Top 1200 Historical Research Quotes & Sayings - Page 2

I expressed skepticism, in the first chapter, about the utility of time machines in historical research. I especially advised against graduate students relying on them, because of the limited perspective you tend to get from being plunked down in some particular part of the past, and the danger of not getting back in time for your orals.

You can't believe anything that's written in an historical novel, and yet the author's job is always to create a believable world that readers can enter. It's especially so, I think, for writers of historical fiction.

'Research,' for me, is a big word that encompasses a lot of different activities, all of them based around curiosity. Research is traveling to places, or studying snowflakes with a magnifying glass, or excavating one's memories. Research is walking around Hamburg with a notebook.

In my work, there's mechanism that is "real," which is formed from the historical concepts of the images that I'm working with. That doesn't fall completely into a cliché. There are elements about it that carry historical context and edges.

The idea of a method that contains firm, unchanging, and absolutely binding principles for conducting the business of science meets considerable difficulty when confronted with the results of historical research. We find, then, that there is not a single rule, however plausible, and however firmly grounded in epistemology, that is not violated at some time or another.

I'm a big fan of historical fiction stuff. Historical battles - 'Gladiators,' 'The Patriot.'

When I was a student in Kazakhstan University, I did not have access to any research papers. These papers I needed for my research project. Payment of 32 dollars is just insane when you need to skim or read tens or hundreds of these papers to do research. I obtained these papers by pirating them.

Everything in 'The Tudors' is initially based on my historical research, and the fact is that the most unlikely scenes were the ones which were probably most based on reality. I prefer to be as real as possible, and there is so much of that story that you just can't make up.

When writing about historical characters I try to be as accurate as possible, and in particular not to misrepresent the view they held. With a real historical figure you have to be fair, and this is not an obligation you have in dealing with your own creations, so it is quite different.

Even if people tell me they have historical proof [that it is not historical], that doesn't really bother me.

If you're playing the a historical character that's in the public consciousness, then obviously you've got to make an effort to look like that person and there's a huge amount of historical record there that you have to kind of comply to.

We sometimes talk as if "original research" were a peculiar prerogative of scientists or at least of advanced students. But all thinking is research, and all research is native, original, with him who carries it on, even if everybody else in the world already is sure of what he is still looking for.

What distinguishes the historical social system we are calling historical capitalism is that in this historical system capital came to be used (invested) in a very special way. It came to be used with the primary objective or intent of self-expansion. In this system, past accumulations were 'capital' only to the extend they were used to accumulate more of the same.

Writing historical novels can be dangerous. We need to be as accurate and as fair about the historical record as we can be, at the same time as creating our fictional characters and, hopefully, telling a good story. The challenge is weaving the fiction into the history.

....the popular music of Jamaica, the music of the people, is an essentially experiential music, not merely in the sense that the people experience the music, but also in the sense that the music is true to the historical experience, that the music reflects the historical experience. It is the spiritual expression of the historical experience of the Afro-Jamaican.

We have gotten away from this double aspect of either putting the character back into historical events or of making a historical event of his very life.

There is no need for historical research. The war didn't take place a thousand years ago. Over a million Iranians served at one time or another in the war fronts and most of them are living ordinary lives today and are available for interviews. These stories are largely unknown in Iran and when I tell them to my friends or students they usually laugh.

The notion of a writer sitting in a library doing research isn't what I want. The research I love doing isn't found in a book. It's what it feels like to rappel down the side of a building; to train with a SWAT team; to hold a human brain in your hands; or to dive for pirate treasure. Those are things I've done to research my stories.

People as me how I do research for my science fiction. The answer is, I never do any research.

This example illustrates the differences in the effects which may be produced by research in pure or applied science. A research on the lines of applied science would doubtless have led to improvement and development of the older methods - the research in pure science has given us an entirely new and much more powerful method. In fact, research in applied science leads to reforms, research in pure science leads to revolutions, and revolutions, whether political or industrial, are exceedingly profitable things if you are on the winning side.

One book at a time... though I'm usually doing the research for others while I'm writing, but that sort of research is fairly desultory and I like to stick to the book being written - and writing a book concentrates the mind so the research is more productive.

For 'The Grace of Kings,' I read Han Dynasty historical records in Classical Chinese, which allowed me to get a sense of the complexity of the politics and the 'surprisingly modern' reactions of the historical figures to recurrent problems of state administration.

I was invited to join the newly established Central Chemical Research Institute of the Hungarian Academy of Sciences in 1954 and was able to establish a small research group in organic chemistry, housed in temporary laboratories of an industrial research institute.

As much as I care about historical context - I'm very eager to read a really great historical account.

I write novels, mostly historical ones, and I try hard to keep them accurate as to historical facts, milieu and flavor.

My books fall in the wobbly middle between historical fiction and historical romance.

Very strange bridges are used to make the passage from one state of things to another; we may lose sight of them in our surveys of general history, but their discovery is the glory of historical research. History is not the study of origins; rather it is the analysis of all the mediations by which the past was turned into our present.

The short-term vision is: I research on something which I can use tomorrow, and for some politicians it is even better if it's today. But if you do this, you can only do targeted research. If you only do targeted research, you lose the side-routes.

