Top 31 Ceramics Quotes & Sayings

Explore popular Ceramics quotes.
Last updated on October 6, 2024.
I think ceramics are so amazing because they're incredibly educational - you can buy something made in the 14th century, and it looks like it was made yesterday. There's something to be learned there, and ceramics can tell you the history of the time because they're functional vessels, ultimately.
Ridiculous that some people feel superior to the gay minority. They're the only couples you'll ever find poking around for ceramics and candle holders in the winery gift shop and both parties really want to be there.
I was learning things in school rather than learning how to teach myself, which is what you have to do in life, so I just abandoned it and did ceramics for a year and a half.
I do a lot of ceramics. — © Jeff Bridges
I do a lot of ceramics.
After I left school at 16 I had three jobs: I worked in a ceramics factory, where I made toilet handles, I repaired cars for people and in the evenings and weekends I worked in a bar. I had to do them all to make ends meet.
I collect primarily ceramics but also black-and-white photography and some bits of contemporary.
In England, there is a dividing line between artists and illustrators, who are thought inferior to painters. Well, that's absolute rubbish. Some of the most creative work is being done in children's books. In Japan, everything is art. They don't say painting is better than ceramics or dress design.
I helped start a ceramics company called CPS Technologies. We took it public in 1987 at $12 a share. Three months later, there was this horrible cliff: Black Monday. Fidelity had bought 15 percent of our stock, and their algorithm caused them to dump it all onto the market that day. We dropped from $12 to $2.
I hadn't had any course work in ceramics. I had no courses in art education but I wasn't going to let this chance to have a job pass me by. I went out and learned and I stayed one step ahead of the students by reading and I got to be pretty proficient at throwing on the wheel and making my own glazes, ordering the chemicals and having the students go out and dig and process their clay, and doing things that they weren't teaching at Howard University. So Talladega College opened up my whole sensibility about experimental teaching.
I learned about Chinese ceramics and African sculptures, I aired my scanty knowledge of the French Impressionists, and I prospered.
I took a number of graphic courses, lithography and etching and wood engraving [at Art Institute]. And particularly as I got more and more into ceramics, I thought, life drawing doesn't have anything to do with ceramics.
Nature is a brilliant engineer and builder. It knows how to create seashells that are twice as strong as the most resistant ceramics human beings can manufacture, and it produces silk fibers five times stronger than steel. Nature also knows how to create multipurpose forms.
We both [with Alixandra Kolesky MacKenzie] got into ceramics, you might say, by the back door. Looking back on it, I think this was a very good thing.
My dad is a sculptor and a painter, and mum runs an art gallery, which sells beautiful jewelry and ceramics and paintings - local and international.
I read up a lot about ceramics and collect them, but when you make something, it's very difficult to like it. I quite like appreciating and supporting what someone else does.
[ Bernard] Leach was the one who taught us that, because he, too, had started out as a painter and an etcher and had only gotten into ceramics by chance when he was in Japan trying to teach the Japanese how to do etching, which, as he said, they were not ready for yet.
The other day I started to take a course in psycho-ceramics. What is psycho-ceramics? It's the study of crackpots.
Ballet might be too formal of a title for the type of dance I do, but I love to dance. I love to draw and paint; I do ceramics and photography. I'm interested in a lot of creative stuff.
I was always doing films, but the ceramics didn't come until later. I did take ceramics in university, which gave me an appetite for the medium, but I couldn't figure out what I wanted to do with it yet.
[Bernard Leach] talked about painting, but we never talked about ceramics in that evening. But at the end of the evening he said to us, "Well," he said, "I've changed my mind, and if you want, you can come back a year from now and apprentice in the workshop."
I worked as an engineer before going into ceramics, making insulators. It was my job, so I got it done. But I also had a lot of pride in myself.
Grottaglie itself is really famous for its figurative and 'splatter' paint ceramics - the figurative motifs are absolutely beautiful and the workshops in the town produce them all by hand so each design is unique.
When I was growing up as a little girl and as a teenager, I loved designing and making dogs' clothes and wanting to be a fashion designer. I took art and ceramics. I loved dance.
I'm not the kind of person who has tall stacks of beautiful ceramics in every corner of my cabinets.
There was a mental institution near my house, and I would donate time teaching mentally ill patients how to do ceramics. I photographed them as well. So those were my first pictures.
When people say ceramics is therapeutic and seductive, I think it's really about the wheel. Nothing I've done has that feeling; I feel like I'm fighting with the material the whole time. It doesn't want to be vague. It doesn't want to be asymmetrical. It doesn't want to have different clays combined. It doesn't want to do any of the things I make it do.
I have always wished I could learn to be a potter. I love collecting ceramics; it would be so fulfilling to create something lovely. — © Julie Andrews
I have always wished I could learn to be a potter. I love collecting ceramics; it would be so fulfilling to create something lovely.
No, my friend. We are lunatics from the hospital up the highway, psycho-ceramics, the cracked pots of mankind. Would you like me to decipher a Rorschach for you?
The attractions of ceramics lie partly in its contradictions. It is both difficult and easy, with an element beyond our control. It is both extremely fragile and durable. Like 'Sumi' ink painting, it does not lend itself to erasures and indecision.
When I was incarcerated at Alderson in West Virginia for a five-month term, they had a ceramics class.
I love to paint, do ceramics, photography. I got a lot of side things that I like to do.
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