Top 1200 Playing Rugby Quotes & Sayings - Page 20

Back when I first came up with the Twins as a second baseman, Billy worked with me on my fielding, on playing the game, on being heads-up, hustling, always doing my best, not alibiing. And when he was the Twins' manager, I enjoyed playing for him.

I don't feel that I was often compartmentalized as an African-American actor, yet I am fully aware of the plight that actors, directors and producers of color face in our industry. I choose to focus on being proactive in creating opportunities for myself and others while acknowledging that we are not playing on a level playing field.

The constant education is what keeps me interested. That's what absolutely fascinates me about this job. This week, I'm playing a faerie. Last year, I played a soldier. What am I going to be playing in six months? It's amazing! It's a wonderful job.

I've always had a process that I do before I even get to set or go to the location. I work privately, and it almost feels like therapy between me and who I'm playing. So I have this inner life that's there and it gives me a confidence, too, that when I'm playing the role I know every question.

I've always thought that the act of playing the guitar was the act of trying to make a point of playing the guitar.

It's special - when you start playing, you are aware of names like Wayne Rooney and Robin van Persie; you have seen them playing and know what great players they are. So it's fantastic to have a chance to line up with them. I'm really pleased with how that understanding has started off.

I just start playing music and eventually I sing something, a line of a verse or a B section or a line of a chorus, and the line that I end up singing is related to the music I'm playing, if that makes any sense. And I go from there.

In '05, '06, '07 and '08, I wasn't throwing any changeups at all. Maybe two or three per game. In '09, I started playing with the grip, started throwing it in the bullpen and playing catch. It came out really good.

My wish would be to continue playing for Manchester United. I have no personal problems with Jos Mourinho. One thing is for sure: I'm not going to stop playing football. I still believe in my own ability. I could still help Man United if given the chance.

I like to look like a person. It drives me crazy when you see women in movies playing teachers, and they have biceps. It totally takes me out of the movie. I start thinking, Wow, that actress playing this part really looks great!

Doing 'Mamma Mia' was scary full stop, so playing a young Colin Firth was even more intimidating. I just had to keep reminding myself that I was playing Harry and not Colin Firth, which psychologically felt better.

Dance music has evolved very much. From DJs playing at the Olympics, to playing at the Super Bowl, working with Cirque Du Soleil and even getting recognized at the Grammys with awards, dance music is growing in a big way.

When I was really little, we used to play Sega Genesis, and my older brother would play 'Sonic The Hedgehog 2,' and he'd be playing as Sonic, but he'd leave an unplugged controller for me to play with, and the whole time I thought I was playing as Tails.

My dad was a club musician. He was always playing guitar and playing loads of soul records and '60s rock n' roll. Whenever he used to cook, he used to play Donny Hathaway, Aretha Franklin, The Kinks, and the Spencer Davis Group - a lot of really earthy things.

The reasons are likely rooted in religion. Playing around with God's creation is simply not allowed. Incidentally, in the past it was precisely the deeply religious people who said: Of course we're playing with God's creation, in fact we're perfecting it. This sort of thinking is frowned upon today.

I love scoring goals for England and playing for England. That's one of the reasons I didn't retire - I love playing for my country.

When I was playing football I never enjoyed it that much, I was never happy. If I scored two goals, I wanted a third, I always wanted more. Now it's all over I can look back with satisfaction, but I never felt that way when I was playing.

Russia recently passed a law - I think a terrible law - which says you have to store all of the data from Russian citizens on Russian soil just to prevent other countries from playing the same kind of legal games we're playing in this Microsoft case.

It's an often-asked question, 'Why did all these spotty white English boys suddenly start playing blues in the '60s?' It was recognized as this kind of vibrant music and when I first started playing in a blues band I just wanted to bring it to a wider public who hadn't really heard it.

Most of us have very clear memories of the self-critical internal conversation running on in our heads while we were playing poorly, and yet it often seems that we hardly remember noticing it at all while we were playing well.

