the cemetery in a moving van. May my friends destroy every last copy of the printing of the Speech concerning the Modicum of Reality.

Well, I came down to LA initially to join The Groundlings, which is an improv comedy group. I didn't get in, of course, becaue I'm not a part of The Groundlings. I just assumed that I could walk in and take over. So they said: "Hit the road Jack." And I ended up getting an agent instead. They sent me out on a couple of leads and I ended up on a sitcom and Van Wilder thereafter and then pantsless with Sandra Bullock.

I didn't work hard to make Ruby perfect for everyone, because you feel differently from me. No language can be perfect for everyone. I tried to make Ruby perfect for me, but maybe it's not perfect for you. The perfect language for Guido van Rossum is probably Python.

Link is a quiet man to meet- easy and courteous. His music, though, betrays that deep inside he gets very very mean very often. I remember being made very uneasy the first time I heard Rumble , and yet very excited by the guitar sound. And his voice! He sounds like a cross between Jagger and Van Morrison, even sometimes like Robbie Robertson. We met him in New York in 1970 while recording Who's Next.... this later inspired the b-side Wasp Man, a tune we dedicated to Link Wray.

I get to listen to a lot of this music again doing my DJ work on Little Steven's Underground Garage. To hear Van [Morrison] on Them's version of "It's All Over Now, Baby Blue"- what a vocal, and what an arrangement. Also, I get to hear so many records that I missed the first time around - The Chocolate Watchband, Roky Erikson. It's an audio food fest, a total privilege, a second chance.

At the very last moment, just before its lips claimed hers, its grip on her face relaxed slightly and she did the only thing she could think of: She head-butted it. Snapped her head back, then forward again, and bashed it square in the face as hard as she could. So hard, in fact, that it made her woozy and gave her an instant migraine, making her wonder how Jean-Claude Van Damme always managed to coolly continue fighting after such a stunt. Obviously, movies lied.

The strange, wonderful stories of Doctor Olaf van Schuler's Brain introduce us to the tremendously gifted Kirsten Menger-Anderson, a writer whose subject is nothing less than the diagnosis and cure of the human malady. We follow twelve generations of New York City's Steenwycks family through their forays into phrenology, mesmerism, radium therapy and similar misadventures, a historically rich narrative that Menger-Anderson delivers in striking, elegant prose and with a sure eye for detail. This is a remarkable debut by a writer to watch.

The 'Cercle et Carré' group owes its existence to my encounter with the Uruguayan painter Torrès-Gracia in 1929... However difficult our relationship, his obstinacy matching my patience, this unholy team of fire and water was bound to produce something. Towards the end of the year, after consulting sundry artists, including Arp, Mondrian, and Van Doesburg, we drew up the program for a new group and launched a magazine which was be called 'Cercle et Carré'.

I feel like it had an impact, in that it started the attention that has been paid to what was happening. It started to get us into this whole conversation about prison reform, the whole bipartisan dialogue that's been happening over the past five, six years about this, where you have a Van Jones and a Newt Gingrich, and you have the Rick Perrys and so forth getting up and talking about the need to reform.

I think, at the L.A. County Museum of Art, I saw my first example of Kerry James Marshall, who had a very sort of heroic, oversized painting of black men in a barbershop. But it was painted on the same level and with the same urgency that you would see in a grand-scale [Anthony] van Dyck or [Diego] Velazquez. The composition was classically informed; the painting technique was masterful. And it was something that really inspired me because, you know, these were images of young, black men in painting on the museum walls of one of the more sanctified and sacred institutions in Los Angeles.

Now the time comes that I decided I only will do art films, basically. In a way, very similar to Isabella Rossellini. I prefer to work only with people like Lars von Trier or Guy Maddin or Gus Van Sant, just to name a few. But also there's bills to pay, and sometimes you have to make a movie. So my decision from now on is art movies, or movies which are commercial, but for real money. That is my decision.

