Top 410 Guitars Quotes & Sayings - Page 6

People were watching the TV set, and they said three rock-and-rollers died - Buddy Holly, Richie Valens, The Big Bopper, including the pilot. I walked out of the hotel. I got on the bus alone. Their clothes were hanging on the racks, their guitars on the seats.

My guitar is a mutation between a classic Fender Stratocaster guitar, which I played for years, and a Gibson solid-body like an SG or a Les Paul. It contains all sounds of the basic classic rock n' roll guitars. It does what I want it to do.

I would have issues with directions songs were taking, but I never heard one of Carlos' [Dangler] basslines and said, "I don't like that, do something else." The same goes for the beat and the guitars. I think that's why we were able to make four albums together.

For the longest time, I didn't even want to admit I was serious about music. Before the Shins, I would tell myself, 'Oh, I'm going to figure something out someday.' I had this romantic vision of being this old dude maybe making guitars or something.

I think exclusivity is important in life. When you look at a hot pair of Jordans, not everybody got them - it's a limited run. You look at guitars. When Gibson made the robot guitar, it was a limited run.

I conceived of a concept, a project, a band. The Tide. The Tide, acting as a sonic exemplar of flow and fluidity. The way of things. The way of nature. Guitars, rock and surf music, psychedelia, transcendence from everyday bourgeois consciousness.

I've always been into guitars... we want to put keyboards on, but keyboard players don't look cool onstage, they just keep their heads down. There has never been a cool keyboard player, apart from Elton John.

Somewhere around the fifth, sixth album, we got this little formula together where we knew how to record Too $hort songs. You need the bassline, a good drum pattern, call in the keyboard, the guitars - it's just a way we mixed it all together.

When I see 16 year-olds waiting for me, I just want to spank them and give them guitars and tell them to start bands. It's a bummer that girls have to respond to rock artists sexually instead of, like, 'wow, me too!'.

I grew up playing the saxophone. I joined the jazz band in high school, but somewhere along the way I realized the guys who strummed acoustic guitars at parties were the ones who got the attention. So I asked a friend to show me a few chords, and when I moved to L.A. I spent a lot of time practicing my guitar.

Most records, you build from the drums and bass up. This one, we started with the vocals in Nashville and recorded them live with just the guitars and tried to make that complete and lovely-sounding without any adornment at all. I really wanted to get something with the vocal that I've never gotten before Armchair Apocrypha.

My father played one of the first electric guitars in England. He built his own in 1940, because you couldn't buy them in those days. He used three telephone pickups under the strings, which gave chronic distortion on chords but was quite good on single notes.

There's something about guitars, they're just so big, you know what I mean? You're just like, 'Ugh!' It just seems so overwhelming. And the ukulele is, like, the opposite of overwhelming.

I like to sit in front of the computer, going through files of music, and recording the final vocals, guitars and what- nots. But the windows are always open and you can hear the crickets, birds, chickens, and even the sound of rain hitting the studio. The farm is a great place to hang out in, learn from and create music.

There are tons of people in the West who love fiddles, banjos and mandolins. If you got to any cowboy poetry and music gathering those are the instruments they use. It's acoustic music. We don't do that much modern country that has electric guitars and a lot of volume. It's a gentler form of music. It's from the land and comes from the ranchers and farmers.

I can play the trumpet. Before I became an actor, I wanted to be the next Louis Armstrong. I started young and got to grade seven. When I turned 13, everyone started whipping out guitars, looking cool and joining rock bands, so I stopped playing.

I come from a big family of musicians, so I was lucky enough to grow up with guitars all around the house. Even though I didn't really know much at the time, my brother had a Les Paul Goldtop, and my dad always had this Fender or some bizarre Pedulla-Orsini guitar.

My philosophy is, honestly, never collected anything that I don't play. I know a lot of people that collect guitars, but for me, I want instruments that I play. And if I don't play them, I don't' want to have them sitting in a closet collecting dust.

