I like lots of songs, and I find it quite interesting to do [cover songs] from time to time. My first solo hit was in 1973, the Dylan song “A Hard Rain’s Gonna Fall.”
When I first heard Bob Dylan, I'll be honest, I didn't like him. But I was shallow of mind and didn't understand the poetry. I just judged him on his singing and his guitar playing.
My heroes were Dylan, John Lennon and Picasso, because they each moved their particular medium forward, and when they got to the point where they were comfortable, they always moved on.
When I was 17 I got a guitar for my birthday and started discovering Bob Dylan and James Taylor and the whole '60s thing, and that made me want to make songs, to go beyond just playing an instrument. I needed to write I guess.
I still prefer to hear [Bob] Dylan acoustic, some of his electric songs are absolutely great. Electric music is the vernacular of the second half of the twentieth century, to use my father's old term.
My love was Bob Dylan, but as I got older I realized a good ballad was a good ballad.
There are some singer-songwriters who start out as poets. So someone like Leonard Cohen wrote and published poetry in the early 60s, but then started writing songs. Bob Dylan's a poet in the sense of bard, aoidos or vates.
Gordon Lightfoot has created some of the most beautiful and lasting music of our time. He is Bob Dylan's favorite singer/songwriter - high praise from the best of us, applauded by the rest of us.
Songs came first. I started out in 1965 trying to copy the Beatles, Bob Dylan, and the Stones, like most kids I knew. I'm still trying. Songs are hard to beat.
Now that we were alone,i was self-conscious and cranky again.Why had i wanted to stay?if i had been programmed to want to be with dylan,heads were gonna roll,i promise you that.
I never could understand - it was impossible for me to get my head around - what the furor was, what the sense of betrayal and anger and rage was about Bob Dylan's beginning to perform with a band, to play rock-and-roll, to get on the radio.
In the meantime [1965-67], [Bob] Dylan was again writing some of the best love songs in the genre, like "Visions of Johanna," "Just Like a Woman," and "Sad-Eyed Lady of the Lowlands."
In other words, I'd say the whole story of Bob Dylan is one man's search for God. The turns and the steps he takes to find God are his business. I think he went to a study group at the Vineyard, and it created a lot of excitement.
'The Big Lebowski''s soundtrack has had as much of an influence on me as the film itself. My favorite Bob Dylan song is 'The Man in Me,' which plays over the movie's opening credits as well as during the first dream sequence.
When I can focus on something like guitar or painting, I do. I started painting people I admire, like Kerouac, Bob Dylan, Nelson Algren, Marlon Brando, Patti Smith, my girl, my kids.
I think that Bob Dylan knows this more than all of us: you don't write the songs anyhow. So if you're lucky, you can keep the vehicle healthy and responsive over the years. If you're lucky, your own intentions have very little to do with this.
When I started Dylan's Candy Bar in 2001, I wanted it to be a place that merged my love of pop culture, fashion, art and music with candy. Since then, we have been fortunate to pioneer artistic partnerships with many legends.
If Bob Dylan really is an historian in and of himself in his work, in his performances, he is also an historian with a unique sense of humor. There's always been a bit of a stand-up comic in him.
Most of the songs came from Europe and Africa and now they were coming back to us. Many of [Bob] Dylan's best songs came from Scotland, Ireland or England. It was a sort of cultural exchange.
I love Dylan. I only met him once, about three years ago, back at the Kettle of Fish on MacDougal Street. That was before I went to England. I think both of us were pretty drunk at the time, so he probably doesn’t remember it.
By the time someone gave me some samples of standard screenplays I was already beyond that stuff, because I was not only a tinkerer in ways to do things, I'd started from Dylan Thomas. As a screen dramatist he was a very intense visualist, with great timing and fluency.
Thousands do benefit from love, support and comfort in their final chapter: I watched my dad slip away without pain as Bob Dylan and Bruce Springsteen tracks played in a warm Marie Curie hospice, surrounded by doting nurses and his family.
My thing has always been that the clothing we make is kind of like music. There are always critics that don't understand that young people can be into Bob Dylan but also into the Wu-Tang Clan and Coltrane and Social Distortion.
I don't know if music has ever achieved anything past appealing to the people that it appeals to. If a song could stop a war, then Bob Marley and Bob Dylan songs would have stopped one or two.
The biggest influence? I've had several at different times - but the biggest for me was Bob Dylan, who was a guy that came along when I was twelve or thirteen and just changed all the rules about what it meant to write songs.
I open all my concerts with 'My Backpages,' written by Bob Dylan, and close them all with 'May the Road Rise to Meet You,' written by Roger McGuinn and Camilla McGuinn.
Theophilus Crowe's mobile phone played eight bars of "Tangled Up in Blue" in an irritating electronic voice that sounded like a choir of suffering houseflies, or Jiminy Cricket huffing helium, or, well, you know, Bob Dylan.
Fang looked at the newest bird kid. Dylan was an inch or two taller than he was, and somewhat heavier built, though he still had the long, lean look of a human-avian hybrid-you couldn't make bricks fly.
Early British pop was helped tremendously by the writing of Bob Dylan who had proved you could write about political and quite controversial subjects. Certainly what we did followed on from what was happening with the angry young men in the theatre.