We should not feel so sorely grieved if no man who had not attained the full stature of a Webster, Clay, Van Buren, or Gerrit Smith could claim the right of the elective franchise. But to have drunkards, idiots, horse-racing, rum-selling rowdies, ignorant foreigners, and silly boys fully recognized, while we ourselves are thrust out from all the rights that belong to citizens, it is too grossly insulting to the dignity of woman to be longer quietly submitted to.

I didn't work hard to make Ruby perfect for everyone, because you feel differently from me. No language can be perfect for everyone. I tried to make Ruby perfect for me, but maybe it's not perfect for you. The perfect language for Guido van Rossum is probably Python.

[from the television show,"Evade the Question Time"]At the end of the first round, I will award three points to Mr. Kaine for an excellent nonspecific condemnation, plus one bonus point for blaming the previous government and another for successfully mutating the question to promote the party line. Mr. van de Poste gets a point for a firm rebuttal, but only two points for his condemnation, as he tried to inject an impartial and intelligent observation.

Well," Peter Van Houten said, extending his hand to me. "It is at any rate a pleasure to meet such ontologically improbable creatures." I shook his swollen hand, and then he shook hands with Augustus. I was wondering what ontologically meant. Regardless, I liked it. Augustus and I were together in the Improbable Creatures Club: us and duck-billed platypuses.

There's not a second of my time on tour where I'm not engaged with something. It is the hardest job - a great job, and I love it - but truly the hardest job I've ever had. There's no time away, there's no time off, and it's so exhausting. I drive myself around in a van, and I don't have the money or infrastructure to do it differently, and I'm involved at every level. I feel like I'm just collecting info, and can't wait to get home to try and process these.

But as Van casually directed the searchlight of backthought into that maze of the past where the mirror-lined narrow paths not only took different turns, but used different levels (as a mule-drawn cart passes under the arch of a viaduct along which a motor skims by), he found himself tackling, in still vague and idle fashion, the science that was to obsess his mature years - problems of space and time, space versus time, time-twisted space, space as time, time as space - and space breaking away from time, in the final tragic triumph of human cogitation: I am because I die.

I'm a huge fan of Jonathan Van Ness, but that was the first time that I had met him on the Gay Of Thrones set, and as soon as we sat down, it was clear that just about anything he was going to say I was going to have no idea what it meant. I have literally no idea, so that ended up being a really fun bit to find, like "The old man doesn't know what kids talk about." We started talking about red carpets. I was taught how to stand on the red carpet. Put your hand in your pocket and that's it. That's literally all a guy has to do.

Instead of speaking about Real Madrid, Mr Wenger should speak about Arsenal and explain how he lost 2-0 against a team in the Champions League for the first time [Braga]. The history about the young kids is getting old now. Sagna, Clichy, Walcott, Fabregas, Song, Nasri, Van Persie, Arshavin are not kids. They are all top players.

Rick Nielsen, Angus Young. Huge Eddie Van Halen fan when I was younger. Jimmy Page is an enormous one who impacts me. When you grow up with classic rock like that and then you get into punk rock, you defy your roots and where you came from. I never really went through that. Even when I started listening to the Clash or the Sex Pistols, I still always listened to Led Zeppelin or Kiss.

Gus van Sant I met at the Berlin film festival, and he came up to me. He had a little film in the festival called 'Mala Noche' that he had made for $20,000. He said: 'You are one of my favourite actors. I'm doing 'My Own Private Idaho' with River Phoenix and Keanu Reeves. You should be in it!' Then I started working with Gus.

You could hear the wind in the leaves, and on that wind traveled the screams of the kids on the playground in the distance, the little kids figuring out how to be alive, how to navigate a world that was not built for them by navigating a playground that was. . . Who am I to say that these things might not be forever? Who is Pete Van Houten to assert as fact the conjecture that our labor is temporary? All I know of heaven and all I know of death is in this park: an elegant universe in ceaseless motion, teeming with ruined ruins and screaming children.

