Top 1200 Going Back To Work Quotes & Sayings - Page 17

You've got to reach towards a better language, and you're not going to make it up from scratch; you've got to reach back into the tradition. Western tradition is not as impoverished as a lot of people would like to think, but you'd have to go back before the industrial revolution; you may have to go back farther than that. Of course, the Bible has a perfectly adequate language, but it's suffered a lot of thoughtless wear.

I always felt like - I mean, I was told, really - I couldn't go too far with the productions because it didn't appeal to black radio. It wasn't until I decided I was going to do what I wanted to do or I was going to quit that I empowered myself. I took my power back.

It's pleasanter to work in the country, where you can wander out among the trees. But I don't get as much work done. In the city you don't want to leave the room because there's all that chaos going on.

Friend, you cannot legislate the poor into freedom by legislating the wealthy out of freedom. And what one person receives without working for, another person must work for without receiving. The government can't give to anybody anything that the government does not first take from somebody. And when half of the people get the idea they don't have to work because the other half's going to take care of them, and when the other half get the idea it does no good to work because somebody's going to get what I work for. That, dear friend, is about the end of any nation.

I remember going through checkpoints as a kid. It felt normal but, looking back, of course it created tension. People standing with guns, sometimes your car getting searched and being asked where you are going. It changes the atmosphere.

Do I address issues of the spirit, of the soul, in my work? Yes, definitely. As for being a Catholic poet, I was born in, and into, Catholicism - Eastern Rite Maronite and Melkite Catholicism. Not being Catholic has never been a choice for me - it's in my family, my ancestry, going back centuries. Catholicism, for me, is always here.

I'm going to always have a home in Houston, I'm going to always come back.

My story about becoming an actor is a completely non-romantic one. I became an actor because my parents were actors, and it seemed like a very... I knew I was going to act all my life, but I didn't know that I was going to be a professional actor. I thought I was just going to work as an actor every now and then.

My dad used to work a night shift when I was five years old, so I would get up when he went to work and watch Johnny Carson. I remember not knowing what was going on, but loving it.

Old coaches, I think everybody will tell you, you got to be who you are, because you try to be somebody you are not and it'll get you. It might work for five minutes but it's not going to work in the long run.

I always had the old-school model that I'm going to work for as long as I'm relevant and focus on for-profit activities and someday when I retire I'm going to learn about philanthropy.

I think your goal is to win every single game you play. ... I'm not a guy that just puts a number on it and says we're going to do this, or makes a bravado statement like, "We're going to the playoffs and I guarantee it." I'm not a guy that talks about what we're going to do. I'm just, "Let's do it." And what it is is, we need to work extremely hard.

Be very careful. Giving because we think we will get something back will not work. You must be 100 percent willing to give and never experience any return, or it will not work.

There are instances where lines in my work are borrowed or stolen from sources, mainly from books, or they become my own versions. A lot of the writing is my own, too. But if someone were to take each drawing and trace it back to its source, most of them could be traced back to a book or a text.

If I wanted to have total control and be a dictator, I would do ice sculpture in my basement. If I want to make a movie, I'm going to work with 500 people, and I will have to work with their strength and their weakness.

I had so many other things I could fall back on as an entrepreneur (with multiple businesses). When I finally was true to myself and what I wanted to do - and acting was it - there was nothing else I could think of. I thought "If I fail, I'm falling hard (because) I don't have anything else to fall back on. Am I going to accept that?"...I never looked back. I never (let myself) put it in my mind to fail.

Eighty-five per cent of the crowd is going to fall in love with me - they're going to feel it, wow. But fifteen per cent are going to think, 'This guy is obnoxious.' I spend enormous time with them - every negative review of 'Crush It!' on Amazon has a response from me - and I can probably bring back ten of the fifteen.

I've always been one to arrive early for work; preparation is a big part of how I work, and I like to be in my office going through plans for the upcoming training sessions or meetings I have.

I've been chastised for going into mixed martial arts and backing out. But the reason I backed out was the terms - they wanted me ready to fight in four weeks, but you've got to be out of your mind. So I decided to go back to my roots, back to wrestling.

Sometimes when I look back on myself on those earlier records, there was so much effort going in, so much trying. With this, I was trying to make it much more laid back.