If you make a determination that [story of Abraham and the sacrifice of Isaac] is not historical, do you throw it away? I don't think we can say whether it's precisely, scientifically historical.

A healthy economics has got to have both conceptual, theoretical research and applied, empirical research.

I did a great deal of research to write 'The Irish Duke.' Since all the people in this Lords of the Realm series are real historical characters, everything had to be authentic. I researched Woburn Abbey, where my heroine lived, and everything about Barons Court in Ireland, which was the ancestral home of Abercorn.

Historical! Must it be historical to catch your attention? Even though historicity, like notoriety, denotes nothing more than thatsomething has occurred.

Sociologists and historians have avoided looking for the family sources of wars and social violence. Whenever a group produces murderers, the early parental relationship must have been abusive and neglectful. Yet this elementary truth has not even begun to be considered in historical research; just stating that poor mothering lies behind wars seems blasphemous.

If all the evidence is weighed carefully and fairly, it is indeed justifiable, according to the canons of historical research, to conclude that the sepulcher of Joseph of Arimathea, in which Jesus was buried, was actually empty on the morning of the first Easter. And no shred of evidence has yet been discovered in literary sources, epigraphy, or archaeology that would disprove this statement.

I think that if you get too close to the character, if you do too much historical research, you may find yourself defending your view of a character against the author's view, and I think that's terribly dangerous.

I believe in research you cannot do enough research; believability comes out of what's real.

If you're playing a historical character that's in the public consciousness, then obviously you've got to make an effort to look like that person and there's a huge amount of historical record there that you have to kind of comply to.

Research, research, research. It means everything.

The story in that particular spot was an ancient history story, and we wanted to give it a historical feeling, which was why we used a historical calligraphy scroll come to life.

I once did an event with Ian Rankin where he said he didn't really need to do much background research because his books are set in the present, and I just thought: 'You lucky, lucky beast!' because as a historical novelist, I live constantly on the edge of wondering whether tissues had been invented.

It's such a long mission and we get to spend so much time in space... we're doing such exciting research. And I don't want to overemphasize the life science research, but as a physician the life science research that we're doing is extremely exciting.

If you don't invest in basic research at some stage you start losing the basis of applied research.

I don't use composers. I research music the way I research the photographs or the facts in my scripts.

It is of course the nature of historical contraction that the shortest distance to a historical destination is never a straight line.

Now, whenever you read any historical document, you always evaluate it in light of the historical context.

Historical fiction is not history. You're blending real events and actual historical personages with characters of your own creation.

Monsanto will not come empty-handed. Monsanto will come with a big bag of money. And because these governments are poor, when they are shown money for their research institutions, for their universities, for their professors, they are very quick to say yes, and I can tell you that when Monsanto came to Kenya, they were able to be given permission to do research in one of our research institutions, and yet there was not a single law to control such research.

As much as I love historical fiction, my problem with historical fiction is that you always know what's going to happen.

I don't actually tend to do a lot of research when I'm writing. I do know because I think a lot of what I find you want to do with research is just confirming things you want to do. If the research contradicts what you want to do, you tend to go ahead and do it anyway.

For novelists, the imagination is everything. The trick is to guide one's imagination using research. I love using old maps. When I wrote my novels on London and New York, I found wonderful historical atlases. Paris has the most lavish maps of all.

The Stem Cell Research Enhancement Act would expand research on embryonic stem cells by increasing the number of lines stem cells that would be eligible for federally funded research.

Though my books are written from a historical perspective, I have goon so far back that I am in the realm of prehistorical speculation rather than simple historical fact to weave my stories around.

At the undergraduate level, SNU has a unique 'Opportunities for Undergraduate Research' programme. Students are encouraged to undertake research programmes at the undergraduate level and get trained in the interdisciplinary research.

When you read a history or biography you are entitled to imagine that it is as accurate as the authors can make it. That research has gone into it and we say "This is a history of the civil war, this is a biography of Lincoln" whatever. But you don't make any such supposition when you say "This is a historical novel."

Historical fiction is actually good preparation for reading SF. Both the historical novelist and the science fiction writer are writing about worlds unlike our own.

Wellcome Trust focuses on supporting outstanding researchers, accelerating the application of research, and exploring medicine in historical and cultural contexts. We believe passionately that breakthroughs emerge when the most talented researchers are given the resources and freedom they need to pursue their goals.

Research is an expression of faith in the possibility of progress. The drive that leads scholars to study a topic has to include the belief that new things can be discovered, that newer can be better, and that greater depth of understanding is achievable. Research, especially academic research, is a form of optimism about the human condition.

If you're writing something that's clearly labelled as an alternative history, of course it's perfectly legitimate to play with known historical characters and events, but less so when you're writing an essentially straight historical fiction.

The Deep Web contains shockingly valuable information. Can you imagine how cancer research would blossom if every researcher had instant access to every research paper done by every single university and research lab in the world?

In 1998, I set up and directed a research group at the Nanotechnology Institute newly created in the Research Center of Karlsruhe. This allowed to offer to former post-doctoral coworkers the opportunity to develop and to progressively set up independent research activities in nanoscience and nanotechnology.