Our parents helped us, or we wouldn't be here. Lacy Van Zant and my mother used to sign for amps or loan us money to get to the gig or take us in their car. It's just like little sports guys - Little League and football players - whose parents help them. That's why they get good.

He bent, lips coming to mine and — 'Derek? Chloe?' It was Kit, opening the back door. Derek let out a low growl. 'Never fails.' I turned to Kit. 'How is she?' 'We’re going to take her back to the house now. She’s unconscious again.' 'Then we’ll walk back,' Derek said. 'Give you room in the van to lay her down.' His dad agreed and went back inside. As we walked toward the steps, I looked down at Derek’s hand, holding mine. 'No one’s around,' he said. 'And we can take the back way.' 'Good,' I said, and entwined my fingers with his.

I come from a family in which music was important, especially German music - from I come from a family in which music was important, especially German music - from Johann Sebastian Bach to Ludwig van Beethoven. I played a lot of piano, mostly Bach. I really loved Glenn Gould's interpretations. to Beethoven. I played a lot of piano, mostly Bach. I really loved Glenn Gould's interpretations.

- Might it console you to know that I expect nothing but torture from her return? That I regard you as a bird of paradise? She shook her head. - That my admiration for you is painfully strong? - I want Van – she cried – and not intangible admiration. - Intangible? You goose. You my gauge it, you may brush it once very lightly with the knuckles of you gloved hand. I said knuckles. I said once. That will do. I can't kiss you. Not even your burning face. Good-bye, pet. Tell Edmond to take a nap after he returns. I shall need him at two in the morning.

Mma Ramotswe had a detective agency in Africa, at the foot of Kgale Hill. These were its assets: a tiny white van, two desks, two chairs, a telephone, and an old typewriter. Then there was a teapot, in which Mma Ramotswe – the only lady private detective in Botswana – brewed redbush tea. And three mugs – one for herself, one for her secretary, and one for the client. What else does a detective agency really need? Detective agencies rely on human intuition and intelligence, both of which Mma Ramotswe had in abundance. No inventory would ever include those, of course.

What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.

I saw a man walk into my camera viewfinder from the left. He took a pistol out of his holster and raised it. I had no idea he would shoot. It was common to hold a pistol to the head of prisoners during questioning. So I prepared to make that picture - the threat, the interrogation. But it didn't happen. The man just pulled a pistol out of his holster, raised it to the VC's head and shot him in the temple. I made a picture at the same time. (On his 1968 photograph of the summary street corner execution of prisoner Nguyen Van Lem by South Vietnam's police chief, Lt. Col. Nguyen Ngoc Loan.)

I’ve worked with such legendary guitar players as Allan Holdsworth, Ronnie Montrose, Eric Clapton, Lowell George and Steve Vai, but none of them come close to having Ed’s [Eddie Van Halen's] fantastic combination of chops and musicianship. I rank him along with Charlie Parker and Art Tatum as one of the three greatest musicians of my lifetime. Unfortunately, I don’t think Ed puts himself in that class.

Molly Notkin often confides on the phone to Joelle van Dyne about the one tormented love of Nokin's life thus far, an erotically circumscribed G.W. Pabst scholar at New York University tortured by the neurotic compulsion that there are only a finite number of erections possible in the world at any one time and that his tumescence means e.g. the detumescence of some perhaps more deserving or tortured Third World sorghum farmer.

I know that, for me, working with people like Robert Rodriguez and Ridley Scott and the Coen brothers and Oliver Stone and Gus Van Sant was so much easier than working with a lot of the people I had worked with before, because with these guys, there's not a lot of ego involved. It's all about the work. It's all about how to make the story better. So at the end of the day, you feel a trust that you usually don't feel - or at least I haven't felt in the past with most people.

