Top 1200 High Fashion Quotes & Sayings

If fashion is for everyone, is it fashion? The answer goes far beyond the collections and relates to the speed of fast fashion. There is no longer a time gap between when a small segment of fashion-conscious people pick up a trend and when it is all over the sidewalks.

Fashion is everywhere. Everywhere! Flowers are fashion to me, the sky is fashion, my garden is fashion. My darling, the Sistine Chapel is fashion.

I'm embracing what I have. I'm a curvier bombshell with big boobs. I'm not high-fashion. I don't do runway. You won't see me at Fashion Week.

My goal was to tell a dialogue between high fashion and streetwear. So, the name Off-White, in my mind, is between black and white. So, that middle ground is a mixture between both genres of fashion.

In high school I had some famously egregious fashion missteps. I was really out there in fashion, I think because I wanted attention. I would wear crazy patterns, skin-tight pants and giant platform shoes.

I don't like the collusion between high fashion design and high street. You have to know where you stand. I belong to luxury fashion. That's what I've always felt and embraced. I like the best quality, the best fabrics and the most creative field in fashion. I will stay consistent. I belong to this world.

For high school, everything is about what you wear, how you come to school, and in high school, a lot of people judge you. So fashion is something that can save you - at least, it saved me.

Fashion is about owning whatever you're wearing, regardless of if it's a high fashion statement or not.

I want to achieve anti-fashion through fashion. That's why I'm always heading in my own direction, in parallel to fashion.

Fashion is not something that exists in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening.

I always wanted to be a fashion designer and I learned costume illustration in high school. That was an incredible high school. It was more like a college. I'm moving more in that direction, just kind of merchandising my name.

My Pirelli calendar is hanging on the wall of my friend's frat house, and he doesn't know anything about fashion. That balance is what leads to big campaigns outside of fashion. But I never want to choose one or the other. Both commercial and high fashion are what make my job so interesting.

Tradition in fashion is held with such a high regard.

The way our big cities change sucks. The beauty of cities was that they were edgy, sometimes even a little dangerous. Artists, poets, and activists could come and unify and create different kinds of scenes. Not just fashion scenes, scenes that were politically active. Big cities are getting so high-end oriented, business corporate fashion, fashion not in an artistic sense but in a corporate sense. For me that edgy beauty of cities is lost, wherever you go.

I'm ghetto chic, I'm where the hood and high fashion meet

One of my first fashion clients was Calvin Klein. We did his first freestanding stores. He was very exact and precise. But talk about high-fashion people who brand themselves!

I don't do 'Image' magazine or high-fashion shows.

Fashion is a reflection of our times. Fashion can tell you everything that's going on in the world with a strong fashion image.

I've never wanted to be in fashion. Because if you're in fashion, you're going to be out of fashion.

I did a lot of modeling in the U.K. A lot of it wasn't high fashion because I don't have the body or the face for high fashion modeling. I did a lot of sportswear, swimwear, and beachwear.

When I was in high school, I was doing a fashion show, and my House Father would host fashion shows at the school. He was great at it. He saw me and said, 'That's my daughter.' The rest was history! We went to New York City to rehearse and go to balls, and I was in the ballroom scene until I was 17 years old.

Abstract art: a construction site for high fashion, for advertising, for furniture.

Everybody's talking about the new democratic world and whether high fashion is relevant. But without high there is no low. I don't like to intellectualize. I've always said fashion is like roast chicken: You don't have to think about it to know it's delicious.

I'm a real Londoner. We have very grey weather in London, and I think it encourages a very eclectic and crazy fashion sense. I mix high-street stuff with more high-end fashion and vintage.

I've always been a fan of Saint Laurent because I like how their jeans fit on me, but as far as high fashion, I don't wear too much high fashion. I like more streetwear and baggier stuff.

I've always enjoyed fashion and dressing up for things, whether it's high fashion or play fashion.

Previous first ladies seemed to feel the need to wear a sort of uniform, whereas Michelle Obama likes fashion and is very comfortable in fashion. She's happy to mix high and low, and she loves emerging designers. That will do nothing but good for our industry.

The fashion I've acquired over the years is so sacred to me - from costumes to couture, high fashion to punk wear I've collected from my secret international hot spots. I keep everything in an enormous archive in Hollywood.

Heading to Paris when I was 17 and modelling exposed me to high fashion, which influenced me to dress on-trend - not extravagantly, but always in fashion.

Even though I love fashion, I prefer people to fashion. Fashion is to make the person comfortable in her body, it?s not something very serious, you get to play.

Thierry Mugler is about the power of glamour and walking straight into the future. He's been a god for successive generations in the fashion industry. He fused pop and high fashion, told a story in style and combined fantasy with reality.

I think the problem is that fashion has become too fashionable. For years, fashion wasn't fashionable. Today fashion is so fashionable that it's almost embarrassing to say you're part of fashion. All the parodies of it. All the dreadful magazines. That has destroyed it as well, because everybody thinks fashion is attainable.