I had this idea when I was in the hospital, .. It seems like every year I always have different people come and ask for a Christmas song and it seemed strangely appropriate for me this year because Christmas is the time that I am supposed to be sort of back and up and running and whatnot. So I just wrote a song about returning from this very interesting journey and kind of getting back to normal and getting back to work and my regular life.

I started playing football in a school back in Sao Vicente when I was five years old, going towards six. Those were my first steps, among those kids, and then I kept going.

It's really important, especially for young girls, to see that if you fall down, you get back up. If you get sick, you get back up. People are going to say what they want.

I also think that employees these days expect less of a separation of work and personal life. That doesn't mean that work tasks should encroach upon our personal time, but it does mean that employees today expect more from the companies for whom they work. Why shouldn't your workplace reflect your values? Why is "giving back" not a part of our jobs? The answer for us is to integrate philanthropy with work.

I don't think you can ever get used to being this famous. I've learnt how to keep things separate or at a distance. I've nothing to hide. But seeing this as work, like a job, means I can take a step back. It's me right now in front of you and in the papers but it's not all of me. If you give yourself entirely to the business, you'd end up going mad. And I'm not mad. Not yet.

Inspiration is for amateurs. The rest of us just show up and get to work. If you wait around for the clouds to part and a bolt of lightning to strike you in the brain, you are not going to make an awful lot of work. All the best ideas come out of the process; they come out of the work itself.

Everybody who works in the computer industry is in an industry that didn't exist twenty-five years ago. We are talking on cell phones, and there were no such things. All the people who work for Nextel and so on, those are lost jobs that became found jobs. We are in a constant state of changing, and there are numerous opportunities in a time like this, but people are still going back to the fear.

I grew up as a British kid - I went to school in London, roamed the streets of London - but having these interactions with my roots and going back to Ghana, I'm like, 'Yeah this is sick.' I love my country and my people, and the energy and vibes that they bring back. So I want to rep that and be a part of it.

When President Hassan Rouhani was elected in Iran in 2013, he welcomed back the far-flung children of Iran. But one by one, they have been arrested and imprisoned upon their return, a fate that has made me increasingly reluctant to risk going back to a homeland I've not seen since 1992.

When I write and develop things myself, I might work for a while on a script from a book, and then I go back and read the book and go back into it to see if I lost something: is there something there?

Music is the language of the angels. You can hear just one or two chords, one or two notes of a song, and bam - you're right back there, you're right back in that moment, you're back in that day, you're back at that prom, you're back in the car.

I do remember when I was starting acting, going from one set to the next, with not much else going on in my life. And at the end of the day, you get back to your hotel room and just feel this awful loneliness, because the cameras have stopped rolling.

If you say, 'I'm going to cut this song because I know the teenagers are going to love it,' well, then you're going to alienate everybody else. When I cut my record, I'm just going to cut the things that I like, and whoever likes it, likes it. That's too much work to try to figure out the demographic. That's too much like a business.

I am a little in awe of Jeff Bridges. He's an actor I have admired for many years, and so I didn't know who I was going to get, in the sense that I didn't know what he was going to be like. And so I was pleasantly surprised that he is this kind of laid-back guy.

My body back at the Playboy mansion was the most important thing in life back then because we were in the spotlight every minute. We had to look good. The girls who gained the weight, those were the girls who didn't get the work.

A hundred for England is special and there's a lot of emotion and a lot of hard work involved in getting back on the field. No one sees the hard work and all the time with the ice machines in rehab.

If I'm going to produce something, it's going to be with somebody I think is special. Once I go beyond a handful of directors, like Scorsese, there are very few I want to work with.

For any actor - not just talking about myself - but if you've been fortunate enough to work for a long period of time, there's going to be different choices you're going to make.

Short term, the most important thing is to put people back to work ... If they're working, that means they're paying taxes, that means that they're buying goods and services - and the economy, instead of being on a downward spiral, starts back up on an upward spiral.

I love the flexibility of saying, "Today we're making 50-foot paintings, and we're going to have to join hands and figure out how that's going to work." But in the end, it's a possibility.