Maybe I feel like I'm writing songs that don't need to be saved or made more interesting by endless overdubs and studio tricks...maybe - remember, where I am with songwriting I have never been before - sparkly guitars and overdubs I've done (and will do again - see instrumental record in above answer)

Out of drag, I'm a white guy with a guitar, which isn't special. There are a million white guys with guitars. But being a drag queen with a guitar is a lot more commanding.

I've been playing for aeons now, but way, way back, I remember Eddie Van Halen came out ,and I loved his playing. He was amazing. But then everyone started copying his guitars with Floyds, and I didn't.

I just have some restaurants to just go and eat there. Do mean places to watch people? I like to go shopping look for guitars and stuff with my friends. Look at Meyer, great old instruments, talk about pedals and stuff.

What people don't realize is that the so-called Seattle grunge scene grew out of several close-knit gourmet supper clubs - we would only pick up guitars to pass the time while our dishes were simmering, baking, boiling, etc.

You watch the country-music awards that they show on the television, and you see country music has reached about 1985. It's all huge processed drum sounds and chiming chorus guitars and programmed synths bobbling along in the background.

We sat around and I fed them barbecue and whiskey. And pretty soon everyone started to compete with each other on the guitars. It seemed the more everyone drank and ate, the more everyone got into it.

My older sister encouraged me from early on and bought me one of the first guitars I had. She listened to all of the crappy songs that I wrote when I was 8 years old and encouraged me to keep doing it.

My office doubles as a karaoke den for the neighborhood. There are strobe lights and Rock Band plastic guitars, a disco ball and a fog machine and some other things. I have a really long work day, and you might find me doing karaoke by myself late at night.

I like guitar. It just turned out that it's the instrument I learned to play. I have a lot of respect for it, and I'm learning more and more every day. For me, the classic band setup - guitars, drums, bass - will stay fresh forever. I don't know. I'm still into it.

I had no idea 'The Dream Weaver' would be so successful. Everything just fell into place with that album. I pioneered a number of ideas with that album and subsequent tour. The all-keyboard approach with no guitars was a new one, and I was one of the first to use a drum machine in concert. It was an amazing time.

The street's alive as secret debts are paid, Contacts made, they vanished unseen. Kids flash guitars just like switch-blades Hustling for the record machine. The hungry and the hunted explode into rock'n'roll bands That face off against each other out in the street, down in Jungleland.

With the notable exceptions of rum drinks, black beans, fat brown cigars, the smiles of pretty girls, hot yellow sunlight, and fat men with guitars and bongos playing mambos, rumbas, and boleros late into the night, nothing in Cuba comes easily.

A man can’t have too many guitars or too many shotguns.

I was in bands, but they were punk bands, and you plug in the guitars, you turn them up really loud, you've got four or five other people on stage with you, you've got some protection from when they throw lighters. You can always hide behind the lead singer or the bass player.

I think that breaking into the mainstream - it was just the right cycle of music for us in Blink-182. People were kind of over the boy-band, pop-princess, manufactured sensibility, and were excited for guitars and angst and energy and enthusiasm, which is our thing.

I keep guitars that are, you know, the neck's a little bit bent and it's a little bit out of tune. I want to work and battle it and conquer it and make it express whatever attitude I have at that moment. I want it to be a struggle.

Oh yeah, I mean, it wasn't a very good guitar, most good guitars have got thrust rods in the necks that you can adjust or that'll keep them in shape, you know keep them straight. This one just, well it turned into a bow and arrow after a couple of months.

I'm not too picky about guitars. I love to collect them, mostly oddballs, but I'm not married to any brand or model. Whatever guitar has the best character for the song is the one I want to use, because if you've got a style, you're going to sound like yourself no matter what guitar you play.

Right now my mind is on the people who stole our instruments, and, specifically, the person with my guitar, which will no doubt end its days having Green Day songs worked out on it. A better fate was deserved - and while the reverence given to guitars annoys me, I shall miss it.

I always liked really heavy guitar music, but didn't like the long-winded songs that went with it. And I always liked pop songs, but was driven nuts because the guitars were so wimpy sounding. So I decided to put the two together. That's how the Muffs started.

