Top 1200 Minor Characters Quotes & Sayings - Page 18

Wilde is an invaluable acquaintance. Often, in situations where I am required to appear witty, I simply steal large chunks from his works and attempt to pass them off as my own with minor modifications.

I think it gets really dangerous, though, to do it on the show. I think that the writers and producers are very much aware of that and the dangers of putting characters together and what that can mean for the show. You know, it's possible it could kill the thing that holds the show together, the chemistry, sexual tension between the two characters.

My role in 'Legally Blonde' was really rewarding, because I had so much fun working on the movie. I've had really rewarding experiences on tiny low budget films that you'll never see but where I had a cool time creating characters as well. I love almost all of the characters I've played.

Most of my characters are an amalgamation of people that I've met, my family, or myself. Being a writer, you can draw only from what you know. I am lucky to have really rich and interesting people in my family for, you know, interesting family nights and great characters.

Some of the things I love the most are when a writer or a visionary takes on sort of an iconic character and then spins it. Like with Frank Miller, Batman was this one thing for basically forty years, and then Frank Miller came along and said he can also be this other thing. And Christopher Nolan came along and said he can also be this other thing. The idea of taking iconic comic book characters or superhero characters or mythic characters and subverting the genre or coming up with a new idea is something that's really interesting to me.

The regrets I have are so minor. You know, would I leave my Keith Richards hat, with the silver skull on it, on the stool at the coffee shop at LaGuardia? I wouldn't do that again. But overall, no, I don't have any regrets.

The way that words mutate reminds me of fashions in music. The word--the note--is a constant. But the setting and chord in which it occurs alters with the mood of a nation from major to minor, from the assertive to the mournful and foreboding.

Be vigilant! Be vigilant! If an evil is minor, resist it nonetheless. If a good deed is trifling, perform it all the same. Only wisdom and virtue can truly win men's devotion.

I got really hooked on this riff in the middle of this song called 'Minor Miracles' by my friend Eric Johnson from Fruit Bats. I got the tracks for that from him, and that turned into 'Here in Spirit.'

Whatever sphere we may be in, there is a profound joy in the realization that we are helping to form the structure of the new world. This is creative courage, however minor or fortuitous our creations may be.

Virginia, like most states, has few guidelines about how closely parents are expected to supervise their children. As a result, I was charged not with leaving my son in the car, but with the misdemeanor of contributing to the delinquency of a minor.

What people need to know is that asthma isn't a minor 'wheeze-disease.' It kills over five thousand people in America every year, and I could've been one of them.

Is the minor convenience of allowing the present generation the luxury of doubling its energy consumption every 10 years worth the major hazard of exposing the next 20,000 generations to this lethal waste?

Being an author means, almost by definition, that you make up characters and then complicate their lives. That's it, really. You make up characters and give them problem after problem after problem.

As with early internet startups, some token models don't make sense. For every 1 huge hit, there will be 3 minor successes and 100 failures, so we shouldn't be surprised when some fail.

Growing up where I did, you met a lot of colorful characters whose business was on the other side of the law, or more likely you didn't know what they were up to, and you never would. So playing those kinds of characters now, I can draw on that. The rest of it, you can practice or learn from books. But mostly, I draw from my experiences. That's all I have, you know.

I write easily, let's put it that way. And in a novel particularly, the characters take over. And they tell me what to say and they tell me what they're doing. And I'm a third of the way into a novel and then I just let the characters finish it for me.

Conversation: A fair for the display of the minor mental commodities, each exhibitor being too intent upon the arrangement of his own wares to observe those of his neighbor.

Characters are so important to a story that they actually decide where the story is going. When I write, I know my characters. I know how things are going to end, and I know some important incidents along the way.

Characters that are not the norm or a bit out of the ordinary are always a challenge as an actress. You learn more by using different tools for those type of characters. They are always much more fun to play and much more interesting. They take you places that you wouldn't necessarily go in your everyday life.

Most aid agencies do not even consider proposals to treat mental health problems; those that do think of it as a minor player, overshadowed by the pressing need to save lives by treating physical illness.

If I can get the audience to connect with the characters emotionally - and they love who they are, they love the larger-than-life situation that they're in, but most of all get the audience invested in the characters - then I always feel like I can sort of put them in the most outrageous circumstances, and the audience is okay to go with that.

I instruct you to be the obeyer, A rhythm recipe that you'll savor, Doesn't matter if you're minor or major, Yes, the Tribe of the game, rhythm player, As you inhale like a breath of fresh air

I want to see somebody go to jail over the financial crisis and not just black, brown and poor whites over humbles and minor drug beefs.

Economy is the first and great article (economy such as I understand it) in my financial creed. The controversy between direct and indirect taxation holds a minor, though important place.

I was a scholarship minor public school day boy at Ardingly College and later Whitgift School. Then, straight into work as a journalist - a wonderful thing for a writer.

I think several generations of my family had novels in the drawer. You know the montage in 'The Royal Tenenbaums' where each character has produced some sort of minor work? It was like having a magician in the household.

I'm starting to play lots more naturalistic, realistic people than when I first started. Maybe because I was doing character comedy shows, and I was doing slightly weird, oddball characters with weird accents, those were the characters that I got cast to play - which made perfect sense.

I find that I am much slower in the beginning of a book. I am thinking of the plot, of the characters and who they are, and where they are going. I often throw out a lot of the writing I start with, because the characters and plot improve as I write. Or perhaps I should say it is my hope they will improve as I write.