If he didn't fall in love he would have never come back near the end of the film. Because, what man is going to dishonor himself so that he comes back in front of the man that took a woman away from him... and warns her to save her life?

So much could go wrong on a date. What if he turns out to be a jerk? [You need] A back-up plan, just in case he doesn't work out, you can move on to the back-up plan.

Maybe because I'm a child of the '80s, but for me, a sequel is a story that follows the previous one, and sometimes if you haven't seen the original, then you don't understand the second one. Like 'Back to the Future 2.' If you haven't seen the first one, you're not going to get anything out of 'Back to the Future 2.'

When I was 20 years old, I was living in Ireland, going to school in Cork. There was this girl in my film class that I was kind of flirting with. We had this notebook that we passed back and forth. We would write 10 questions and then pass it back while we were supposedly paying attention.

When the music stopped, it could have been forever since we'd begun. My grandfather took a step back, and the light grew yellow at his back. 'I'm going,' he said. 'Where?' I asked. 'Don't worry, sweetheart. You're so close.' He turned and walked away, disappearing rapidly into spots and dust. Infinity.

Every defensive end who is going to be picked in the first round is going to be a good pick for whoever they're chosen by, but if I had to tell you what sets me apart, that would be my desire and determination to get better. I know what I need to work on, I know my weaknesses, but I have that work ethic to improve every day. I have that want to be the best player at my position, and I have the belief in myself that one day that will come true.

I've always heard that the reason you fall is to get back up and keep going. So when that happens, or life throws you bad breaks or curves or deals you the wrong hand, all I've ever known is to keep going.

Even if you are born with a silver spoon, you have to work hard. I mean, you could be offered films on a platter, but if you don't get up in the morning and learn your lines, it is not going to work.

I've got these five-pound weights and a treadmill in the living room. I work out the other parts that have affected my voice: my diaphragm - doctors took mine out in surgery - and my lungs. I've got to build back my legs, too, so I can run across that stage. I've got a lot to do, but I'm going to get out, sing songs and tell the stories.

I'd really rather leave it to others to say what they see in it and to see if I've put something into my photographs beyond a mere recording. Yes, I've chosen the camera position, how I'm going to print the negative, the angel of the lens, what I'm going to include and exclude in the composition, so on and so forth. But, I'm still photographing a work of art, and I would rather leave it to others to comment on my work, as I just left it to you.

I work all the time; whatever I do, I do it, and I don't necessarily look at it as work. You could say the Auschwitz project was work, or the Lowy Institute is work, or Westfield is work, or the football is work. It is life.

My administration is going to work with everybody in the African-American community in the inner cities, and what a big difference that is going to make. It's one of the things I most look forward to doing.

I'm not going to bow down to anybody, not going to back away from anybody.

Black women . . . work because their husbands can't make enough money at their jobs to keep everything going. . . . They don't go to work to find fulfillment, or adventure, or glamour and romance, like so many white women think they are doing. Black women work out of necessity.

That's one of the challenges of acting. You can't expect that you're going to be successful, but you've got to put your heart and everything you have into it. Look at a guy like Ian McKellen, who is eighty or whatever, and he's just loving his work and you can see that in the work. That defines what type of actor you are. And what kind of people want to work with you. And whether you can do this job for a long, long time.

After we finished touring 'Ignore The Ignorant' we had this perfect idea that we were going to take a couple of years off, that was the plan. Because we thought we were definitely going to take time off, I was going to go back to college, that was what I was going to do. Because the whole idea of it was that I have spent ten years in this band and not even realised that that amount of time has passed.

As long as God gives me strength to work and try to make things real for my children, I'm going to work for it - even if it means making the ultimate sacrifice.

I'm good at giving up control to people who know where they're going and what they want to do. I can sit in the back of a car and ride cross-country if you know where you're going and you know how to take me there.

I'd had to grow up pretty quickly, and going back to drama school gave me a chance to be with people my own age and do normal things, like going to a pub on a Friday night and just hanging out.

I'm going to call WWE like I call everything. Yes, I'm going to be passionate. Yes, I'm going to be excited, but at the same time, I'm hoping to get better as a storyteller, and I'm hoping to complement the people I work with who have been doing this a lot longer than I have.