Top 1200 Funny Character Quotes & Sayings - Page 17

Explore popular Funny Character quotes.
Last updated on November 16, 2024.
Just working on a character and his mannerisms, but not looking the part, is not my thing. It is your duty as an actor to be honest to the character.
If the writing is good, then the writing is already funny. All you have to do is make this funny writing true to the very deepest of your heart, and the fact that you are capable of making this true will be hysterical.
A comedy isn't about being funny," said Mrs. Baker. "We talked about this before." "A comedy is about character who dare to know that they may choose a happy ending after all. That's how I know." "Suppose you can't see it?" "That's the daring part," said Mrs. Baker.
People wince when something is in bad taste. They laugh when it's funny. If it's too dirty or wrong, they won't laugh. But if it's a big, dirty, smart, funny laugh, they love it.
I always say that, like a scientist or anyone, you always want to be the problem-solver. You feel like, if you solve the greatest mystery or the greatest problem, then that makes you brilliant. It's the same thing with an actress. You want to be able to really tackle a character and make it a fully-dimensional human being who is complicated, funny and all the things that a person could be.
I think when you're playing a character in any film it's so crucial to have the costume that makes you feel like you're going to be that character. — © Selena Gomez
I think when you're playing a character in any film it's so crucial to have the costume that makes you feel like you're going to be that character.
It's definitely my responsibility not to stereotype any character, but especially a gay character because of the misperceptions people still have about gays.
I think funny comes from tragedy and time. And I think that's where I get it. I'm able to take things that are serious and sad, and turn it into funny. In all honesty - this is after a lot of therapy - I think that, you know, I need love from something, and so now, I find it through performing.
When I developed the Ultimate Warrior character and kept evolving the character, I knew, there was no question that it would work because it was working.
It's nice to play a character that has a soulful, dependent, close relationship. It must mean my character is interesting in some way.
I choose a film only if my character has got importance. My character should have some weight. I shouldn't be someone who just comes and goes.
I get a stack of scripts, like, once a month, and most of the time, you find these placeholder girls that are there to provide a bounce for the male character. So we know he's funny because she's serious and she's mad at him. We know he's strong because she needs saving. So really, her job is to validate this personality trait of our hero or male.
Thrilled that Gov. Romney enjoys my old character. I enjoyed the character he used 2 b 2. If he'd embrace that again, he'd b a great candidate.
To play a character is to inhabit the world and the life of that character.
A well-written character is one where you don't know in which direction it's going; the character could spring a surprise any moment.
JaVale McGee is one of the smartest guys I know. Like, he's a nerd, plays with gadgets, and is into technology. He's funny - he's got crazy jokes, and his timing with jokes is really funny. You have to be really smart to think the way he does.
Only twice have I really had a hard time leaving a character. The first was my character in 'Rome' and then in 'Homeland.' — © Zuleikha Robinson
Only twice have I really had a hard time leaving a character. The first was my character in 'Rome' and then in 'Homeland.'
I questioned everything. I didn't see a character developed in Platoon at all. The character in Blue Velvet was much more fascinating to me.
The zombie was just an intriguing character; it is a sympathetic character.
I was just a goofy little funny kid, who was always getting sent to the principal. It wasn't serious because I was smart. I wasn't like a true troublemaker, just rambunctious - like, talkative and trying to be funny. That was me in middle-school.
TNA has been great as far as allowing me to have more input creatively on my character and the direction of my character and promos.
Wait. Let me guess. You’re giving me the cold shoulder, right?” With that, she sighed. “Shouldn’t you be with your friends, staring at yourselves in the mirror?” He laughed. “That’s funny. I’ll have to remember that.” “I’m not being funny. I’m being serious.” “Oh, because we’re so good-looking
I never like to refer back to anything I've done when I'm working on a character, even if that character has the same occupation.
If you're writing about a character, if he's a powerful character, unless you give him vulnerability I don't think he'll be as interesting to the reader.
When I was growing up, there was a character on TV; there was a character stereotype: it was personified by Mel on 'The Dick Van Dyke Show.'
What makes a strong female character is a character who has weaknesses, who has flaws, who is maybe not immediately likable, but eventually relatable.
The main thing I would say is: Lady Loki in the comics is a very different character to our character, obviously.
