Top 621 Dylan Quotes & Sayings - Page 8

Back in the old days, everyone was shocked if a band had a sponsor for their tour. Now, Bob Dylan can do a commercial for Victoria's Secret and people don't really blink; the Beatles' songs are in all sorts of commercials these days and it doesn't seem to offend anybody. The times are changing.

Growing up in the icy isolation of Hibbing, Minn., Dylan, who was still Robert Allen Zimmerman then, found comfort in the country, blues, and early rock 'n' roll that he heard at night on a Louisiana radio station whose signal came in strong and clear.

Bob Dylan has always sealed his decisions with the unexplainable. His motives for withholding the release of the magnificent 'Basement Tapes' will be as forever obscure as Brian Wilson's reasons for the destruction of the tapes for 'Smile.'

Music television is all about the media-oriented version of what it is to be a rock star; it's not about what Bob Dylan or Jimi Hendrix were about - which included great images, sure, but they had spiritual and political and revolutionary content, too.

I've had mentors who were kind of the troubadour singer-songwriters, like Merle Haggard, Loretta Lynn, Joni Mitchell, Bob Dylan and Neil Young, and that's just what I've always liked - people who would talk real honestly about their lives and their circumstance.

Over the years, I've come to realize that writing 'I Ain't Living Long Like This' was an exercise in combined musical influence, mostly that of Hank Williams, Chuck Berry, Elvis Presley, Jerry Lee Lewis, the Beatles, and Bob Dylan - artists no one has ever heard of.

I've worked with some of the best of them. Not just directors like Sam Peckinpah and David Lynch, but writers like Sam Shepard and singers like Bob Dylan, Willie Nelson, and Kris Kristofferson.

Bob Dylan is quite a songwriter, and a great singer and musician. I won't bother with comparing myself to him, but I will say that I heard his records at a very young age and I still listen to all his records.

Life is a musical influence in my experience. But as far as actual music and actual bands, uh, I'll just look at my little collection here. Let's see. Bob Dylan, The Beatles, Pink Floyd, U2, The Talking Heads, Prince and the Revolution, Michael Jackson's Thriller was a huge one.

Sometimes, when the neighborhood is silent and the sky is aswarm with the stars and the mind is swirling like a flushed toilet, a person gets to doubting himself. In the hardest times, the stand-at-the-kitchen-sink-and-stare-into-the blackness times, I put on Bob Dylan's 'Tomorrow Is a Long Time.'

Usually when I write lyrics I try to read a lot and listen to a lot of other stuff. Some of my favourite lyricists are like Lou Reed, kind of the classics - Bob Dylan and stuff like that.

I am so proud of the growth of Dylan's Candy Bar into two more flagship stores: Union Square in New York City and Chicago on Michigan Avenue, and two airport stores: JFK and Detroit.

The Bible is very resonant. It has everything: creation, betrayal, lust, poetry, prophecy, sacrifice. All great things are in the Bible, and all great writers have drawn from it and more than people realise, whether Shakespeare, Herman Melville or Bob Dylan.

In the '60s, when I was growing up, one of the great elements of American culture was the protest song. There were songs about the civil rights movement, the women's rights movement, the antiwar movement. It wasn't just Bob Dylan, it was everybody at the time.

It's insane that, since the Beatles and Dylan, it's assumed that all musicians should do everything themselves. It's that ridiculous, teenage idea that when Mick Jagger sings, he's telling you something about his own life. It's so arrogant to think that people would want to know about it anyway!

How would you define [Bob] Dylan? You can't. That's a true artist. How about Ray Charles? Can you classify Ray Charles? No, you can't. He's just great, period.

The belief in the '70s was that music was changing the world. I never believed that it had that great an effect. The effect Madonna had on fashion and sort of mores of young girls was a bigger deal than anything Dylan may have said, even.

It's like there's the rest of the world, and then there's America. Part of the reason I would really love continue to making music over here because so much of American music has inspired me, whether it's Jeff Buckley, Joni Mitchell, Bob Dylan, Bruce Springsteen.

My musical influence is really from my father. He was a DJ in college. My parents met at New York University. So he listened to, you know, Motown, and he listened to Bob Dylan. He listened to Grateful Dead and Rolling Stones, but he also listened to reggae music. And he collected vinyl.