I'd love to play characters that are so similar to me that it would be crossing limits, and then at the same time I would love to play characters that are so different from me that it would be that kind of challenge as well.

People often ask me if I feel discriminated against as a black female director. I don't. I'm actually offered a ton of stuff. But I only want to direct what I write. And I prefer to focus on black female characters. What's most important to me is to put characters up onscreen who are not perfect, but who are human and flawed.

Now we really like to put people in boxes. As men, we do it because we don't understand characters that aren't ourselves and we aren't willing to put ourselves in the skin of those characters and women, I think, terrify us. We tend not to write women as human beings. It's cartoons we're making now. And that's a shame.

You said your mom is the goddess of balance," I reminded him. "The minor gods deserve better, Ethan, but total destruction isn't balance. Kronos doesn't build. He only destroys.

I don't think I ever relinquish a person I have known, and surely not my fictional characters. I see them, I hear them, with a clarity that I would call hallucinatory if hallucination didn't mean something else ... A character whom we create can never die, any more than a friend can die ... Through [my characters] I've lived many parallel lives.

My American accent is really, really good. I started out in the theater, doing all different characters with all different accents. When I first came to America, I thought I would be playing American, all the time. It was just weird how it worked out that I played more international characters.

With all of the qualities of the scene-setting, the dialogue, the place and time and the time and place in which your characters move. And I want to move with the characters, move with them and describe the world in which they are living.

To talk of prayer after admitting he professed no faith was, in my opinion, a breach of common courtesy. In this sense, he did make a social blunder, for which I think he well deserved some minor castigation.

I am involved in minor league baseball. I go around the country speaking to troubled youths, trying to help them understand that whatever path they choose, they'll need to really pay attention to it.

As you absorb more mystical kundalini, you will able to perform a few minor miracles. As you do this, you run a great risk of egotism. Some people handle it well; some don't.

It's a bit scary to see my book come true: the recent (if minor) LA earthquakes, Hurricane Sandy, the Boston bomber, and so on - much of it stoppable, I think, and yet I, too, am also guilty of passivity.

One of my favorite things about the DC Universe, growing up as a reader, was just how big it was and just how many characters and superheroes there were. And how many odd characters there were.

I think up to this point, it's been difficult to suggest a world where Batman and Superman and Wonder Woman and others could exist in the same universe. That was one of the things I really wanted to try and get at. Not to mention, the amazing opportunity to bring those characters and have those characters tell an important story, their own story, within the confines of a film.

I don't know who they are[my characters] . They're entirely invented characters. Maybe that's how I've been able to write so many books, because there are no boundaries for me. I can write a completely fantastical story like "Swept Away" or "Blinded by the Light" and then a non-comic drama like "Chicxulub" or something like "Birnam Wood" that has autobiographical underpinnings. Why not?

I learned a lot in the Minor Leagues, spending six years there. I honed my skills, as far as coaching goes. I was able to work with the players in a lot of facets of the game.

My message to a lot of guys is, if you like school and you like education, baseball is gonna be there, and you can get some of the same great competition in college that you do in the low minor leagues.

I think the root of minor problems is separation from a belief system of interconnectedness and compassion and oneness, so when we multiply that over and over again, it turns into lies and chaos and terrorism.

Men should be able to see themselves in female characters and female strength, just as much as women are able to see themselves in male characters.

For many people, commuting is the worst part of the day, and policies that can make commuting shorter and more convenient would be a straightforward way to reduce minor but widespread suffering.

Every movie has three things you have to do - you have to have a compelling story that keeps people on the edge of their seats; you have to populate that story with memorable and appealing characters; and you have to put that story and those characters in a believable world. Those three things are so vitally important.

I love these kind of movies as a kind of cinema-going geek myself. Those characters, you want to be like those characters when you go to the movies. You know, when you see a movie with a guy who's really cool and the killing's slick and easy. I don't know. There's something intoxicating about it.

You are going to love some of your characters because they are you or some facet of you, and you are going to hate some of your characters for the same reason.

Aura of the mysterious is a minor perversion that a couple shares. A fetish that one of the two partners finds arousing, or a particular sexual scenario. Fantasies have to remain dirty. Cleanliness, scrupulousness and rationality are poison for eroticism.

In our society, most of us wear protective masks of various kinds and for various reasons. Very often the end result is that the masks grow to us, displacing our original characters with our assumed characters.

Growing up, I played hockey because I loved playing it. I didn't view myself in minor hockey as a Black hockey player, but I was also aware that I was.

'Brooklyn Nine-Nine' is an idealized, fun comedy world in which feminism is an underlying value that all the characters have. Equality is a value all the characters have. I mean, I want to live in that world. I'd like to make the world feel more like that, but I understand that it's a fantasy.

It isn't necessarily the great and famous beauty spots we fall in love with. As with people, so with places. Love is unforeseen, and we can all find ourselves affectionately attached to the minor and the less obvious.

I love writing about men. To get by in the world you have to know how men think. Not that all guys think alike, but women tend to think about more things at the same time, an overgeneralization, but I find it easier to make my male characters focus than I do my female characters.

The only characters I ever don't like are ones that leave no impression on me. And I don't write characters that leave no impression on me.

I think it's human nature to go and to watch things that are done, and see the flaws, but I cannot think of anything that we would want to go so far as to completely change or redo to be honest with you. I think there are characters, you look at the Thor: Ragnarok trailer, there are characters that can evolve and can continue to change and grow throughout.

The film, 'Aftershock,' for me is really about how the minor problems in life that we think are so major ultimately mean nothing when a tragedy happens, when a real problem happens.