Nina Simone was an entertainer. Bob Dylan was an entertainer. Anyone that can occupy a piece of music and make the air catch on fire at that moment is a true entertainer. That's how I view it. That's what I was meant to do. I love doing it. That's why I'm on earth.
I knew Bobby Dylan back in the days when he lived in the village. He used to come and see me and sing songs for me, saying they ought to go into my next collected book on American folk music.
[ Bob Dylan] should let the Nobel Prize Committee know if he is accepting it or not. He will not be the first one who declines the prize for political or personal reasons. He should just tell them.
Flip on the news and watch how we treat the Batman theater shooter and the Oregon mall shooter like celebrities. Dylan Klebold and Eric Harris are household names, but do you know the name of a single ‘victim’ of Columbine?
Even if you don't have all the things you want, be grateful for the things you don't have that you don't want (Bob Dylan's dad)
I've always been amused by [Bob] Dylan; I don't think he's been amused by me.
I've been interested in writing and storytelling since I learned to read, but it wasn't until I read Dylan Thomas, when I was 14, that I became interested in language itself, and saw it as more than a transparent medium for a story.
[Bob] Dylan may, for whatever reasons of his own, do nothing of the sort with the Nobel committee. Up there on Parnassus, that is his unquestionable prerogative. But here on my anthill, it's mine to say: oh, do piss off, you ineffable snobs.
Like trillions of others, if it wasn't for Bob Dylan, it would have been a different musical landscape. Pop music wouldn't have been my thing at all. I did also grow up listening to The Beatles, but I never thought of being a Beatle.
Meanwhile, the disgruntled "natives" of the West remain empty-handed and keep baying for blood, stuck on the caboose of the train, like Bob Dylan used to sing. Despair will always be a merchandize so long as we refuse to confront these lies head-on.
We are at a crossroads in the music business: with the rise of the internet, the world we live in has changed, and the past is not coming back. But I see the glass as half-full: the internet and social networking are new avenues for the next Bob Dylan to be born on.
I suspect many readers might associate [Bob Dylan] with one of the shortest phases of his career, the time from 1963 to '65 when he wrote his most famous "protest songs," like "Blowin' in the Wind" and "The Times They Are a-Changin.'"
I really have been trying to get in movies with smaller parts, just to get myself in there and get more practice, and not have to take the big lead. In 'Dylan Dog' I was one of the co-stars, and I had a pretty good part in that movie.
I'm like, 'Would you be the person in the room that would boo when Dylan went electric? I know I wouldn't. Or are you the person that left The Beatles after 'She Loves You,' or 'Drive My Car?' You weren't on board for 'Revolution 9' or 'Day In The Life,' were you?'
I had maybe heard 'The Times Are A-Changing' on the radio, but I had no idea who Dylan was. No idea.
Somehow you can tell the difference when a song is written just to get on the radio and when what someone does is their whole life. That comes through in Bob Dylan, Paul Simon, Willie Nelson. There is no separating their life from their music.
I only read the very best music books. Donald Fagan's memoir 'Eminent Hipsters' is great. Bob Dylan's memoir 'Chronicles' and Patty Smith's 'Just Kids' are both incredible.
I was very engaged by the folk music movement.Bob Dylan; Joan Baez; Peter, Paul and Mary. And then I sort of discovered world music, and fell in love with ethnic music of all sorts.
My husband wasn't put off by it - he thought it was hilarious to see me dressed as Dylan! He didn't particularly want to kiss me with stubble all over my face - it felt a bit odd! But I think he's used to it [the make-up process].
Without people like Dylan and the Beatles and people like Paul Simon, I think rock n' roll would have died out like Dixieland jazz.
If poetry were nothing but texture, [Dylan] Thomas would be as good as any poet alive. The what of his poems is hardly essential to their success, and the best and most brilliantly written pieces usually say less than the worst.
Joaquin Sabina is one of my favorites. He's like a legend. He's like our Bob Dylan, or our Bruce Springsteen. He's one of the most talented writers of our Latin music.
Along with some of the worst music of Bob Dylan's career ("Self-Portrait," 1970), this period produced some gems - including many songs recorded with The Band in '67 but not released until years later.
It's sort of irritating now - people always ask me, "You're a dad, and how's fatherhood?" If Bob Dylan or Neil Young had a kid, it didn't seem like it made them a different person. It didn't make you old right away.
I think Bob Dylan's a good songwriter. I think he's the best songwriter in the world probably.
[Bob] Dylan's many quotations from classic American roots music (that song is from an album aptly titled Love and Theft) join the aging poet to a tradition that preceded him and hopefully will outlive him as well.
I think I'm the oldest new Bob Dylan around. I predate Bruce Springsteen, Steve Forbat and John Prine. I was probably the first of the new Bob Dylans.
Unlike so many Dylan-writer-wannabes and phony 'encyclopedia' compilers, Sean Wilentz makes me feel he was in the room when he chronicles events that I participated in. Finally a breath of fresh words founded in hardcore, intelligent research.
I love Willie Nelson's 'Phases And Stages'; there's so many songs from The Band and Bob Dylan that have gotten me through hard times, like 'Tears Of Rage.' I love Karen Dalton's 'In My Own Time' and Skip James.
It must be tiring being Bob Dylan for the past 50 years. People act like he's not even human, which must be hard work. Every room he walks into just goes quiet.
I don't know which way I'm going. My next CD might be country, might be Dylan, might be Mick Jagger. I don't know. I love a challenge.
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