I did a video with Mick Jagger down in Rio de Janeiro. But I played a video director, and that's the closest I've gotten to directing, except Bob Dylan came and had a few meetings with me about doing a video for him.

I like men who are very cool but who are also so brilliant that they are almost insane. Sean Penn, Gary Oldman, Bob Dylan, Tom Waits - men who would be flipping burgers if they hadn't found an outlet for their brilliant mind-sets.

Bob Dylan and John Lennon and Bruce Springsteen, these are soul guys. Bruce Springsteen might not sing like Otis Redding, but he sings with white soul. He's singing and he's writing songs from the bottom of his gut.

By 27, Bob Dylan had already written 'Highway 61 Revisited,' the Beatles had released 'Rubber Soul,' Bruce Springsteen had recorded 'Born to Run' and U2 had delivered 'The Joshua Tree.'

I was a working-class kid from Boston. But I never lost my accent because I felt like that was what I was doing. I didn't have to perform Woody Guthrie like Bob Dylan did in the '60s, I just had to make myself be Eileen Myles and let that be my shield.

I stopped listening to Dylan with both ears after Highway 64 (sic) and Blonde on Blonde, and even then it was because George (Harrison) would sit me down and make me listen.

I think we have responsibilities to be active in the things we believe in, regardless of what our job is. At least in my lifetime, there has been a tremendous combining of activism and music, that came up in the era of Pete Seeger and the Weavers and Joan Baez and Bob Dylan and Peter Paul & Mary.

My understanding of current music stopped in 2006, so I am continually inspired by music from the past. Three Dog Night, Harry Nilsson, Bob Dylan, Herman's Hermits, Association, Eagles, Beatles, Stones, Turtles, Animals... this list goes on forever.

Bob Dylan is either the most public private man in the world or the most private public one. He has a reputation for being silent and reclusive; he is neither.

Bob Dylan tells interviewers what he wants to tell them, not what they necessarily want to know. His responses are really part of the art, and often have a relationship to the songs that have just come out or are about to come out.

People often ask us if we had direct influences. Honestly, just a lot of different music - not necessarily individual people. We listen to anything from Bob Dylan to Massive Attack to Aerosmith to En Vogue. We very much enjoy all that music.

I was pretty strict in high school about who I would listen to. Musicians like Neil Young, Cat Stevens, Bob Dylan, Joni Mitchell... who were, in my opinion, great writers. The music mattered, but it held hands with the lyrics, and the personality was, overall, unsullied.

When I go back to seek inspiration - whether it be from Chuck Berry, Howlin' Wolf, the Beatles, Hank Williams, Ray Charles or Bob Dylan - it's from the performance. Those artists are in the studio playing their instrument and singing. There's no going back and redoing the vocals.

I got Joan Baez to talk and Alan Ginsberg and some of the guys in the band. And by the end of the piece, another emissary came and said, `Bob [Dylan] is willing to speak to you now.' And I said with great pleasure, `No, thanks. The piece is over.'

I've grown up on American songwriters my whole life - listening to Paul Simon and Bob Dylan and people like John Prine - you know, classic, real songwriters. They've been the lion's share of what I've really focused on as a writer and as influences, too.

I taught myself to play the guitar by listening to Paul Simon records, working it out note by note. He is an incredibly intelligent musician. He's not someone who has a natural outpouring of melody like McCartney or Dylan, who are just terribly prolific with musical ideas.

Lolita' was written at a time when we were heavily listening to more dance, electronic, and trance, and then on the flip side we were writing country-pop songs like 'Born Bob Dylan' or our acoustic songs, or trip-hop.

why can't you just get out of here and leave me alone?"i bellowed. "i can't!" dylan shouted back,his face twisted with an anger i'd never seen from him. "you can,"i said through gritted teeth."just point your wings that way and flap!

Dylan, myself and my father were in a two hour movie called The Sand Kings, which started off the Outer Limits series. It was sort of the two hour pilot movie.

The likes of Bob Dylan and David Bowie and probably Elvis Presley or any of the Beatles, none of them would have got through Pop Idol, because they're not conventional. They're not what people think is popular now. I like the individuality in people. I don't want everyone to sound the same.

I have plenty of good friends that I think the world of - and Bob [Dylan] is one of them, and I like his music - but with some others... their music I just don't care too much about all of it. Some of it I like.

