Top 1200 Cosby Show Quotes & Sayings - Page 20

There are a couple of specific things about the show [Into the Badlands]. We didn't want to do a contemporary show, which is always "Chinese cop comes to New York, teams up with racist cop, together they fight crime..."

The last TV show I binged on was 'Hannibal' because it stars two of my friends, Mads Mikkelsen and Hugh Dancy, who I first met filming 'King Arthur' back in 2003, and I just lapped this show up; loved it.

I was on 'That '70s Show' as the sexy nurse. I like that show, but I hated my character. I was like, 'I will never do anything like this again in my life. I feel crazy.'

To me, doing a gay pride show is one of the most fun things. My first show that paid more than $10,000 was in a gay club on New Year's Eve in San Francisco.

I left 'Saturday Night Live' without a film to go to, and I'd filmed 'Old School' while I was in my last season of the show, and that hadn't come out yet. I was a free agent, in a way, but I knew it was time to leave the show and test the water.

I work full-time, whether it's on 'All In,' my own show, whether it's Ring of Honor, whether it's New Japan - I make every show.

When I was in college, I was debating to try my hand at show business, or to become a professor. I just thought of the risk of not going into show business and always wondering if I would've had a chance. Because that's where my real heart was.

'Looking' was always a niche show for a niche within a niche. It's a gay-themed show, so you're not going to get millions of straight people watching it - that's the inevitability of it.

I'm a writer; I've worked as much as a writer as I have as an actor, so I was in a script-note session at Imagine for a TV show I wrote that they were producing, and they happened to say, 'You'd be great as Crosby, do you want to do this show we're doing, 'Parenthood?'

FlashForward was a really fun show to make. Not to mention, I only worked like, one day a week, and it paid the same as Happy Endings. I got to make out with beautiful women on that show as well.

I know you've all heard the advice, "Show, don't tell." The best writers don't tell you, and quite frankly they don't just show you -- they make you feel it, live it, taste it, touch it. Storytelling is about being in the moment with the characters.

When I was a kid, going to Universal Studios, which was all I wanted to do, all the time, there was a show that was all the monsters, and I loved that show. I was obsessed with Dracula. I was obsessed with Frankenstein. I was obsessed with the Wolfman.

One of the most calming and powerful actions you can do to intervene in a stormy world is to stand up and show your soul. Struggling souls catch light from other souls who are fully lit and willing to show it.

To me, doing a gay pride show is one of the most fun things. My first show that paid more than $10,000 was in a gay club on New Year’s Eve in San Francisco.

There is a lot of good television out there, stuff that is better for you than 'Stranger Things,' that, critically, people would be like, 'This is an important show,' but I would press you to find a show that's more watchable. That's hard to do.

I drink during every show. I can't remember the last show I did completely sober. It works for me. I use it as a tool. It's like steroids are for athletes. I'm looser and more self-confident. If I drank less, I wouldn't have been on stage this long.

I teach at USC. I have a big class of 360 kids, only about a fifth of whom are film majors. I don't just show the Hollywood blockbusters. I show independent films, foreign films, documentaries.

I got shocked really bad at a show once. We do this big intro to a cover of the Smiths' "Panic on the Streets of London" and I got a huge shock and went, 'Ohhhh!' We had to stop the show for 15 minutes.

Show me a novel that's not comic, and I'll show you a novel that's not doing its job.

One of our rules for the show, I guess the filter we try to pass everything through, is it's a safe place for women to be. It's not a show for women, because we're basically 50/50 men/women in our audience, but it's a safe place where women win. Women never lose on our show. I think that's very important. It's very unusual.

I had an acting coach while I was doing the show and every week I could see my work improving. I really liked working on the show because I was learning new things every day.

In terms of films, I don't like to show pain. I'd like to show hope.

You want good ratings, you want people to like the show, you want to be appreciated for the hard work you put in. You don't always get it. Every show is not beloved.

Show me a man or woman who cannot stand mysteries and I will show you a fool, a clever fool - perhaps - but a fool just the same.

We had all week to rehearse. An audience would come in at the end of the week and we'd our little show. Most of the ad- libbing happened during the week on the show.

I got to host a radio show. I got a clothing range. I was the face of fashion week. I got to do a whole television show with kids.

'RuPaul's Drag Race' is a show about love, art, passion, acceptance, and the quest for finding America's next drag superstar. No show on the telly box has more grit than these queens.

I almost did a show called 'Celebrity Splash.' It was a high diving competition show that only ran one season because of all the injuries. I can't even enter the water without holding my nose, but I was between jobs and the money was tempting.

My years on 'Family Matters' were precious to me. During the run of the show, I saw many births, deaths, weddings... The actual family on the show became my family.

Show me a man who claims he is objective and I'll show you a man with illusions.

It may sound kind of brash but you really do have to treat it like just another job. It could be over tomorrow, and if you invest too much of yourself in, 'Hey I am the show and the show is me,' you'll get snapped hard.