With fashion, my mother was an icon, but she never lived it in the sense that she was never obsessed with fashion. When I was a young girl, my sister wasn't doing fashion, so I started fashion thinking, 'I'm going to do something that they haven't done yet.' That was my silly scheme at the time.

After I got into the industry, I got into fashion because before that, I wasn't really into fashion because I couldn't really afford anything. After, I got into this industry, and then I could start to afford them. I started to get into more of the high-fashion stuff.

I find it interesting where grunge originated from and then where it was taken, which was high fashion. My dad was so poor that they kept going to Goodwill to get donated ripped jeans. It wasn't a fashion decision; it was an 'I don't have any money, I have no other choice' type of decision.

Are you in fashion? You look like you're in fashion." "No," [Magnus] said. "I am fashion.

When I was in high school in England, I wasn't sure that you could have a career in fashion. In those days, there were very few fashion magazines. I didn't realize there was a school where you could go and learn how to make clothes and design. I thought you just had to be discovered somewhere, like a film.

I think it's important for kids to express themselves with bad fashion. I struggle a little bit now because I have a daughter and I feel with fashion, like they're sexualizing the kids so young. Little kids in high heels and that kind of thing is really difficult for me to wrap my head around.

I don't believe in fashion dictatorship, and I find that anybody who follows the dictates of fashion is a bit lost. I'm excited by style, not so much by fashion.

I always design my own hats to complete my fashion thought....I like them slightly mad, like this huge black poppy. Right now I lift the bosom high on coats and dresses...I am using so many high curved belts.

When I went to play in Europe in 2007, I really got into high fashion.

The fact that fashion goes out of fashion and then comes back into fashion based solely on what a few people somewhere think they can sell, well to me, that’s insanity.

In my early days, fashion was considered a very high risk industry. The failure rate is very high. Trying to get capital and trying to find people who specialize in that industry is very difficult too.

I don’t like the collusion between high fashion design and high street. You have to know where you stand. I belong to luxury fashion. That’s what I’ve always felt and embraced. I like the best quality, the best fabrics and the most creative field in fashion. I will stay consistent. I belong to this world.

I just like streetwear. I've always been a fan of Saint Laurent because I like how their jeans fit on me, but as far as high fashion, I don't wear too much high fashion.

I'm a real Londoner. We have very grey weather in London, and I think it encourages a very eclectic and crazy fashion sense. I mix high-street stuff with more high-end fashion, and I love vintage.

When I got into high school, that's when I stated dabbling in fashion design. I got involved in the theater department's costume design and started to think that maybe I'd major in fashion design.

I started getting into clothes when I was really young. And then I went through a phase in middle school where I didn't care at all. But after that, after high school, I really got into high fashion. Balmain, Givenchy, Louboutin, all that.

Fashion is not beautiful, neither is it ugly. Why should it be either? Fashion is fashion.

I represent a body image that wasn't accepted in high fashion before, and I'm very lucky to be supported by the designers, stylists, and editors that I am: ones that know this is fashion; this is art. It can never stay the same. It's 2015.

I was accepted to multiple fashion schools. But I had two kids when I was a teenager. My kids' mom already had two kids when she was still in high school. So I had to be in the streets early. Instead of going to fashion school, I took the street route.

Moving fashion used to be one of my chief goals. It's not necessarily any more. Fashion needs to change when life changes. You only need to move fashion forward when there's a reason to move fashion forward.

I hate fashion. Or the word fashion, which sounds colorful, extravagant, expensive and gorgeous. “I never wanted to walk the main street of fashion. I have been walking the sidewalks of fashion from the beginning, so I’m a bit dark.

You do not need to go to journalism school if you want to work in the fashion industry. I think high schools condition you to think this way: If you want to be a fashion editor, go to fashion school. If you want to be a writer, you should study journalism. I think that the best school in life is experience.

I do not aspire to be in fashion. For what is in fashion, goes out of fashion If, on the contrary, your work is contested today, it doesn't matter. For when it is finally understood, it will be for eternity.

I'm going to be a fashion icon in a minute. I'm not going to do it in a corny manner. I have a voice that speaks for a whole other market - not just black people, but high fashion urban people. I mix street wear with high fashion. It's never been seen before.

Living in New York, I get inspired by what young women are wearing - everything from high fashion to street fashion.

I studied fashion at the London College of Fashion. I get involved in it as part of my own styling, so if I wasn't a pop star maybe a fashion buyer or a stylist.

I almost went to Central Saint Martins for fashion design. I deferred for a year when I graduated high school so that I could go model and make some money and immerse myself in the fashion industry for a year.

My inspiration is European fashion. I'm really into Euro fashion, and I also love rock n' roll. That's the mentality that I like to have when I'm dealing with fashion.