You need to stay in that one position to get consistency that way. Different things are going through your mind when you are playing out right to when you are playing through the middle, so you can't get through that routine of where you want to play.

To be sure, playing it safe isn't a flashy style of poker. Some even claim that it's too weak and passive. That being said, playing safe poker is still a proven recipe for success in the world's biggest poker tournaments.

I remember playing with John Zorn and Ikue Mori in Taiwan in a school classroom. There were, like, 15 people there, maybe, and they were sitting at the classroom desks, and we played under the chalkboard. There's no difference between playing that and the 'download' festival.

I'm more interested in the idea of role-playing in general than the idea of role-playing in art. I like the childlike quality of making pretend or the optimistic idea of pretending something's happening when it's not.

Playing a bad guy is always a freeing experience, because you don't have the same envelope of restrictions as you have playing a good guy. Good guys restrain themselves; they kind of have their moral fiber cut out for them in varying degrees.

You have to capitalise on any success you have and keep doing what you do as well as you can. But how do you define success? In my book, it's to be playing those parts you saw your idols - Judi Dench, Maggie Smith, Helen Mirren, Vanessa Redgrave - playing when they were the age you are now.

Most of our girls are accustomed to playing several games in a short time frame. As a coach and as a team, you want to play games. Plus, you might see a different brand of softball than you are accustomed to playing, and that can be beneficial as well.

There isn't quite a feeling you get from playing video games that you get when you're playing sports, which is like a sense of euphoria. You just get the satisfaction of doing something active and feeling good after.

Playing in Milan for me meant being able to play alongside players who were idols to me as a kid. Playing alongside David Beckham - his long passes are perfect for me.

Probably more than anybody else, I loved Nat 'King' Cole as a performer - not only his singing but his piano playing. Whenever he had a new record come out, I'd get it and try to learn how he was playing. And he was one of the nicest people I'd ever met.

I love playing and I love singing, and the writing. There's kind of a symbiotic relationship between the writing and the playing.

When I was 15 or 16 playing in groups, we used to sit in the car and try to write the lyrics down as a song was playing, and we'd assign each person a verse, you know: 'I'm going to do the first one. You go for the second one.' And then sometimes you'd wait an hour for it to come on again so you could finish it up.

I grew up playing tennis. My father has a tennis court at his home in Bel Air and I was always watching him on the tennis court as a kid, he was a fanatic. I started playing seriously around ninth grade.

I keep changing my stuff. I used to play through a Marshall JCM800, and then I also had a Randy Rhoads signature amp. So before I was playing EVH, I was playing an ODB pedal. I still have my Dunlop Jerry Cantrell wah pedal because I love that.

I've been lucky enough to have fulfilled so many ambitions, and gone way past anything I ever thought I would do. I could never have imagined the career that I've had with the Foo Fighters - playing stadiums and having songs on the radio. It's amazing, and my goal is really just to carry on playing.

Voting for Romney after the train wreck of that was the eight years of W. Bush is like losing your pay check playing a rigged game of three-card monte and then playing the same game again a week later 'cause the cards are a different color.

If I'm playing a fat person, then I actually eat a lot of cakes and as much as I can. If I'm playing a person in shape, then I'll increase my intensity of boxing training. It's really dependent. It kind of allows me to take whatever specific character I want.

I started playing bluegrass with my family, so there were the G, C and D chords. I was playing a Martin acoustic because that's what Carter Stanley of the Stanley Brothers played. Then I got into the really raw blues of Hound Dog Taylor and started on electric guitar.

Football was just the playing I enjoyed at first, but the longer you're playing the more it becomes a social event. You meet new people and make new friends. I still know some of the people I played with when I was 11-years-old, which is nice.

I have a lot of interest in interior rhyming; not just rhyming at the end of the lines, but playing around with rhymes within the lines, playing with where the syllabic emphases in the sentences are, lining those up at strange moments in the line of the song. I’m not sure if that comes across or not.