As a kid, I used to take the sheet off of my mother's bed, make a tent and put on a show for the neighborhood kids and charge them two packs of matches. Then, the show got so good I started charging a penny.

I wanted to show the community you can build something here without having to raid taxpayers' dollars. What better way to show the community what we're all about, as a welcome to come to the Institute of Contemporary Art and be a part of what we're doing here?

I'd much rather go to a Banksy art show than a Moby art show. My art is painfully naive.

Do not ask your children to strive for extraordinary lives. Such striving may seem admirable, but it is the way of foolishness. Help them instead to find the wonder and the marvel of an ordinary life. Show them the joy of tasting tomatoes, apples and pears. Show them how to cry when pets and people die. Show them the infinite pleasure in the touch of a hand. And make the ordinary come alive for them. The extraordinary will take care of itself.

We've taken a show about destruction and turned it into a show about construction.

7th Heaven is quite a hit for them now, and they are hoping to appeal to a very similar audience with our show; skewed slightly older I guess, since it's a 9:00 to 10:00 show.

I have a lot of opinions. I express them in 'Mr. Show' very clearly, I think. I feel like both David Cross and I felt like that show reflected each of us pretty wholly.

I totally understand the promotional aspect of our show and the business end of it. We're putting something out there that we're really proud of. It's not like we're saying, "Hey, come watch our show," because it sucks.

Anyone can show exceptional leadership ability in easy times. When all's going to plan, anyone can be inspirational/excellent/innovative and strong. The real question is how do you show up when everything's falling apart?

I'd still like to see 'Survivor' minus the planned show-biz parts. That would be the purest form of show business - I want to see someone so hungry that they eat somebody else's foot.

You show your teeth more when you show what you're made of and your heart.

You put so much of yourself out there as an actor. You show the many facets of who you are when you're performing - or who you could be - you show yourself angry, upset, sad, vulnerable. The one thing I keep as my own private secret is the music.

I've done the best I can with the morning show. I made it a morning show. We have the coffee cup, you have the morning papers, you know, it's got that feel to it, that's what I wanted.

I do not say with words. I do not say it with images either.… I do not say, I show. I show people who move and speak. That is all I know how to do, but that is my true subject.

I never thought of myself as being that good looking, I was an actor, people saw me on television, and then they start to think you're good looking because of that presentation. I was no better looking before the show, than after - and before the TV show I couldn't get a date to save my life. So what changed? Did I suddenly become more good looking? No. I got lucky, I got a TV show. That's what happened.

The only thing worse than a crappy TV show which Paddy Chayevsky couldn't have conceived in his worst nightmare is two megacorps fighting over who thought of the crappy show first.

Reality TV is hard. You put yourself out there and you have no control over which parts they show (and don't show). And you are shooting sometimes 15 hour-days for months and months. It's exhausting - physically and mentally.

I was the worst bricklayer in the world. I can show you buildings I worked on - they're a hazard. I closed a window one time. I forgot to set back a brick and I just kept going - there I was singing 'There's no business like show business'.

It's a whole series of accidents that makes a show into a hit. A show can be fantastic and still not be a hit. You just have to hit the Zeitgeist at the right moment, and there are so many factors that you're not in control of.

Oh my God, nothing compares to the pre-horse show jitters! It's like going on 'American Idol' or 'The Voice' all the time, because you're just going and getting judged for your entire show.

When I create a TV show, it's so that I can write it. I'm not an empire builder; my writing staff is usually a combination of two kinds of people - experts in the world the show is set in, and young writers who will not be unhappy if they're not writing scripts.

'FlashForward' was a really fun show to make. Not to mention, I only worked, like, one day a week, and it paid the same as 'Happy Endings.' I got to make out with beautiful women on that show as well.

Gummi Bears was actually an adventure comedy. It was great fun, it had this terrific backstory, a show created by Jymn Magon. The candy was the inspiration for starting the show in the first place but the series that was created was really great. We felt that Gummi Bears never got the respect it deserved. I don't take any credit for Gummi Bears. Gummi Bears was up and running by the time I joined Disney. I thought it was a great show.

Trying to get the talk show, looking back on it, we had to beg a lot of station managers to pick up the show because people thought no one would watch it because I'm openly gay.

If I do a reality show, it'll have to be a real reality show. I can't do a scripted reality show.

I loved working on that show [Defiance]. I mean, that show was brutal. We worked long, brutal hours in really brutal weather.

In fact, my mother got a 'Bigg Boss' themed cake on my 17th birthday because I was so obsessed with the show. I am one of those obsessed fans who ask everyone to keep quiet when the show comes on TV.

When I go to a web video meeting and look around, at least half the show runners are women. And a lot are actors-cum-writers who are frustrated with the situation of being a woman actor in Hollywood and have decided to create their own show.

What I love about podcasting is it's guerilla radio. I don't have to stick to anybody's protocol or format. I can operate my show just like I want to, but at the end of the day, it's just a can of audio whoopa**. My show is built to entertain.