When I was a kid I didn't feel like I fit in because - this is really silly and I probably shouldn't say it, but, I didn't think anything was funny. So I used to go home and literally cry to my mom and my step-dad at the time and I didn't think anything was funny. I couldn't laugh.
I love my 'Survivor's Remorse' cast. They are so funny and crazy, like a big dysfunctional family. It's so much fun, and I love the issues that we talk about on that show. We deal with nuanced and controversial issues, and we do it in a way that's funny. It's comedy.
I'm a very jovial guy. I like to laugh, and when things strike me as funny, I don't hide the fact that it's humorous to me. It almost doesn't matter where I'm at: I will burst out and laugh if it's funny to me.
Films are big hits when they touch a lot of people. Things are not funny in a vacuum, they're funny because we respond to some personal dislocation, some embarrassment, some humiliation, some pain we've suffered, or some desire we have.
I got me a fine wife and I got me old fiddle, when the suns coming up I got cakes on the griddle. And life ain't nothing, but a funny, funny riddle.
I don't think voters give a hoot about the character of their political advisors, except to the extent that character reflects on the candidates.
Let me tell you something. I'm a funny girl, and I gave birth to what? Funny. I can't help it. It just is what it is, and my kids have been around my antics so long, it kind of rubs off a little bit. So when it comes to what you see, you only see what is really manifesting in our lives at the time.
To me, comedies are usually the least funny movies. Movies that are actually a comedy are usually not all that funny. To me Goodfellas and Raging Bull are two of the funniest movies I ever saw.
The cat is a character of being, the dog, a character of doing.
In every film, whether it's a fictional character or not, you create an idea of the character and for me I always do a bad impersonation to start with.
The great thing about 'Mirzapur' is that no one character is clear black or white, every character is working in a grey shade.
To create a character who really interests you, try combining aspects of your favourite fictional character with a real person.
As an actor, you have to be able to put yourself into the character since your job is literally making the character and the situation he is in believable.
Character is destiny and character is important to American campaigns. — © Mark Shields
Character is destiny and character is important to American campaigns.
If I'm a character, it's a biographical movie. My character is as close to me as possible. As close to being myself as possible. So my character, J. Cole, is very close to Jermaine Cole.
What makes us love a character is a character that tries.
When I become a character in a movie or drama... I can think about the character only and not the complicated matters of my own life.
A dinosaur out of context is like a character without a story. Worse than that, the character suffers from amnesia.
Every great institution is the lengthened shadow of a single man. His character determines the character of the organization.
Comedy came early. I knew when I was a kid that I was silly, and I knew that I liked people who were funny, but I don't think I knew I was funny. I didn't really think about it.
The Greeks already understood that there was more interest in portraying an unusual character than a usual character - that is the purpose of films and theatre.
Unless the character is suffering from tremendous self doubt or pangs of conscience, you have to get morally behind the character and their values.
In my film "Benny's Video," I depicted violence but I failed to say all that I had to say, so I wanted to continue the dialog and that's why I did "Funny Games." The irony is that after I shot "Funny Games," but it hadn't been released at all anywhere.
When you come out of the other end of a long process, working with a character [you realize] this character has really shaped my ideas.
When you look at "American Crime" and you have the character Terri LaCroix is a pharmaceutical executive - why does that character always have to be white? — © Regina King
When you look at "American Crime" and you have the character Terri LaCroix is a pharmaceutical executive - why does that character always have to be white?
Human character evermore publishes itself. The most fugitive deed and word, the intimated purpose, express character.
He's a jokester, and that's funny, very funny. Ha-ha. Very funny.
I'm quite excited to not play a Xena type character - it's probably closer to me than any character I've ever played.
Never does a man portray his character more vividly than when proclaiming the character of another.
Kids enjoy laughing and are seldom bored when they find something funny. They also ask questions, often to adults, because they understand that the more words they can comprehend about a funny story or a joke, the more they'll enjoy it.
I questioned everything. I didn't see a character developed in Platoon at all. The character in Blue Velvet was much more fascinating to me
We're a phenomenally snobby society, and it's such a rich seam. The middle class is so funny: it's the class I know best, and it's the class where you find the most pretension, so that's what makes the middle classes so funny.
I want to play a character which is as far away from myself as possible and a character that isn't even human, a superhero is just that.
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