You can't criticize Bob Dylan's singing. You have to respect Billy Joel as a brilliant poet. You can't tell me there's a better rock band ever than Led Zeppelin. And if you speak during the Eagles' "Last Resort," we're done. I'm just asking for seven minutes. This stuff really matters, you know.

You listen to Bob Dylan and you can't help but think of the 60s, it's very relational and if artists are true artists and not just mere musicians they need to be truthful because the music doesn't come from them it comes from the universe and it's to be shared. At best, we're skilled presenters, and I say that at best.

You listen to Bob Dylan and you can't help but think of the 60s, it's very relational and if artists are true artists and not just mere musicians they need to be truthful because the music doesn't come from them, it comes from the universe and it's to be shared. At best, we're skilled presenters, and I say that at best.

After becoming famous once again - a 1976 song, "Hurricane," even marked a return to protest songwriting - [Bob] Dylan got addicted to drugs, found Jesus, left Jesus, and put out a lot of swill.

When I discovered Bob Dylan and Leonard Cohen, I could explore the records that inspired me on a different level and that led me to Joni Mitchell, who is maybe my favorite of all time, and Warren Zevon. Those artists that wrote the lyrics that you try for.

My main influences are pop and folk music - Bob Lind, Neil Young, Joni Mitchell, Bob Dylan, the Motown collection, The Zombies, Elliott Smith, and a ton of 70's AM radio hits. I love powerpop too.

[Bob Dylan] builds his lyrics, of course, from personal experience, but it's also a literary work. He draws heavily on his knowledge of American lyric tradition as well as European modernism. But he should let the Nobel Prize Committee know if he is accepting it or not.

I hate categories. Hank Williams is a great artist, period. Bob Dylan is a great artist, so is Marty Robbins. They just classify these people and put them in categories so they can sell the thing easier.

In New York, I'm around a lot of the reasons I started playing music in the first place. I live right behind Matt Umanov Guitars. I live on the street that Suze Rotolo and Bob Dylan were walking down on the album cover. I recognize the history.

[Bob] Dylan thus deserves the Nobel Prize, not just for "new poetic expressions within the great American song tradition," as the Nobel committee aptly described his work, but also for embodying the contradictions within it.

In 1965, when great young white artists in the English-speaking world were successfully re-channeling hillbilly and black music - you know Bob Dylan, Ray Davies, Pete Townsend, Keith Richards - they didn't get any money at first. They were all broke.

With your silhouette when the sunlight dims Into your eyes where the moonlight swims, And your match-book songs and your gypsy hymns, Who among them would try to impress you? -Bob Dylan, "Sad-Eyed Lady of the Lowlands” (1966)

If you come into my house, it looks like I went to Costco and Dylan's Candy and every candy store and I just have glass jars filled with chocolate. I just love chocolate.

Weirdly, by the way,[Bob] Dylan also managed to write several beautiful love songs, like "To Make You Feel My Love" (covered by Adele, Garth Brooks, Billy Joel, and who knows who else) and "Most of the Time." Go figure.

In the ’60s, when I was growing up, one of the great elements of American culture was the protest song. There were songs about the civil rights movement, the women’s rights movement, the antiwar movement. It wasn’t just Bob Dylan, it was everybody at the time.

It was wonderful, a stunning happy ending to what began as another tragic rock & roll story, as if Bob Dylan had been arrested in Miami for jacking off in a seedy little XXX theater while stroking the spine of a fat young boy.

I think writers, by nature, are more observers instead of participators. I am no where near as much of that as Bob Dylan. But when your antenna is up you are pretty fixated and there is not much room in your life for anything else.

There were only a few seats left in coach and Bob found himself seated next to a young female fan. 'I can't believe I'm sitting next to Bob Dylan!' she screamed.'Pinch yourself,' said Bob."

Bob Dylan, Nobel laureate. A new fact so shocking that even the year's most notable deaths have not outdone it for the volume (in both senses) of instant reaction; so divisive, it makes Brexit, the Labour leadership and the US Presidential election seem lesser ruptures.

Bob Dylan wasn't a big star early on; it was the release of his Greatest Hits album in 1967, and the mainstream success of the stoner anthem "Rainy Day Women #12 & 35" ("Everybody must get stoned!"), that really put him on the mainstream map.