I have to say, our kind of music was always a struggle live. Quiet vocals and really loud drums and guitars, it was quite tricky. It still can be. I'm slightly amazed that other bands say that, because I'm still like, "Oh God, what am I doing?"

I say that drums and bass should be very prominent, with vocals being the most important thing, and maybe very little guitars. I conclude by calling for no songs over five minutes and saying that I'm sure we'll fail at anything like what I describe, but hopefully we'll do that in an interesting way. Plans never work!

51 Martin [guitar] sounded pretty good as new guitar. Martin has several levels of guitars now, and this one is pretty good.

I feel my spot is somewhere between a bass player and a rhythm guitar player. I play with a pick. I play very aggressively. I always have a distortion pedal in line, and I play less melodies and do more stuff against the guitars that create melodies.

I'm Not Afraid of the Police' is the first song I wrote and recorded since moving back to Los Angeles. It's a loud-pop, crazy-guitar, big-harmony song with all the police sirens created by guitars and ADA flangers.

You can't be, like, smashing guitars against Marshall stacks all the time. As a matter of fact, after a while, it just looks like posing - it never really gets down to any message or any real expression.

The first guitar I ever picked up was an acoustic black Fender, so it makes perfect sense that Elias plays Fender guitars. As far as details, it's simple; Elias and Fender have a great relationship.

As soon as I started writing the first batch, I had a vision. I saw me on stage playing a certain type of music. I want to take these blues melodies over aggressive guitars. I heard the sound I wanted to make. I knew what I wanted to do. It wasn't ever there before.

My philosophy is, honestly never collected anything that I don't play. I know a lot of people that collect guitars, but for me, I want instruments that I play. And if I don't play them, I don't' want to have them sitting in a closet collecting dust.

My dad played guitar, and so there were always guitars kicking around the house that I was never allowed to touch. My cousin gave me a twin-neck electric guitar for one of my birthdays. It was amazing. Even though it was mine, I was never allowed to pick it up.

I know I love sexy surf guitars, I know I love loud snare. I love really simple repeating bass lines, and I love weird mad scientist keyboard sounds.

I can take the steel guitars and fiddles off, we can make it a little more pop, cover ideas that are a little less cowboy. But you got to look at yourself in the mirror and ask, whose flag you are under? For Garth Brooks, I'm steel, fiddles, red, white and blue.

I'm playing a D-28 Martin that I've had about 20 years or so. I've got a '51 Martin and I thought I shouldn't be taking this on the road. So I went down to Gruhn Guitars in Nashville and kind of traded around and ended up with this one. This guitar sounded pretty good as new guitar.

I've always been into guitars. We want to put keyboards on, but keyboard players don't look cool onstage, they just keep their heads down. There has never been a cool keyboard player, apart from Elton John.

In New York, I'm around a lot of the reasons I started playing music in the first place. I live right behind Matt Umanov Guitars. I live on the street that Suze Rotolo and Bob Dylan were walking down on the album cover. I recognize the history.

I've always been into music that was meshed together - not necessarily wall of sound stuff but music where you get duelling guitars and weird harmonics by putting things together, and you might not even know what's playing - it could be four or five instruments doing the same thing, and it's this strange concoction.

An artist creates songs and timeless moments that are reflections that impact culture, and you can do that in any way - with guitars, ukelele, a computer. So, that will never die. It's always the artist behind the computer, not the computer.

A guitar can be so human, so sorrowful, so angry, and I wanted to figure out how to achieve that vibe without having to actually use guitars, because 'Badlands' is a very futuristic record - and making it that in an era of futuristic music is a really hard thing to do!

One summer, when I was elementary-school age, my neighbors and I built guitars and keyboards out of scrap wood, painted them in bright colors, and formed the cover band Lil' 'D' Duran Duran. We didn't make our own noise or even pretend to play our fake instruments.

I don't listen to music made by white people. I especially hate anything where a guitar is used. I don't listen to white people and guitars.

I've been to New Zealand before, many times. And of course it has a significance to me because I do have something that's very special in New Zealand. I have '10 Guitars,' which is a very popular song, and I understand it's like the second national anthem over there.