Kaka beat Fletcher to the ball, and headed it past Heinze as the Argentine sought to close him down. Heinze could still have dealt with the problem, but, inexplicably, Patrice Evra came flying in like a runaway TGV. Heinze was flattened, Fletcher was so shocked that he stopped to rubber-neck, and Kaka strolled on and rolled the ball past Van der Sar. Evra's nightmare of a half continued when he crazily got himself cautioned for dissent, so removing Ferguson's one remaining first-choice defender from the away leg. Madness.

If Donald Trump behaves well, personally, and morally - I agree with Van [Jones] on this - if he distances - if he disassociates himself from forces that he unfortunately coddled and even fostered a little in this campaign, if he is responsible about the way in which he goes about his policy, initiatives on immigration and ObamaCare, trade and other areas, he has a huge opportunity, because the truth is that a lot of this stuff isn't that - there is a lot that can be done.

I think any supernatural hero today, whether he's a vampire, werewolf, a resuscitated mummy, whatever he is, is going to have to deal with the fact that scientists are going to want to catch him and study him. His big enemy is not going to be Dr. Van Helsing today, it's going to be the doctor who wants to put him in a lab and get his blood for what it can do to cure disease or grant immortality.

America doesn't exist in decline! America never has existed in decline, and people do not want to be told that the country that they live in now is in decline and to live it, learn it, and love it. And so they rejected it. So Van Jones goes out and he understands it's not racism - at least he says he understands. I'm gonna give him the benefit of the doubt. He says he understands. He hears... He listens to Trump's speech and he finally sees how other people are hearing it.

I'd been on a road trip right out of college, with a buddy of mine. It was uneventful. We didn't get laid. Although one time it was about 800 degrees and we were in Texas. We had shorts on and nothing else and somehow a motorcycle cop pulls up beside me and says, 'Come on, get on it, get on, go, go, go!' So I speeded up and it turns out we're in a huge state funeral. There are about 40 black Cadillacs in a row and then a green van called Mr Greenjeans, with two guys with no clothes in it.

There was a time when we were in a van and handing out the CDs at Warped Tour. We had a two-song EP that we were just handing out for free just to promote ourselves. That was on the 'Waking the Fallen' record, and we were just going around and handing out the CDs and stuff like that.

Gentlemen, four-fifths of the earth's surface is covered by seas; that is unquestionably too much; the world's surface, the map of oceans and dry land, must be corrected. We shall give the world the workforce of the sea, gentlemen. This will no longer be the style of Captain van Toch; we shall replace the adventure story of pearls by the hymnic paean of labour.

I love players like Thurston Moore. I mean, you can put notes down on a sheet of paper, and if you practice and get your chops up, you can play like an Eddie Van Halen or a Steve Vai. But nobody can do what Thurston Moore does; he's his own guy. He talks through his instrument in a language that's all his own.

Punk-rock gave music back to people. For a long time, when I was very young, I went to go see arena rock bands. I was 16 and it was all I could get in to see, legally. And I saw Led Zeppelin and Ted Nugent and Van Halen and all that. Me and [Minor Threat and Fugazi vocalist] Ian MacKaye would go to these concerts, and it was fun.

I grew up in a very musical household. My brother had KISS and Van Halen records, but my parents loved country and show tunes, so I had all of those records when a kid. I pretty much knew exactly what I was going to do at a young age. I loved album covers, I loved listening to a record and staring at the art while listening to it. When I got older and discovered paining, drawing and PhotoShop, I was able to do both simultaneously; I enjoy making both.

A visionary company is like a great work of art. Think of Michelangelo's scenes from Genesis on the ceiling of the Sistine Chapel or his statue of David. Think of a great and enduring novel like Huckleberry Finn or Crime and Punishment. Think of Beethoven's Ninth Symphony or Shakespeare's Henry V. Think of a beautifully designed building, like the masterpieces of Frank Lloyd Wright or Ludwig Mies van der Rohe. You can't point to any one single item that makes the whole thing work; it's the entire work-all the pieces working together to create an overall effect-that leads to enduring greatness.