Watching and learning from the great Josette Bushell-Mingo, who was playing Cleopatra in Antony and Cleopatra at the time, and then to return to the same stage six months later playing a lead role, was incredible - I fell in love with the poetry and the breadth of the language so much that I didn't want it to end.

My dad was always playing music. Not, like, playing music but listening to music.

There are teams in England who play the football I like, keeping the ball on the ground, playing a quick game with one-twos, pressing their opponents high up the pitch. If one of these clubs were interested in me, I'd adapt to them well, and they could adapt to my way of playing, which isn't so common.

We're playing Scrabble. It's a nightmare." "Scrabble?" He sounds surprised. "Scrabble's great." "Not when you're playing with a family of geniuses, it's not. They all put words like 'iridiums'. And I put 'pig'.

'Heel Turn 2' is about a person who's in a match, and he's playing as though the match were real. But it is real! If you're standing in the middle of a ring, and you're playing the villain, and everyone is booing and throwing things at you, that's real.

You can only gain the real intricacies of playing by playing. You can study the playbook all you want and you can ask as many questions, but until you're out there out of the field doing it, that's the only way is to mess it up, or do it right and cement and then learn from it.

I was living and working with adult men who were playing a real art form. And I had been playing blues all my life. As soon as I formed my first band, we played Jimmy Reed stuff. So it wasn't like I was a white kid who was learning the blues from B.B. King records.

If you think hard enough about it, Rowlf the dog playing the piano on 'The Muppet Show' - what kind of insanity was happening underneath the cameras to make that happen? His mouth is moving, and he's got two hands playing the piano. That's two people under there!

Acting was definitely half of what I loved about storytelling and about theater. So, when I get a chance to do a cameo in a show or do a movie, it's a lot of fun and it's always great stepping outside of yourself and either playing a bizarro version of yourself or playing a character.

Kane is a band I formed with my best friend Steve Carlson. We just got together and started playing guitar. He was playing some old school rock and roll, and we got together and thought, 'Hey, let's take this on the road.'

A certain desperation is usually necessary before we're ready for God... Until your knees finally hit the floor, you're just playing at life, and on some level you're scared because you know you're just playing. The moment of surrender is not when life is over. It's when it begins

That was one of the lessons I had to learn - just relax and play. Don't worry about what's happened in the past; don't worry what's going to happen in the future. You are playing a game you dreamed your whole life about playing. There's no sense in ruining it by worrying or doubting.

I love the idea of playing something stupid or romantic. I'm not the smartest man in the room. I listen, and I learn, and I observe, but I'm always playing characters with intellects profoundly superior to mine. That's great fun, even though it's as much a fantasy for me as for the people watching me.

The music I listened to when I was a kid was Sonny Boy Williams and Pinetop Perkins. He was the one who had the most influence on my playing. I saw him through a window playing piano and I thought it was unbelievable somebody could move their fingers that fast. And this is how I got interested in piano.

While I played Ranji Trophy for five years, I used to be asked, 'When are you playing for the nation?' - a question which I didn't have any answer to. I kept playing before I got my first break in 1996; those five years were indeed frustrating.

When you get older, you want to be playing. I'm not one who would want to be sitting around as part of the squad, making up the numbers. I am conscious that I want to be playing and making a contribution to the team.

Playing tricky poker doesn't have to mean making bizarre moves or playing way out of character. Rather, it's simply about taking advantage of what you know about your opponents and how they perceive your style of play.

In September 2012, I got the blues pretty bad, so I stopped playing for a little while. I started to renew my playing by the time February of 2013 came around. I would go up and rehearse to different songs, play stuff like Count Basie records, jazz or rap.

They said playing basketball would kill me. Well, not playing basketball was killing me.

Frank Farrelly. . .must be thought of with respect (perhaps even delight?) by his clients who have so far played the game of therapy with their therapists, but, I am afraid, also a shocking example for those therapists who, in Laing's words, 'are playing at not playing a game'.