Paul Simon once said that a songwriter's supreme challenge was being complex and simple at the same time-writing songs with lasting depth that are also simple enough to be memorable. Jimmy Van Heusen was a master at this kind of song. His music was complex, with deeply rich chord changes any jazzman can embrace, but also possessed catchy, crystalline melodies of exceeding sing-ability. His songs were meant to be sung, not just listened to, and they were sung by the best, with Frank Sinatra and Bing Crosby at the top of that list.

There's very little in the substance of [THE LADY IN THE VAN] which is not fact though some adjustments have had to be made. Over the years Miss Shepherd was visited by a succession of social workers so the character in the play is a composite figure. . . . A composite too are the neighbours, Pauline and Rufus, though I have made Rufus a publisher in remembrance of my neighbour, the late Colin Haycraft, the proprietor of Duckworth's.

We can distinguish three groups of scientific men. In the first and very small group we have the men who discover fundamental relations. Among these are van't Hoff, Arrhenius and Nernst. In the second group we have the men who do not make the great discovery but who see the importance and bearing of it, and who preach the gospel to the heathen. Ostwald stands absolutely at the head of this group. The last group contains the rest of us, the men who have to have things explained to us.

Being in Nirvana was amazing an experience that will never happen again for me. And I look on them as some of the best and worst times of my life. But we're in this band, the Foo Fighters, making music for the love of music. We all came from bands that had disbanded, and we were drawn to each other because we missed playing - we missed getting in the van, loading our equipment, and watching it break down in the middle of a show. And that feeling hasn't gone away. There's nothing I'd rather do than make music. It's the love of my life.

It was weird working with all of them - Stallone, Schwarzenegger, Bruce Willis, Chuck Norris. There's a sequence in the movie where myself and Jean-Claude Van Damme are running through this airport and there's this silhouette behind this big screen - it smashes, and there you see Schwarzenegger, Stallone, and Bruce Willis all firing their weapons at me and Jean-Claude. It's kind of surreal when you think about it, the three '80s icons of action movies, unloading as many bullets as they could at us. It's pretty crazy.

In comparison to the emotionally-charged axing of a striker, Ruud van Nistelrooy, who averaged 30 goals a season, even the sale of David Beckham for, in Real Madrid's opinion, "peanuts", and the never-explained departure of Jaap Stam appear to be the rational acts of a sage and far-sighted manger. To offload a player because he could not be reconciled with a role within the squad is a failing of management.

I kind of came from the Townes Van Zandt school of throwing yourself off a cliff and then that's what you write about, and that rule number one of creative writing is you have to have conflict. But if you write about yourself mostly, then if you don't have conflict, then you create it. And the older I get, the more I realize that that's not a very smart way to do this. Not to say I'm the most self destructive person on earth, but it's easy to do.

The idea is: You played to 100 people this week in Europe, and then next week you can play to 200. It's an investment in that territory. But it can lose money because it's very expensive to go to Europe. You can't really just say, like, "Oh, we're gonna take our van and drive to California tomorrow." It's more like, "Oh, we have to fly to London and rent three guitar amps, a bass amp, drums; buy all these flights for four people; hire a driver."

I like all of the typical hard rock bands. I'm an AC/DC fanatic. I love ZZ Top, just about any Van Halen, any Judas Priest, the list goes on and on, most of the Iron Maiden stuff. Those are the big bands, but I got my feel from, I grew up on Mountain and Humble Pie. That kind of stuff is where I get my feel from.

Jack Force was more than she had ever dared wish for, and he was better than a dream or a fantasy because he was real. He was far from perfect, moody and distant at times, and burdened with sharp temper and an impulsiveness that was part of his dark nature. But she felt more love for him than she thought possible. He wasn't perfect, but he was perfect for her. (Schuyler Van Alen)